A new perspective
Light changes everything
Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.
The Marlen Stacked Stone Alabaster Chandelier runs a slim metal rod from ceiling to tip and threads a small stack of stone discs onto it, roughly two-thirds of the way down. The rod passes straight through the middle of each disc and continues below — so the stone sits on the line rather than hanging from the end of it. Lit, the discs glow from within and the metal above and below them stays dark, which is what makes each drop read as a single lit bead on a wire rather than a lamp with a shade.
Once strung onto a cord, an object ceases to be merely a standalone item and transforms into a point along a line. These elements can be arranged closely without appearing cluttered—whether hanging singly above a bedside table, grouped in twos or threes to adorn a kitchen island, or suspended in staggered formations of five, seven, nine, or eleven within a stairwell.
No two pieces of stone are ever the same
Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

The LED is built into each drop, so there is nothing to buy and nothing to match across a cluster of eleven. To dim it you need an LED-compatible wall dimmer, not an older rotary one made for filament bulbs — and because there is no bulb to swap, it is worth getting right first time. Tell us which dimmer you have before ordering and we'll confirm the pairing.
Each drop comes with 150 cm / 59″ of cord that shortens independently during installation, so you set each height rather than accepting the one it arrived at. On the cluster versions they are cut to staggered lengths on purpose — a group hung level looks like an accident. Need more for a stairwell? Tell us your ceiling height when you order. (Please contact us if you require a dimmable version.)
Two shapes of fixture built from the same drop: a straight line on a bar, or a staggered cluster on a round plate.
Buying singles gives you full control of the spacing.

One canopy, one junction box, two drops.

The safe answer over most islands.

Not the same product as 3 Lights Linear — check which you want.

Where the cluster starts reading as a column.

Over 8 ft of drop — it needs a void, not a room.

Mount over the void, not over the treads.

Same plate as the 9 — two more drops, 20″ further down.

Plan a lift for installation and for cleaning.

