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Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier
Sylvi Linear Alabaster Trough Chandelier

The Sylvi Linear Alabaster Trough Chandelier is a long, shallow channel of natural alabaster — flat-bottomed, with the sides rising and the ends turning up into soft curves — held from the ceiling by two slim rods rather than a central stem. Two metal bands cross the trough at even intervals, dividing it into three visible sections and making the length readable rather than uniform.

Most linear chandeliers hang from one bar and hide it behind the shade. Here the suspension is the design: two rods dropping to separate ceiling points, with nothing between them. Below, the entire trough glows along its whole length rather than sending light down from a source — so what lands on the table beneath is a continuous band of warmth instead of a row of bright spots. Sitting under it, there is nothing to look into from any angle. Built for surfaces that are longer than they are wide — a rectangular dining table, a kitchen island, a boardroom table, a long console — where a round fixture always leaves the ends dark.

Natural Alabaster

Naturally Unique Veining

No two pieces of stone are ever the same

Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

An inherent characteristic of real stone — not a quality defect.
Specifications

The Details

Material Genuine Natural Alabaster · Brass Rods, Bands & Canopies Stone cut and polished; metal electroplated and finished.
Finish Brass · BlackAlabaster: natural white in both.
Light source Integrated LED — warm white 3000K Built in — no bulb to buy, fit, or replace.
Power Max 40W
Voltage AC 110–240V
Control Standard wall switch (not included) A dimmable version is available — ask us before ordering. See the note below.
Mounting Ceiling — hardwired, two fixing points
Rating IP20 — indoor, dry locations only No protection against water or steam. Not for bathrooms.
Preparation time 5–10 days Made and inspected at our own workshop before dispatch.

Good to Know

Want it dimmable? Say so before you order

The LED is built into the fixture, so there is no bulb to buy or replace — and no bulb to swap for a dimmable one afterwards. (Please contact us if you require a dimmable version.)

Size & Placement

Match It to the Length of Your Table

Length 39.4″ 100 cm
Length 47.2″ 120 cm
Overall drop 23.6″ 60 cm · including rods

Rectangular TableBest use
Height30–36″ above the tabletop, measured to the bottom edge of the stone
PositionCentred on the table, running the same direction as it — not across it

Lower than instinct suggests. Nobody walks under a table.

Kitchen IslandBest use
Height30–34″ above the worktop — a little higher than over a table, since you stand rather than sit
PositionCentred along the island's length, set back from the edge people lean over

Continuous light along a worktop, not pools with gaps.

Long Console or Hallway
HeightKeep 7 ft of clearance above the floor anywhere people walk beneath it
PositionAlong the length of the corridor or the console — the fixture reinforces the direction of the space

Check the 23.6″ drop against a low ceiling first.

Where Not to Put ItAvoid
AvoidRound or square tables — the shape fights the surface underneath
AvoidBathrooms. IP20 means no protection against water or steam, and alabaster is porous.

A long surface, or nothing.

The design

Nothing Spans Between the Rods

The bar every linear light hides — this one simply doesn't have.

Look closely at almost any long dining light and you will find the same thing: a metal bar running its full length, carrying the wiring and the weight, with a shade hung underneath to hide it. The shade is doing two jobs at once — softening the light, and concealing the structure that holds it up. It has to be deep enough to swallow the bar, which is why so many linear fixtures are bulkier than the light they give.

Two slim rods drop from two separate points on the ceiling, and between them there is only air. Each rod carries its share of the load and its share of the wiring, and because nothing has to be concealed, the stone could be made shallow — a trough rather than a box, flat along the bottom with the sides just rising and the ends turning up.

Shallow is what makes the light behave. A deep shade collects light and lets it out at one opening; a shallow trough spreads it along the whole length of the stone. So what arrives on the table is not two or three bright pools with dim gaps between them, but one continuous band of warmth — the reason a long table under a linear light either works completely or does not work at all.

