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Verena Stacked Alabaster Column Floor Lamp. The shade is built from a stack of alabaster rings, each one slightly proud of the next, so the whole column has a ribbed, coiled profile — like a rope wound around itself, or a column left unfinished on purpose. The second is the stone itself. Every ring is cut from quarried alabaster, and because they are separate pieces, the veining changes as it climbs — dense caramel in one band, pale and nearly translucent in the next. Unlit, in daylight, it reads as carved architecture: a pale fluted column on a dark stem. Lit, the veins surface like ink in water and each ring glows a little differently from the one below.

The stem is the counterweight to all that texture. Slim, dark bronze, deliberately plain — a fluted rod on a low round base, and nothing else. Against a pale wall the metal recedes and the lit column appears to float. That contrast is the whole composition: a quiet dark line, and one bright thing at the top of it.

Natural Alabaster

Naturally Unique Veining

No two pieces of stone are ever the same

Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

An inherent characteristic of real stone — not a quality defect.
Real Photo Round foot switch on the black cord of the Kelda folded paper floor lamp, with US plug
Switching it on

A Round Switch on the Floor — Turn It On With Your Foot

No reaching up into a paper shade, no feeling around a wall for a plate that isn't there. The switch sits on the cord, on the floor, where your foot already is.

Which matters more than it sounds on a lamp like this. A tall paper column has nothing you would want to reach into — and because it plugs in rather than wires in, it usually stands somewhere with no wall switch anywhere near it. One tap with your toe, on your way past.

Press With Your Toe

A round pedal switch you can find without looking down — no small rocker to hunt for in the dark, and no need to bend.

Hands Stay Free

Turn it on carrying a cup, a book, or a laundry basket. Nothing to hold, nothing to put down first.

No Wall Switch Needed

It plugs into any socket and brings its own switch with it — so it works in a corner no wall switch reaches.

Specifications

The Details

Material Brass Body · Natural Alabaster Shade Stone cut and hand-polished; metal polished and finished.
Alabaster colour White
Light source Integrated LED — warm white 3000K Built in. No bulb to buy or fit — see below.
Power Max 40W
Voltage AC 110–240V
Cord 150 cm / 59″ with plug Longer cord available free on request — ask before we ship.
Installation Plug-in — floor standing No junction box, no hardwiring, no electrician.
Environment Indoor, dry locations only
Preparation time 5–10 days Made and inspected at our own workshop before dispatch.

Good to Know

Want it dimmable? It has to be built that way

The standard fixture runs on an ordinary wall switch. Because the LED is integrated rather than a replaceable bulb, a dimmable version cannot be retrofitted later — not by changing a bulb, and not by changing the switch. It has to be designed dimmable from the start. Tell us when you order and we will build the dimmable version and confirm which dimmer models work with it.

Size & Placement

Two Heights — Measure the Furniture, Not the Room

49.8″Most chosen
Dia 20 cm × H 126.5 cm ∅ 7.9″ × H 49.8″

Beside low furniture — a sofa arm, a side table, a low armchair. The lit column sits level with anyone seated, which is why the room feels warm rather than lit from above.

Furniture beside it under 28″ tall

54.3″Taller
Dia 20 cm × H 138 cm ∅ 7.9″ × H 54.3″

Beside taller furniture — a sofa back, a console, a wingback chair. The extra 4.5″ keeps the whole lit column visible instead of half-hidden behind a cushion.

Furniture beside it 30–36″ tall

1

Which one for your spot

Sofa end, beside the armArm ~25″
49.8″ — the lit column clears the arm by about two feet and sits level with someone seated.
Behind or beside a sofa backBack 30–34″
54.3″ — at the shorter height the bottom of the shade disappears behind the cushions.
Beside a consoleConsole 30–32″
54.3″ — it reads as a pair with the console rather than as something shorter standing next to it.
Reading chair or low armchairUnder 28″
49.8″ — and pair it with a directional lamp if you actually read there. This is ambient light by design.
Empty corner, nothing beside itEither
Take the 54.3″. With no furniture to relate to, the taller one holds a corner better — the shorter one can look adrift.
Buying twoMix or match
Flanking a console, buy two of the same. Lighting one corner from two points, mix one of each — two heights reads composed, two identical reads like a showroom.
The design

Light at the Height People Actually Are

Not above your head. Level with your face.