The cords are not fixed at one length. Each shortens on its own during installation — so the same fixture can gather into a tight column or open out across a ceiling.
Cords kept short and close, drops within a narrow band. Reads as one vertical object rather than several lights.
→ Over a round table, a landing, or a small entry.
Cords angled outward and set to different lengths, so the drops scatter wider. Covers more ceiling with the same number of drops.
→ Over a long table, an entry, or an open-plan room.
Each cord a step longer than the last, so the drops fall in a continuous diagonal. Built to be seen from more than one floor at once.
→ Down a stairwell or a double-height entry.
How the adjustment works. Every drop runs from the ceiling plate on its own cord and shortens independently during installation — you set each height and lock it there. Hang them all long first, look at the group as a whole, then take length out one cord at a time. Cords are supplied at 150 cm / 59″.
One honest limit: the cords come out of fixed points on the ceiling plate, so "spread" means angling them outward as far as the drop allows — not moving the mounting points around your ceiling. The longer the drop, the wider the spread can go. Need more length for a tall void? Tell us your ceiling height when you order.
Nine versions, two shapes. This is the pairing that works in each room.
Fifteen drops fill a three-storey void. An atrium, a hotel stair, or a full-height lobby needs more, so the count is not capped. Tell us how many and how you want them arranged — gathered, spread, or cascading — and we'll build it. Same disc, same rod, same cord, just more of them. Send your ceiling height and a photo of the space and we'll come back with a layout before anything is made.
The rod goes through the stone. That one decision is the design.
Almost every pendant light ends at its shade. The cord comes down, the shade hangs off the bottom of it, and the structure disappears inside — you are meant to look at the shade and forget how it got there. Marlen does the opposite. A slim rod runs from the ceiling straight through the middle of a short stack of alabaster discs and keeps going below them, finishing as a thin point of metal in mid-air.
That is a small change with a large consequence. Threaded onto a line rather than hung from the end of one, the stone stops being a shade and becomes a point on the line — the same way a bead reads on a string, or a single stone on a pendant chain. Lit, the effect sharpens: the discs glow and the metal above and below stays dark, so from across a room you see a small bright mark suspended in a thin vertical stroke. There is no lamp shape to register, only a lit interval.
The scale follows from that. Each drop is barely an inch wide — narrow enough that a cluster of eleven still lets you see straight through it, which is why the counts run so high without the fixture ever feeling solid. Hang one over a nightstand and it is a full stop; hang fifteen down a stairwell and it is a line of punctuation falling three storeys. And because alabaster is quarried rather than moulded, every disc in that line carries different veining — the geometry is exact, and the stone inside it never is.
They are completely different fixtures, so this is worth thirty seconds before you order.
3 Lights · Linear hangs from a straight bar and is 39.4″ wide — three drops in a row. That's the one for a kitchen island, a counter, or a long console.
3 Lights · Cluster hangs from a round plate and is only 11.8″ across — three drops bunched together at staggered heights. That's the one for a stair landing, a small entry, or anywhere you want a vertical shape rather than a horizontal one.
Because on this fixture, more drops means longer, not wider. From 3 lights to 15, the width only goes from 11.8″ to 21.7″ — but the drop goes from 59″ to 157.5″, nearly three times as far.
So choose by how much height you need to fill, not how much floor you need to cover. If you want to cover a wide table, the linear versions are the right answer.
Yes — genuine natural alabaster, cut and polished. Never resin, never plastic made to look like stone.
You'll be able to tell: real stone is cool to the touch and heavier than it looks, and every disc carries its own faint veining. On a cluster, the discs will not match each other — some milkier, some warmer. Because they're small and hung close together you notice this more than you would on one big shade. That's what quarried stone does; it isn't a fault.
No. The LED is built into each drop — nothing to source, nothing to match across eleven of them, and no mismatched one six months later.
The honest trade-off: at end of life it isn't a bulb change. Contact us if a drop ever stops working and we'll advise on parts.
Yes. Every drop has its own 150 cm / 59″ cord that shortens independently during installation, so you set each height rather than accepting the one it arrived at.
On the clusters the cords are cut to staggered lengths on purpose — a group hung level looks like an accident. Over an island, hang the lowest disc 30–36″ above the worktop; anywhere people walk, keep 7 ft above the floor. Need more length for a stairwell? Tell us your ceiling height when you order.
A soft dry cloth on the stone discs — and keep water off them. Alabaster is porous, absorbs it, and leaves a mark that won't buff out. The metal rod can take a barely damp cloth followed by a dry one.
No sprays, no polish, nothing abrasive. Switch off and let it cool first. Once or twice a year is plenty.
The Marlen Stacked Stone Alabaster Chandelier runs a slim metal rod from ceiling to tip and threads a small stack of stone discs onto it, roughly two-thirds of the way down. The rod passes straight through the middle of each disc and continues below — so the stone sits on the line rather than hanging from the end of it. Lit, the discs glow from within and the metal above and below them stays dark, which is what makes each drop read as a single lit bead on a wire rather than a lamp with a shade.
Once strung onto a cord, an object ceases to be merely a standalone item and transforms into a point along a line. These elements can be arranged closely without appearing cluttered—whether hanging singly above a bedside table, grouped in twos or threes to adorn a kitchen island, or suspended in staggered formations of five, seven, nine, or eleven within a stairwell.
No two pieces of stone are ever the same
Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

The LED is built into each drop, so there is nothing to buy and nothing to match across a cluster of eleven. To dim it you need an LED-compatible wall dimmer, not an older rotary one made for filament bulbs — and because there is no bulb to swap, it is worth getting right first time. Tell us which dimmer you have before ordering and we'll confirm the pairing.
Each drop comes with 150 cm / 59″ of cord that shortens independently during installation, so you set each height rather than accepting the one it arrived at. On the cluster versions they are cut to staggered lengths on purpose — a group hung level looks like an accident. Need more for a stairwell? Tell us your ceiling height when you order. (Please contact us if you require a dimmable version.)
Two shapes of fixture built from the same drop: a straight line on a bar, or a staggered cluster on a round plate.
Buying singles gives you full control of the spacing.

