Pure
A pure white texture reminiscent of fresh snow—warm, smooth, and refined.
Build your own chandelier: pick how many heads you want, then choose the stone shape — round, stacked, or square. These sizes are just popular picks, not a limit. Need more? Enter any number, or tell us your layout and we'll build it.
The Hollis Ringed Swag Chandelier hangs a cluster of small pendant drops from chains that swag outward across the ceiling before falling — each drop shaped like a smooth capsule with a flat disc encircling its waist, the way a ring circles a planet. The ring is not decoration. It catches the upward spill from the bulb and throws it back down, so each drop reads as a small bright halo rather than a bare point of light.
What makes a swag chandelier different from every other fixture is that you decide the shape. A standard chandelier arrives with its geometry already fixed; this one arrives as a set of drops and a set of chains, and the curve of each swag depends on where you put the ceiling hooks. Pull them wide and the drops scatter across a whole ceiling like a constellation. Bring them close and they gather into a tight cluster over a table.
No two pieces of stone are ever the same
Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

Two things are adjustable on this fixture, and most people only expect one of them. The drops move across your ceiling — and each drop also moves up and down on its own chain.
This is not one fixture with arms. Each drop mounts on its own round canopy, screwed to the ceiling wherever you decide, with the chain draping from one to the next.
So the spacing is yours. Set them 12″ apart for a tight cluster over a table, or spread them three feet apart to run the length of an island. Line them up straight, stagger them, or scatter them across a ceiling — the fixture does not have an opinion.
The chain is made of individual links, so every drop shortens on its own by removing links — independently of the others. Nothing is fixed at a single length.
That is what lets you stagger the heights, which is the difference between a group of lights that looks arranged and a row that looks like it was hung in a hurry. Over a table you might drop them evenly; across an open ceiling, varying them by 4–8″ at a time gives the cluster depth. Every fixture ships with 150 cm / 59″ per drop to work with.
Canopies, plates and fixings arrive in the box — one set per drop, finished to match. Nothing here is an exposed hook or an afterthought: each canopy sits flush to the ceiling and covers its own fixing completely, so what you see from below is a clean disc and a chain, not screw heads.
Alabaster is a natural stone, so every ring carries its own veining and subtle colour variation. The piece you receive will differ slightly from the photos — this is inherent to real stone, not a defect. Across a fixture with several drops, the rings will not match each other exactly either.
The LED is integrated, so dimming works through a compatible LED wall dimmer rather than by changing bulbs — there is no bulb to swap. Contact us before ordering and we'll confirm compatibility with your dimmer.
Every fixture ships with 150 cm / 59″ of cord and chain that shortens on site. For a stairwell, an atrium, or a wide swag across a long ceiling, tell us the span and ceiling height when you order and we'll supply extra length before it ships.
Ten configurations, from a single drop to thirteen. The drop is the same in every one — what changes is how many there are, and how far across your ceiling they reach.
Hang 30–36″ above a counter.

The swag is why you'd choose this one.

Two drops read as a pair, not a cluster.

Stagger the drops — a level row looks accidental.

Four is where it starts reading as a cluster.

Enough drops to look deliberate, few enough to stay light.

Vary the drop lengths more as the count goes up.

At this count it becomes the ceiling's main event.

Mark every hook on the ceiling before drilling any.

Plan a lift, and budget a full day for install.