Standard floor lamps are between 58 and 64 inches tall, and nobody ever asks why. The answer is that they were designed to light a book held by someone sitting upright in a wing chair — a posture almost nobody adopts any more. What that height actually does in a modern room is put a bright source above everyone's head, leaving faces in shadow and the ceiling doing the glowing.

This one stops at 49.8″. That is not a smaller version of a floor lamp; it is a different instrument. The lit shade lands at roughly seated eye level, which changes what the light does to a room and to the people in it.

A 58″ floor lamp Light passes over your head. Faces sit in shadow.
This, at 49.8″ The glow lands level with anyone sitting down.

The shade is a single piece of natural alabaster — quarried, not manufactured, so the veining belongs to one block of stone and no other. That matters more at this height than it would overhead. You are not looking up at it from across a room; you are sitting beside it. Unlit, it reads as pale closed stone. Lit, the veins surface like ink in water, and at eighteen inches from your shoulder you can see every one of them.

The body is brass, kept deliberately slender. A wide base and a heavy stem would make this a piece of furniture; a narrow one at 7.9″ across slips between a sofa arm and a wall, where the corner that needs light usually is. And it plugs in — no junction box, no electrician, and it moves with you when the room does.

— A lit object beside you, rather than a light above you. —
Questions, Answered

Common Questions

The things people ask before they order.

Isn't 49.8″ too short for a floor lamp?
It's short on purpose. At this height the glow sits level with anyone seated, instead of shining over their heads the way a 58″ lamp does.
Do I need an electrician?
No. It plugs into an ordinary outlet — nothing to wire, and it moves with you when the room changes.
Is it real stone?
Yes — natural alabaster on a brass body, not resin. The veining belongs to one block of stone, so no two shades match.
Will mine look like the photo?
Close, but never identical. Shape and size match; the veining is yours. Ask and we'll send a photo of the actual piece before it ships.
Is the cord long enough?
59″ as standard. Measure to your nearest outlet first — corners rarely have one. If it's further, tell us and we'll add length free.
Do I need a bulb?
No. The LED is built in at warm white 3000K — nothing to buy, nothing to fit.
Is it bright enough to read by?
It's ambient light, not task light. Beside a reading chair, pair it with a directional lamp for the page itself.
Will it fit a narrow corner?
Yes — the base is only 7.9″ across, so it slips between a sofa arm and a wall where a wide-based lamp won't.
Will the brass tarnish?
It will warm and mellow slightly over time. That's brass behaving normally — skip the metal polish unless you want it kept bright.
How do I clean it?
A soft dry cloth on both the stone and the brass. No water, no sprays — alabaster is porous and holds residue.
The Stone

Want a particular veining?

Every plate is different, so the one that arrives won't match these photographs exactly. That is what real stone does.

If you want it paler and more even, or with more grey movement, or warmer in tone — tell us before you order and we'll select the stone to suit. Send a photo of your room and we'll pick something that sits with it.

What we can't do is copy a picture. We can choose a direction, not reproduce a pattern. Email support@vidirlighting.com

Installation

The Complete Installation Guide

Not sure how to wire it, how high to hang it, or whether you need an electrician? Our full guide walks through every step for US homes.

01

Power Off First

Switch off at the breaker and confirm before you touch any wiring.

02

Check the Box

Make sure your junction box is standard, secure, and rated for the weight.

03

Match the Wires

Black to black, white to white, ground to ground — the US standard explained.

04

Set the Height

Mounting heights and clearances for sconces, pendants, and chandeliers.

Read the Full Installation Guide

Free guide · Written for US homes · Opens in a new tab

You may also like

The Same Stacked Column, at Three Heights

For surfaces  Cylinder Calla Alabaster Stacking Table Lamp - view 2 | Vidirlighting

Cylinder Calla Alabaster Stacking Table Lamp

The same stacked rings, brought down to table height. Close enough that you see every seam and every change in the veining — which is where this construction is most worth looking at.

Choose this if you have a console, sideboard or nightstand and no floor to spare.

From $415.00
View Details
For walls  Calla Cylinder Alabaster Wall Lamp - Vidirlighting

Calla Cylinder Alabaster Wall Lamp

The column on the wall instead of the floor. It takes no floor space at all, which is what a narrow hallway or a tight bedside actually needs — and a pair reads as architecture rather than as two lamps.

Choose this if the floor is full, or you want a matched pair either side of a bed or mirror.