The two metal bands are the last decision, and the least obvious. Without them the trough would read as one blank strip of glowing stone, and the eye would slide off it. Crossing it at even intervals divides the length into three, giving the proportion something to be measured against — the same reason a long table looks better with three place settings than with an unbroken run of cloth. In brass the bands melt into the warmth and the piece reads as one object; in black they become hard graphic lines against pale stone.

— Two rods, and nothing in between —
Questions, Answered

Common Questions

How it mounts, which table it suits, and what the light actually does.

Can I hang this where my current light is?

Not directly — and this is the most important thing to know before ordering.

It hangs from two slim rods fixed at two separate points on your ceiling, not one canopy. That means two holes, two fixings, and wiring run between them.

Will it fit my table?

The fixture is 39.4″ long, and the rule for a linear light is half to two-thirds of the table's length.

So it suits a table of roughly 60–79″. Under 55″ it will overhang both ends and start to look like a beam across the room. Over 90″ it will light the middle and leave the ends dim — for a table that long, two fixtures end to end is the usual answer, and we're happy to advise on the gap between them.

One thing it is not for: a round table. A linear light over a circle leaves two arcs unlit and two ends of the stone doing nothing.

Does the whole thing light up, or just parts of it?

The whole length. The stone glows continuously rather than sending light down from a few visible sources.

That is the difference between this and a row of pendants. What lands on the table is one continuous band of warmth instead of two or three bright pools with dim gaps between them — which matters most at the ends of a long table, where a row of pendants usually runs out of light.

How low should it hang?
Over a dining table, 30–36″ from the tabletop to the bottom edge of the stone — lower than instinct suggests, but nobody walks under a table. Over a kitchen island, 30–34″ is better, since you stand rather than sit. Anywhere people walk beneath it, keep 7 ft of clearance above the floor. The fixture's own drop is 23.6″ including the rods; if that leaves it too high for your ceiling, longer rods are supplied on request.
Can I dim it?

Yes, but it has to be specified when you order. (Please contact us if you require a dimmable version.)

Is there a bulb to replace?
No — the LED is built in, running at warm white 3000K. Nothing to source, nothing to match along the length, and no section brighter than another. If it ever stops working, contact us and we'll advise on parts.
Why are there two metal bands across it?

To break the length up. Without them the trough would read as one blank strip of glowing stone and the eye would slide straight off it. Crossing it at even intervals divides the length into three, so the proportion has something to be measured against.

They also change the character of the piece. In brass the bands blend into the warm stone and it reads as one object; in black they become sharp graphic lines against pale alabaster.

Why doesn't my stone match the photographs?

Because it is quarried, not moulded. The veining running the length of your trough will be its own — and lit from inside, on a piece this long, it is the first thing anyone notices.

Sections may also differ slightly in tone from one another. That is real stone doing what real stone does; a piece that matched the photograph exactly would have to be resin.

Will my ceiling hold it?
The weight is spread across two fixing points rather than hanging from one, which helps — but both of them need to be fixed into the structure above rather than plasterboard alone. Have your electrician confirm each point before installation. Ask us for the exact weight and pass it on.
How do I clean it?

A soft dry cloth along the stone. Keep water off it — alabaster is porous, absorbs it, and leaves a mark that won't buff out. The trough is open at the top, so dust settles inside it; a dry brush reaches in more easily than a cloth.

The metal bands and rods can take a barely damp cloth followed by a dry one. Switch off and let it cool first. Once or twice a year is plenty.

Can I put it in a bathroom?
No. It's rated IP20 — indoor dry rooms only, with no protection against water or steam. Alabaster is porous too, so damp is bad for the stone as well as the wiring. Dining rooms, kitchens, offices and hallways are all fine.
Installation

The Complete Installation Guide

Not sure how to wire it, how high to hang it, or whether you need an electrician? Our full guide walks through every step for US homes.

01

Power Off First

Switch off at the breaker and confirm before you touch any wiring.

02

Check the Box

Make sure your junction box is standard, secure, and rated for the weight.

03

Match the Wires

Black to black, white to white, ground to ground — the US standard explained.

04

Set the Height

Mounting heights and clearances for sconces, pendants, and chandeliers.