One canopy, one junction box, two drops.

The safe answer over most islands.

Not the same product as 3 Lights Linear — check which you want.

Where the cluster starts reading as a column.

Over 8 ft of drop — it needs a void, not a room.

Mount over the void, not over the treads.

Same plate as the 9 — two more drops, 20″ further down.

Plan a lift for installation and for cleaning.

The cords are not fixed at one length. Each shortens on its own during installation — so the same fixture can gather into a tight column or open out across a ceiling.
Cords kept short and close, drops within a narrow band. Reads as one vertical object rather than several lights.
→ Over a round table, a landing, or a small entry.
Cords angled outward and set to different lengths, so the drops scatter wider. Covers more ceiling with the same number of drops.
→ Over a long table, an entry, or an open-plan room.
Each cord a step longer than the last, so the drops fall in a continuous diagonal. Built to be seen from more than one floor at once.
→ Down a stairwell or a double-height entry.
How the adjustment works. Every drop runs from the ceiling plate on its own cord and shortens independently during installation — you set each height and lock it there. Hang them all long first, look at the group as a whole, then take length out one cord at a time. Cords are supplied at 150 cm / 59″.
One honest limit: the cords come out of fixed points on the ceiling plate, so "spread" means angling them outward as far as the drop allows — not moving the mounting points around your ceiling. The longer the drop, the wider the spread can go. Need more length for a tall void? Tell us your ceiling height when you order.
Nine versions, two shapes. This is the pairing that works in each room.
Fifteen drops fill a three-storey void. An atrium, a hotel stair, or a full-height lobby needs more, so the count is not capped. Tell us how many and how you want them arranged — gathered, spread, or cascading — and we'll build it. Same disc, same rod, same cord, just more of them. Send your ceiling height and a photo of the space and we'll come back with a layout before anything is made.
The rod goes through the stone. That one decision is the design.
Almost every pendant light ends at its shade. The cord comes down, the shade hangs off the bottom of it, and the structure disappears inside — you are meant to look at the shade and forget how it got there. Marlen does the opposite. A slim rod runs from the ceiling straight through the middle of a short stack of alabaster discs and keeps going below them, finishing as a thin point of metal in mid-air.
That is a small change with a large consequence. Threaded onto a line rather than hung from the end of one, the stone stops being a shade and becomes a point on the line — the same way a bead reads on a string, or a single stone on a pendant chain. Lit, the effect sharpens: the discs glow and the metal above and below stays dark, so from across a room you see a small bright mark suspended in a thin vertical stroke. There is no lamp shape to register, only a lit interval.
The scale follows from that. Each drop is barely an inch wide — narrow enough that a cluster of eleven still lets you see straight through it, which is why the counts run so high without the fixture ever feeling solid. Hang one over a nightstand and it is a full stop; hang fifteen down a stairwell and it is a line of punctuation falling three storeys. And because alabaster is quarried rather than moulded, every disc in that line carries different veining — the geometry is exact, and the stone inside it never is.
They are completely different fixtures, so this is worth thirty seconds before you order.
3 Lights · Linear hangs from a straight bar and is 39.4″ wide — three drops in a row. That's the one for a kitchen island, a counter, or a long console.
3 Lights · Cluster hangs from a round plate and is only 11.8″ across — three drops bunched together at staggered heights. That's the one for a stair landing, a small entry, or anywhere you want a vertical shape rather than a horizontal one.
Because on this fixture, more drops means longer, not wider. From 3 lights to 15, the width only goes from 11.8″ to 21.7″ — but the drop goes from 59″ to 157.5″, nearly three times as far.
So choose by how much height you need to fill, not how much floor you need to cover. If you want to cover a wide table, the linear versions are the right answer.
Yes — genuine natural alabaster, cut and polished. Never resin, never plastic made to look like stone.
You'll be able to tell: real stone is cool to the touch and heavier than it looks, and every disc carries its own faint veining. On a cluster, the discs will not match each other — some milkier, some warmer. Because they're small and hung close together you notice this more than you would on one big shade. That's what quarried stone does; it isn't a fault.
No. The LED is built into each drop — nothing to source, nothing to match across eleven of them, and no mismatched one six months later.
The honest trade-off: at end of life it isn't a bulb change. Contact us if a drop ever stops working and we'll advise on parts.
Yes. Every drop has its own 150 cm / 59″ cord that shortens independently during installation, so you set each height rather than accepting the one it arrived at.
On the clusters the cords are cut to staggered lengths on purpose — a group hung level looks like an accident. Over an island, hang the lowest disc 30–36″ above the worktop; anywhere people walk, keep 7 ft above the floor. Need more length for a stairwell? Tell us your ceiling height when you order.
A soft dry cloth on the stone discs — and keep water off them. Alabaster is porous, absorbs it, and leaves a mark that won't buff out. The metal rod can take a barely damp cloth followed by a dry one.
No sprays, no polish, nothing abrasive. Switch off and let it cool first. Once or twice a year is plenty.