From $575.00
View Details

Verena Stacked Alabaster Column Floor Lamp

SKU: V-FLAL2609141-1
Regular price $1,095.00
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The price includes tax, and free standard shipping within the U.S. is provided.

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✦ Complete the Look

Pairs Well With

Verena Stacked Alabaster Column Floor Lamp. The shade is built from a stack of alabaster rings, each one slightly proud of the next, so the whole column has a ribbed, coiled profile — like a rope wound around itself, or a column left unfinished on purpose. The second is the stone itself. Every ring is cut from quarried alabaster, and because they are separate pieces, the veining changes as it climbs — dense caramel in one band, pale and nearly translucent in the next. Unlit, in daylight, it reads as carved architecture: a pale fluted column on a dark stem. Lit, the veins surface like ink in water and each ring glows a little differently from the one below.

The stem is the counterweight to all that texture. Slim, dark bronze, deliberately plain — a fluted rod on a low round base, and nothing else. Against a pale wall the metal recedes and the lit column appears to float. That contrast is the whole composition: a quiet dark line, and one bright thing at the top of it.

Natural Alabaster

Naturally Unique Veining

No two pieces of stone are ever the same

Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

An inherent characteristic of real stone — not a quality defect.
Real Photo Round foot switch on the black cord of the Kelda folded paper floor lamp, with US plug
Switching it on

A Round Switch on the Floor — Turn It On With Your Foot

No reaching up into a paper shade, no feeling around a wall for a plate that isn't there. The switch sits on the cord, on the floor, where your foot already is.

Which matters more than it sounds on a lamp like this. A tall paper column has nothing you would want to reach into — and because it plugs in rather than wires in, it usually stands somewhere with no wall switch anywhere near it. One tap with your toe, on your way past.

Press With Your Toe

A round pedal switch you can find without looking down — no small rocker to hunt for in the dark, and no need to bend.

Hands Stay Free

Turn it on carrying a cup, a book, or a laundry basket. Nothing to hold, nothing to put down first.

No Wall Switch Needed

It plugs into any socket and brings its own switch with it — so it works in a corner no wall switch reaches.

Specifications

The Details

Material Brass Body · Natural Alabaster Shade Stone cut and hand-polished; metal polished and finished.
Alabaster colour White
Light source Integrated LED — warm white 3000K Built in. No bulb to buy or fit — see below.
Power Max 40W
Voltage AC 110–240V
Cord 150 cm / 59″ with plug Longer cord available free on request — ask before we ship.
Installation Plug-in — floor standing No junction box, no hardwiring, no electrician.
Environment Indoor, dry locations only
Preparation time 5–10 days Made and inspected at our own workshop before dispatch.

Good to Know

Want it dimmable? It has to be built that way

The standard fixture runs on an ordinary wall switch. Because the LED is integrated rather than a replaceable bulb, a dimmable version cannot be retrofitted later — not by changing a bulb, and not by changing the switch. It has to be designed dimmable from the start. Tell us when you order and we will build the dimmable version and confirm which dimmer models work with it.

Size & Placement

Two Heights — Measure the Furniture, Not the Room

49.8″Most chosen
Dia 20 cm × H 126.5 cm ∅ 7.9″ × H 49.8″

Beside low furniture — a sofa arm, a side table, a low armchair. The lit column sits level with anyone seated, which is why the room feels warm rather than lit from above.

Furniture beside it under 28″ tall

54.3″Taller
Dia 20 cm × H 138 cm ∅ 7.9″ × H 54.3″

Beside taller furniture — a sofa back, a console, a wingback chair. The extra 4.5″ keeps the whole lit column visible instead of half-hidden behind a cushion.

Furniture beside it 30–36″ tall

1

Which one for your spot

Sofa end, beside the armArm ~25″
49.8″ — the lit column clears the arm by about two feet and sits level with someone seated.
Behind or beside a sofa backBack 30–34″
54.3″ — at the shorter height the bottom of the shade disappears behind the cushions.
Beside a consoleConsole 30–32″
54.3″ — it reads as a pair with the console rather than as something shorter standing next to it.
Reading chair or low armchairUnder 28″
49.8″ — and pair it with a directional lamp if you actually read there. This is ambient light by design.
Empty corner, nothing beside itEither
Take the 54.3″. With no furniture to relate to, the taller one holds a corner better — the shorter one can look adrift.
Buying twoMix or match
Flanking a console, buy two of the same. Lighting one corner from two points, mix one of each — two heights reads composed, two identical reads like a showroom.
The design

Light at the Height People Actually Are

Not above your head. Level with your face.