Read the Full Installation Guide

Free guide · Written for US homes · Opens in a new tab

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Wall mounted · Indoor dry rooms

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From $595.00
View Details
No wiring 

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Floor standing · Plug in

For the corner nothing on the ceiling will ever reach. No electrician, no holes, no permission — it plugs into a socket and moves whenever the room does. Soft folded paper against the flat stone overhead.

From $980.00
View Details

Sylvi Linear Alabaster Trough Chandelier

SKU: V-ALCH2608201-1
$4,795.00

The price includes tax, and free standard shipping within the U.S. is provided.

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Pairs Well With

The Sylvi Linear Alabaster Trough Chandelier is a long, shallow channel of natural alabaster — flat-bottomed, with the sides rising and the ends turning up into soft curves — held from the ceiling by two slim rods rather than a central stem. Two metal bands cross the trough at even intervals, dividing it into three visible sections and making the length readable rather than uniform.

Most linear chandeliers hang from one bar and hide it behind the shade. Here the suspension is the design: two rods dropping to separate ceiling points, with nothing between them. Below, the entire trough glows along its whole length rather than sending light down from a source — so what lands on the table beneath is a continuous band of warmth instead of a row of bright spots. Sitting under it, there is nothing to look into from any angle. Built for surfaces that are longer than they are wide — a rectangular dining table, a kitchen island, a boardroom table, a long console — where a round fixture always leaves the ends dark.

Natural Alabaster

Naturally Unique Veining

No two pieces of stone are ever the same

Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

An inherent characteristic of real stone — not a quality defect.
Specifications

The Details

Material Genuine Natural Alabaster · Brass Rods, Bands & Canopies Stone cut and polished; metal electroplated and finished.
Finish Brass · BlackAlabaster: natural white in both.
Light source Integrated LED — warm white 3000K Built in — no bulb to buy, fit, or replace.
Power Max 40W
Voltage AC 110–240V
Control Standard wall switch (not included) A dimmable version is available — ask us before ordering. See the note below.
Mounting Ceiling — hardwired, two fixing points
Rating IP20 — indoor, dry locations only No protection against water or steam. Not for bathrooms.
Preparation time 5–10 days Made and inspected at our own workshop before dispatch.

Good to Know

Want it dimmable? Say so before you order

The LED is built into the fixture, so there is no bulb to buy or replace — and no bulb to swap for a dimmable one afterwards. (Please contact us if you require a dimmable version.)

Size & Placement

Match It to the Length of Your Table

Length 39.4″ 100 cm
Length 47.2″ 120 cm
Overall drop 23.6″ 60 cm · including rods

Rectangular TableBest use
Height30–36″ above the tabletop, measured to the bottom edge of the stone
PositionCentred on the table, running the same direction as it — not across it

Lower than instinct suggests. Nobody walks under a table.

Kitchen IslandBest use
Height30–34″ above the worktop — a little higher than over a table, since you stand rather than sit
PositionCentred along the island's length, set back from the edge people lean over

Continuous light along a worktop, not pools with gaps.

Long Console or Hallway
HeightKeep 7 ft of clearance above the floor anywhere people walk beneath it
PositionAlong the length of the corridor or the console — the fixture reinforces the direction of the space

Check the 23.6″ drop against a low ceiling first.

Where Not to Put ItAvoid
AvoidRound or square tables — the shape fights the surface underneath
AvoidBathrooms. IP20 means no protection against water or steam, and alabaster is porous.

A long surface, or nothing.

The design

Nothing Spans Between the Rods

The bar every linear light hides — this one simply doesn't have.

Look closely at almost any long dining light and you will find the same thing: a metal bar running its full length, carrying the wiring and the weight, with a shade hung underneath to hide it. The shade is doing two jobs at once — softening the light, and concealing the structure that holds it up. It has to be deep enough to swallow the bar, which is why so many linear fixtures are bulkier than the light they give.

Two slim rods drop from two separate points on the ceiling, and between them there is only air. Each rod carries its share of the load and its share of the wiring, and because nothing has to be concealed, the stone could be made shallow — a trough rather than a box, flat along the bottom with the sides just rising and the ends turning up.