Every drop is the same size — ∅ 7.1″ × H 5.9″. What changes is how many you hang and how much ceiling they cover. Find the row that matches your room.
How to read the last column. "Ceiling spread" is how much ceiling the canopies will occupy end to end, not the size of the fixture — on a swag light there is no fixed overall dimension, because you place the canopies yourself. Every figure here assumes 12–18″ between drops, which is the spacing at which they read as separate points rather than one mass. Pull them wider and the same count covers more ceiling.
Only the drop size is a specification. Table sizes, ceiling heights and spreads above are planning guidance based on how these fixtures are normally hung. Send us your ceiling height, your table dimensions, and where the existing wiring sits, and we will confirm a count and a layout before you order.
Ten counts cover most homes. A restaurant, a lobby, a stairwell void or a sixteen-foot table needs more — so the count is not capped at thirteen. Tell us the number and we build it.
Fifteen, twenty, thirty — tell us the number and the layout you have in mind.
Standard is 150 cm / 59″ per drop. Stairwells and atriums get as much as they need.
Black and white as standard. Ask if you need the metalwork matched to something else.
Send your ceiling and we mark canopy positions on it before anything is made.
A stone ring around every drop, chains that go where you put them, and a shape decided in your room rather than in a factory.
Every other chandelier arrives with its geometry already fixed — you hang it, and it is what it is. This one arrives as drops and chains, and the shape is set by where you place the ceiling hooks. Pull them wide and the drops scatter across the ceiling like a constellation; bring them in and they gather over a table. The same product can span ten feet or cluster into three, which is why it fits rooms that defeat a conventional fixture — a beam in the wrong place, a junction box nowhere near the table, a ceiling that needs filling rather than a point that needs lighting.
That flat disc around each drop is not trim. A bare pendant sends roughly half its output sideways and upward, where it does nothing but create glare in your eyeline. The ring catches that spill and turns it back down, so the light lands where you need it — and because the ring is alabaster rather than metal, it does not bounce the light back as a hard reflection. The stone glows from the edge, giving each drop a soft halo instead of a bright rim.
From a single pendant to thirteen, every configuration uses the identical drop — so a bedside light and a hotel lobby installation share exactly the same detail. Choose 1, 2, 3, 4, 5, 7, 9, 11, or 13 lights, and add the rest later if the room changes. The 150 cm / 59″ of cord and chain shortens on site, so every drop hangs at the height you set rather than the one you were given.
The rings are cut and polished from genuine natural alabaster. Light travels a short way into the stone before it comes back out, which is why the edge glows softly instead of throwing a hard line — and it is why no two rings on your fixture will share the same veining. Stone also holds its colour: it will not yellow near a warm LED the way an acrylic disc does. The suspension is welded metal chain, not fabric cord — cord sags into a soft curve and stretches over years, while chain holds the exact line you set on installation day and carries the weight of a swag without creeping. The metal is electroplated and polished, a finish that wears rather than flakes.
— Alabaster rings, welded chain, and a shape you draw yourself —
How a swag light hangs, what to do about a sloped ceiling, and how many drops you actually need.
Differently from a normal chandelier, and this is the whole point of it.
The wiring comes out of the electrical box in your ceiling as usual. But instead of the light hanging straight down from there, the chain runs sideways across the ceiling to hooks that you screw in wherever you want, and the drops hang down from those hooks.
So you are drilling more than one hole — the box, plus one hook per drop. In exchange, you decide where every light ends up instead of being stuck with whatever spot the builder wired.
Yes, and it handles a slope better than most fixtures do. Chains hang straight down whatever angle the ceiling is, so every drop will sit perfectly upright. A fixture on a rigid rod would lean over; this one cannot.
Two things to sort out. First, the round cover plate at the ceiling — the piece that hides the wiring — is made to sit flat, so on a slope it leaves a gap on the high side. A sloped ceiling adapter fixes it: a small angled plate that goes behind the cover. Any electrician knows the part and most hardware stores stock it. Tell us your ceiling angle when you order and we will confirm what you need.
Second, remember the drops will hang at different distances from the floor if the hooks are at different heights on the slope. That can look wonderful — or accidental. Decide which you want before you drill, and measure each drop from the floor rather than from the ceiling.
Yes — this is exactly the problem a swag light solves, and it is why people buy them.
If your electrical box sits in the middle of the room but your table is off to one side, a normal chandelier leaves you with a light that hangs in the wrong place. Here you keep the wiring where it is and swag the chain across to hooks above the table. No rewiring, no electrician cutting into your ceiling, no patching and repainting.
The same applies if a beam, a vent, or a skylight sits where you would rather have the light.
A simple rule: about one drop per foot of table or island length. A 5 ft island takes five, an 8 ft table takes seven to nine. For an open room with nothing underneath, pick by how much of the ceiling you want the fixture to cover.
Then leave 12–18″ between the drops. Closer than that and they blur into one mass instead of reading as separate lights.
Yes. Every ring is cut and polished from genuine natural alabaster — not resin, not acrylic, not plastic made to look like stone.
You can tell when it arrives: real stone is cool to the touch and heavier than it looks, and every ring carries its own faint veining. On a fixture with several drops the rings will not match each other exactly. That is what real stone does, not a fault.
No. This is rated IP20, which means indoor dry rooms only — no protection against water at all, not even steam.
Dining room, kitchen, entry, bedroom, stairwell: all fine. Not a bathroom, not above a bath or shower, not a laundry, and not a porch or balcony even with a roof over it. Alabaster is also porous, so damp is bad for the stone as well as the wiring.
This matters more here than on a normal chandelier, because you are putting weight on points you chose yourself rather than on a box the builder installed.
Every hook needs to go into a joist or a proper anchor rated for the weight — never straight into bare plasterboard, which will pull out. Stone drops are heavier than they look. Mark all your hook positions first, check what is behind each one, and only then start drilling.
That drop comes off on its own. Each one hangs from its own hook and its own chain, so a single damaged piece never means sending the whole fixture back.
If anything arrives damaged, send us photos within 24 hours of delivery and we will replace it. After that we keep spares — just tell us your finish and how many drops you have.
Not sure how to wire it, how high to hang it, or whether you need an electrician? Our full guide walks through every step for US homes.
Switch off at the breaker and confirm before you touch any wiring.
Make sure your junction box is standard, secure, and rated for the weight.
Black to black, white to white, ground to ground — the US standard explained.
Mounting heights and clearances for sconces, pendants, and chandeliers.
All four hang natural stone from adjustable chains, and all four let you set the count and the height yourself. What changes is the shape of the stone — and how far the count goes.
1–9 heads · ∅ 3.9″ or ∅ 7.9″ · 18 reviews
The slim upright cylinder — the most familiar of the four, and the most reviewed. Two stone sizes, so the same design works over a nightstand or a stairwell.
1–17 heads · ∅ 5.1″ × H 16.9″ · 7 reviews
The tallest stone of the four at nearly 17″, and the widest range — up to 17 heads as standard. Choose this when the fixture has to fill vertical space, not just cover a table.
1–17 heads · ∅ 4.7″ globe · 10 reviews
Round instead of upright. A globe reads softer than a cylinder and throws light evenly in all directions, which suits a room with a lot of hard lines already in it.
1–13 heads · ∅ 5.5″ or ∅ 6.5″ · E26 / E27
Short, wide cylinders rather than tall ones — a lower, denser cluster that sits closer to the ceiling. Two stone widths, and it takes standard E26 bulbs.
Build your own chandelier: pick how many heads you want, then choose the stone shape — round, stacked, or square. These sizes are just popular picks, not a limit. Need more? Enter any number, or tell us your layout and we'll build it.
The Hollis Ringed Swag Chandelier hangs a cluster of small pendant drops from chains that swag outward across the ceiling before falling — each drop shaped like a smooth capsule with a flat disc encircling its waist, the way a ring circles a planet. The ring is not decoration. It catches the upward spill from the bulb and throws it back down, so each drop reads as a small bright halo rather than a bare point of light.
What makes a swag chandelier different from every other fixture is that you decide the shape. A standard chandelier arrives with its geometry already fixed; this one arrives as a set of drops and a set of chains, and the curve of each swag depends on where you put the ceiling hooks. Pull them wide and the drops scatter across a whole ceiling like a constellation. Bring them close and they gather into a tight cluster over a table.
No two pieces of stone are ever the same
Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