Standard floor lamps are between 58 and 64 inches tall, and nobody ever asks why. The answer is that they were designed to light a book held by someone sitting upright in a wing chair — a posture almost nobody adopts any more. What that height actually does in a modern room is put a bright source above everyone's head, leaving faces in shadow and the ceiling doing the glowing.

This one stops at 49.8″. That is not a smaller version of a floor lamp; it is a different instrument. The lit shade lands at roughly seated eye level, which changes what the light does to a room and to the people in it.

A 58″ floor lamp Light passes over your head. Faces sit in shadow.
This, at 49.8″ The glow lands level with anyone sitting down.

The shade is a single piece of natural alabaster — quarried, not manufactured, so the veining belongs to one block of stone and no other. That matters more at this height than it would overhead. You are not looking up at it from across a room; you are sitting beside it. Unlit, it reads as pale closed stone. Lit, the veins surface like ink in water, and at eighteen inches from your shoulder you can see every one of them.

The body is brass, kept deliberately slender. A wide base and a heavy stem would make this a piece of furniture; a narrow one at 7.9″ across slips between a sofa arm and a wall, where the corner that needs light usually is. And it plugs in — no junction box, no electrician, and it moves with you when the room does.

— A lit object beside you, rather than a light above you. —
Questions, Answered

Common Questions

The things people ask before they order.

Isn't 49.8″ too short for a floor lamp?
It's short on purpose. At this height the glow sits level with anyone seated, instead of shining over their heads the way a 58″ lamp does.
Do I need an electrician?
No. It plugs into an ordinary outlet — nothing to wire, and it moves with you when the room changes.
Is it real stone?
Yes — natural alabaster on a brass body, not resin. The veining belongs to one block of stone, so no two shades match.
Will mine look like the photo?
Close, but never identical. Shape and size match; the veining is yours. Ask and we'll send a photo of the actual piece before it ships.
Is the cord long enough?
59″ as standard. Measure to your nearest outlet first — corners rarely have one. If it's further, tell us and we'll add length free.
Do I need a bulb?
No. The LED is built in at warm white 3000K — nothing to buy, nothing to fit.
Is it bright enough to read by?
It's ambient light, not task light. Beside a reading chair, pair it with a directional lamp for the page itself.
Will it fit a narrow corner?
Yes — the base is only 7.9″ across, so it slips between a sofa arm and a wall where a wide-based lamp won't.
Will the brass tarnish?
It will warm and mellow slightly over time. That's brass behaving normally — skip the metal polish unless you want it kept bright.
How do I clean it?
A soft dry cloth on both the stone and the brass. No water, no sprays — alabaster is porous and holds residue.
The Stone

Want a particular veining?

Every plate is different, so the one that arrives won't match these photographs exactly. That is what real stone does.

If you want it paler and more even, or with more grey movement, or warmer in tone — tell us before you order and we'll select the stone to suit. Send a photo of your room and we'll pick something that sits with it.

What we can't do is copy a picture. We can choose a direction, not reproduce a pattern. Email support@vidirlighting.com

Installation

The Complete Installation Guide

Not sure how to wire it, how high to hang it, or whether you need an electrician? Our full guide walks through every step for US homes.

01

Power Off First

Switch off at the breaker and confirm before you touch any wiring.

02

Check the Box

Make sure your junction box is standard, secure, and rated for the weight.

03

Match the Wires

Black to black, white to white, ground to ground — the US standard explained.

04

Set the Height

Mounting heights and clearances for sconces, pendants, and chandeliers.

Read the Full Installation Guide

Free guide · Written for US homes · Opens in a new tab

You may also like

The Same Stacked Column, at Three Heights

For surfaces  Cylinder Calla Alabaster Stacking Table Lamp - view 2 | Vidirlighting

Cylinder Calla Alabaster Stacking Table Lamp

The same stacked rings, brought down to table height. Close enough that you see every seam and every change in the veining — which is where this construction is most worth looking at.

Choose this if you have a console, sideboard or nightstand and no floor to spare.

From $415.00
View Details
For walls  Calla Cylinder Alabaster Wall Lamp - Vidirlighting

Calla Cylinder Alabaster Wall Lamp

The column on the wall instead of the floor. It takes no floor space at all, which is what a narrow hallway or a tight bedside actually needs — and a pair reads as architecture rather than as two lamps.