Shallow is what makes the light behave. A deep shade collects light and lets it out at one opening; a shallow trough spreads it along the whole length of the stone. So what arrives on the table is not two or three bright pools with dim gaps between them, but one continuous band of warmth — the reason a long table under a linear light either works completely or does not work at all.

The two metal bands are the last decision, and the least obvious. Without them the trough would read as one blank strip of glowing stone, and the eye would slide off it. Crossing it at even intervals divides the length into three, giving the proportion something to be measured against — the same reason a long table looks better with three place settings than with an unbroken run of cloth. In brass the bands melt into the warmth and the piece reads as one object; in black they become hard graphic lines against pale stone.

— Two rods, and nothing in between —
Questions, Answered

Common Questions

How it mounts, which table it suits, and what the light actually does.

Can I hang this where my current light is?

Not directly — and this is the most important thing to know before ordering.

It hangs from two slim rods fixed at two separate points on your ceiling, not one canopy. That means two holes, two fixings, and wiring run between them.

Will it fit my table?

The fixture is 39.4″ long, and the rule for a linear light is half to two-thirds of the table's length.

So it suits a table of roughly 60–79″. Under 55″ it will overhang both ends and start to look like a beam across the room. Over 90″ it will light the middle and leave the ends dim — for a table that long, two fixtures end to end is the usual answer, and we're happy to advise on the gap between them.

One thing it is not for: a round table. A linear light over a circle leaves two arcs unlit and two ends of the stone doing nothing.

Does the whole thing light up, or just parts of it?

The whole length. The stone glows continuously rather than sending light down from a few visible sources.

That is the difference between this and a row of pendants. What lands on the table is one continuous band of warmth instead of two or three bright pools with dim gaps between them — which matters most at the ends of a long table, where a row of pendants usually runs out of light.

How low should it hang?
Over a dining table, 30–36″ from the tabletop to the bottom edge of the stone — lower than instinct suggests, but nobody walks under a table. Over a kitchen island, 30–34″ is better, since you stand rather than sit. Anywhere people walk beneath it, keep 7 ft of clearance above the floor. The fixture's own drop is 23.6″ including the rods; if that leaves it too high for your ceiling, longer rods are supplied on request.
Can I dim it?

Yes, but it has to be specified when you order. (Please contact us if you require a dimmable version.)

Is there a bulb to replace?
No — the LED is built in, running at warm white 3000K. Nothing to source, nothing to match along the length, and no section brighter than another. If it ever stops working, contact us and we'll advise on parts.
Why are there two metal bands across it?

To break the length up. Without them the trough would read as one blank strip of glowing stone and the eye would slide straight off it. Crossing it at even intervals divides the length into three, so the proportion has something to be measured against.

They also change the character of the piece. In brass the bands blend into the warm stone and it reads as one object; in black they become sharp graphic lines against pale alabaster.

Why doesn't my stone match the photographs?

Because it is quarried, not moulded. The veining running the length of your trough will be its own — and lit from inside, on a piece this long, it is the first thing anyone notices.

Sections may also differ slightly in tone from one another. That is real stone doing what real stone does; a piece that matched the photograph exactly would have to be resin.

Will my ceiling hold it?
The weight is spread across two fixing points rather than hanging from one, which helps — but both of them need to be fixed into the structure above rather than plasterboard alone. Have your electrician confirm each point before installation. Ask us for the exact weight and pass it on.
How do I clean it?

A soft dry cloth along the stone. Keep water off it — alabaster is porous, absorbs it, and leaves a mark that won't buff out. The trough is open at the top, so dust settles inside it; a dry brush reaches in more easily than a cloth.

The metal bands and rods can take a barely damp cloth followed by a dry one. Switch off and let it cool first. Once or twice a year is plenty.

Can I put it in a bathroom?
No. It's rated IP20 — indoor dry rooms only, with no protection against water or steam. Alabaster is porous too, so damp is bad for the stone as well as the wiring. Dining rooms, kitchens, offices and hallways are all fine.
Installation

The Complete Installation Guide

Not sure how to wire it, how high to hang it, or whether you need an electrician? Our full guide walks through every step for US homes.