Natural stone lighting
The Vidir lighting edit
Most shades block light and let it out at the edges. Yet, this stone-textured lampshade manages to achieve exactly that.
Alabaster is translucent. Switch it on and the whole shade lights up from within, veining and all, instead of glowing only where the bulb sits. There is no bright spot to look at, because the light source is the entire surface.
The veining was decided underground, long before anyone cut it. Every shade carries its own pattern and its own faint colour shift — so the piece that arrives is not the piece in the photograph, and that is the point.
Resin and acrylic imitations go amber and brittle within a few years of sitting next to a warm bulb. Stone does not age that way. The shade you unpack is the shade you will have in twenty years.
Designed for better living
Use warm white (2700K). The stone itself has an off-white, creamy tone; cool light passing through it makes it look grayish and dingy, whereas warm light brings out that honey-like hue seen in the photos.
Alabaster is a natural stone that absorbs water and cleaning agents, which can leave permanent stains. Disconnect the power, let the bulb cool down, and then wipe the fixture with a soft, dry cloth—do not use water or spray cleaners.
The density of the stone is far greater than that of a glass shade of the same size; ensure the ceiling's load-bearing capacity is sufficient for safety.
A new perspective
Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.
Our product
Alabaster Cylindrical Chain Chandelier
Alabaster is translucent, so the light travels through the stone rather than escaping at the edges — the whole shade glows, veining and all. Every piece carries a pattern that was decided underground, which is why no two are alike.
Resin is cast in moulds, so the "veining" repeats from one shade to the next and the light passes through evenly with no depth to it. It also ages differently: sitting close to a warm bulb, resin tends to amber and grow brittle within a few years.
THE ART OF ALABASTER
The natural texture of alabaster brings a warm, mineral quality to the space. (Please contact us if you require a specific texture.)
A pure white texture reminiscent of fresh snow—warm, smooth, and refined.
Deep, inky patterns flow across a white base.
A dynamic pattern resembling a bolt of lightning streaking across the sky.
Fine, intricate cracks evoking the aesthetic beauty of a sheet of ice at the moment it shatters.
A pattern as light and airy as falling snowflakes, with every single flake unique.
Material · Method · Light
Every texture tells a story of natural light and patient craftsmanship.





Crafted from select natural alabaster, preserving its unique veining.
Meticulously cut and shaped by artisans.
Repeatedly ground and polished for a smooth, refined texture.
Carefully assembled and quality-inspected.
Custom Stone Lighting

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