Choose this if the floor is full, or you want a matched pair either side of a bed or mirror.

From $575.00
View Details

Customer Reviews

The quiet glow of alabaster
Vidir lighting / 01

Natural stone lighting

The quiet glow of alabaster

Sculpted by nature, refined for modern spaces. Discover light with a softer point of view.
Hand-finished in stone
The alabaster edit

The Vidir lighting edit

The only shade that glows from inside.

Most shades block light and let it out at the edges. Yet, this stone-textured lampshade manages to achieve exactly that.

01

Translucent properties

Alabaster is translucent. Switch it on and the whole shade lights up from within, veining and all, instead of glowing only where the bulb sits. There is no bright spot to look at, because the light source is the entire surface.

02

Naturally formed

The veining was decided underground, long before anyone cut it. Every shade carries its own pattern and its own faint colour shift — so the piece that arrives is not the piece in the photograph, and that is the point.

03

Durable and long-lasting

Resin and acrylic imitations go amber and brittle within a few years of sitting next to a warm bulb. Stone does not age that way. The shade you unpack is the shade you will have in twenty years.

Designed for better living

Stone Light Fixtures

Natural stone is different from metal or glass. Understanding these points before you buy ensures there won't be any surprises after installation.
01

Light Color Defines the Look

Use warm white (2700K). The stone itself has an off-white, creamy tone; cool light passing through it makes it look grayish and dingy, whereas warm light brings out that honey-like hue seen in the photos.

02

Clean Only with a Dry Cloth

Alabaster is a natural stone that absorbs water and cleaning agents, which can leave permanent stains. Disconnect the power, let the bulb cool down, and then wipe the fixture with a soft, dry cloth—do not use water or spray cleaners.

03

It is heavier than it looks.

The density of the stone is far greater than that of a glass shade of the same size; ensure the ceiling's load-bearing capacity is sufficient for safety.

Geometric Alabaster Sculptural Floor Lamp - view 10 | Vidirlighting

A new perspective

Light changes everything

Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.

01 / Natural Materials Vidir Alabaster Cylindrical Chain Chandelier Our product Alabaster Cylindrical Chain Chandelier
Our Natural Alabaster Products

Natural Alabaster Lamps

Alabaster is translucent, so the light travels through the stone rather than escaping at the edges — the whole shade glows, veining and all. Every piece carries a pattern that was decided underground, which is why no two are alike.

Unique veining Soft, natural translucency Will not yellow
02 / Resin Material
Industrially Replicated Surface

Limitations of resin

Resin is cast in moulds, so the "veining" repeats from one shade to the next and the light passes through evenly with no depth to it. It also ages differently: sitting close to a warm bulb, resin tends to amber and grow brittle within a few years.

Prone to yellowing Uniform light transmission Repeating pattern

THE ART OF ALABASTER

Light, hidden within every texture.

The natural texture of alabaster brings a warm, mineral quality to the space. (Please contact us if you require a specific texture.)

Pure
01 / 05

Pure

A pure white texture reminiscent of fresh snow—warm, smooth, and refined.

Ink-Dyed
02 / 05

Ink-Dyed

Deep, inky patterns flow across a white base.

Lightning Pattern
03 / 05

Lightning Pattern

A dynamic pattern resembling a bolt of lightning streaking across the sky.

Ice-Crackle Pattern
04 / 05

Ice-Crackle Pattern

Fine, intricate cracks evoking the aesthetic beauty of a sheet of ice at the moment it shatters.

Snowflake Pattern
05 / 05

Snowflake Pattern

A pattern as light and airy as falling snowflakes, with every single flake unique.

Material · Method · Light

The art of alabaster

Every texture tells a story of natural light and patient craftsmanship.

01

Crafted from select natural alabaster, preserving its unique veining.

02

Meticulously cut and shaped by artisans.

03

Repeatedly ground and polished for a smooth, refined texture.

04

Carefully assembled and quality-inspected.

Custom Stone Lighting

Crafting Unique Stone Textures for You

We create bespoke stone lighting fixtures featuring unique textures tailored to your specifications. From one-off custom pieces to multi-unit project orders, we cater to a wide range of custom requirements for residential, hospitality, and commercial interior design.
Custom Stone From inspiration to the finished product, every detail can be customized.
Custom dimensions
Stone texture selection
Surface finishes
Shapes and profiles
Multi-piece orders
Trade and architectural projects
Stone sample service
Material study / 01Vidirlighting