01

Power Off First

Switch off at the breaker and confirm before you touch any wiring.

02

Check the Box

Make sure your junction box is standard, secure, and rated for the weight.

03

Match the Wires

Black to black, white to white, ground to ground — the US standard explained.

04

Set the Height

Mounting heights and clearances for sconces, pendants, and chandeliers.

Read the Full Installation Guide

Free guide · Written for US homes · Opens in a new tab

You may also like

What the Table Light Doesn't Reach

A linear fixture lights one surface very well and nothing else. These two take the wall beside it and the corner behind it.

Wall Alabaster Orb Asteria Brass Wall Sconce - view 2 | Vidirlighting

Alabaster Orb Brass Wall Sconce

Wall mounted · Indoor dry rooms

A round stone orb where the trough is a long line — the same material saying the opposite thing. Along the wall beside a dining table, or in pairs framing a doorway, it lifts the light off one surface and into the room.

From $595.00
View Details
No wiring 

Folded Paper Column Floor Lamp

Floor standing · Plug in

For the corner nothing on the ceiling will ever reach. No electrician, no holes, no permission — it plugs into a socket and moves whenever the room does. Soft folded paper against the flat stone overhead.

From $980.00
View Details

Customer Reviews

Discover Our Collection -- When stone meets light

“A creation of nature, a vessel for light.”

Crafted from carefully selected natural alabaster, this piece preserves the stone’s most primal physical characteristics. As the stone is naturally formed, its internal mineral veining and depth of color vary from one piece to another. This unique “imperfection” is precisely what constitutes the most captivating charm of natural stone.

The Warmth of Artisanal Craftsmanship

Transforming a raw, rugged block into a refined work of art requires the artisan to engage in a slow, meticulous process spanning multiple stages. Following the stone's natural grain, they refine and polish it with painstaking precision.Preserving that texture closest to nature.

Why Choose Our Premium Materials?

Compared to ordinary materials, our products offer significant advantages in terms of quality, durability, and aesthetics.

Recommended Choice

Our Premium Materials

  • 100% Natural Stone
  • Hand-polished, Smooth Surface
  • Soft light for comfortable lighting
  • Each Piece is Unique

💎 Enjoy a discount when you buy now!

ordinary materials

  • Mass-produced by machine; poor workmanship
  • Prone to breakage after six months
  • May contain harmful substances

The Language of Stone

Every texture tells a unique story.

01

Pure

Pure

A pure white texture reminiscent of fresh snow—warm, smooth, and refined.

02

Ink-Dyed

Ink-Dyed

Deep, inky patterns flow across a white base.

03

Lightning Pattern

Lightning Pattern

A dynamic pattern resembling a bolt of lightning streaking across the sky.

04

Ice-Crackle Pattern

Ice-Crackle Pattern

Fine, intricate cracks evoking the aesthetic beauty of a sheet of ice at the moment it shatters.

05

Snowflake Pattern

Snowflake Pattern

A pattern as light and airy as falling snowflakes, with every single flake unique.

The variations in the veining of natural alabaster are what make it so prized; each lighting fixture bears unique natural markings—not flaws, but artistic value bestowed by nature.

Stone Carving — Transforming Stone into Beautiful Lighting Fixtures

Stone Extraction

Extract and select high-quality materials from natural quarries.

Cutting and Carving

Expert craftsmen shape each piece with meticulous attention to detail and design.

Grinding and Polishing

After multiple rounds of polishing, it gradually becomes extremely smooth, with a warm and jade-like feel.

Assembly and Inspection

Each model is meticulously curated, assembled, and tested.

EXPLORE OUR STORY

Discover our brand philosophy and product features through this video. We are dedicated to providing you with the highest quality products and service experience.

lEARN MORE

Exploring Natural Stone (Alabaster Lighting)

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Explore our curated selection of premium lighting designed to illuminate and inspire your space

Chandelier

Chandelier

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Pendant Lamp

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Wall Lamp

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Table Lamp

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Floor Lamp

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