Two things are adjustable on this fixture, and most people only expect one of them. The drops move across your ceiling — and each drop also moves up and down on its own chain.
This is not one fixture with arms. Each drop mounts on its own round canopy, screwed to the ceiling wherever you decide, with the chain draping from one to the next.
So the spacing is yours. Set them 12″ apart for a tight cluster over a table, or spread them three feet apart to run the length of an island. Line them up straight, stagger them, or scatter them across a ceiling — the fixture does not have an opinion.
The chain is made of individual links, so every drop shortens on its own by removing links — independently of the others. Nothing is fixed at a single length.
That is what lets you stagger the heights, which is the difference between a group of lights that looks arranged and a row that looks like it was hung in a hurry. Over a table you might drop them evenly; across an open ceiling, varying them by 4–8″ at a time gives the cluster depth. Every fixture ships with 150 cm / 59″ per drop to work with.
Canopies, plates and fixings arrive in the box — one set per drop, finished to match. Nothing here is an exposed hook or an afterthought: each canopy sits flush to the ceiling and covers its own fixing completely, so what you see from below is a clean disc and a chain, not screw heads.
Alabaster is a natural stone, so every ring carries its own veining and subtle colour variation. The piece you receive will differ slightly from the photos — this is inherent to real stone, not a defect. Across a fixture with several drops, the rings will not match each other exactly either.
The LED is integrated, so dimming works through a compatible LED wall dimmer rather than by changing bulbs — there is no bulb to swap. Contact us before ordering and we'll confirm compatibility with your dimmer.
Every fixture ships with 150 cm / 59″ of cord and chain that shortens on site. For a stairwell, an atrium, or a wide swag across a long ceiling, tell us the span and ceiling height when you order and we'll supply extra length before it ships.
Ten configurations, from a single drop to thirteen. The drop is the same in every one — what changes is how many there are, and how far across your ceiling they reach.
Hang 30–36″ above a counter.

The swag is why you'd choose this one.

Two drops read as a pair, not a cluster.

Stagger the drops — a level row looks accidental.

Four is where it starts reading as a cluster.

Enough drops to look deliberate, few enough to stay light.

Vary the drop lengths more as the count goes up.

At this count it becomes the ceiling's main event.

Mark every hook on the ceiling before drilling any.

Plan a lift, and budget a full day for install.

Every drop is the same size — ∅ 7.1″ × H 5.9″. What changes is how many you hang and how much ceiling they cover. Find the row that matches your room.
How to read the last column. "Ceiling spread" is how much ceiling the canopies will occupy end to end, not the size of the fixture — on a swag light there is no fixed overall dimension, because you place the canopies yourself. Every figure here assumes 12–18″ between drops, which is the spacing at which they read as separate points rather than one mass. Pull them wider and the same count covers more ceiling.
Only the drop size is a specification. Table sizes, ceiling heights and spreads above are planning guidance based on how these fixtures are normally hung. Send us your ceiling height, your table dimensions, and where the existing wiring sits, and we will confirm a count and a layout before you order.
Ten counts cover most homes. A restaurant, a lobby, a stairwell void or a sixteen-foot table needs more — so the count is not capped at thirteen. Tell us the number and we build it.
Fifteen, twenty, thirty — tell us the number and the layout you have in mind.
Standard is 150 cm / 59″ per drop. Stairwells and atriums get as much as they need.
Black and white as standard. Ask if you need the metalwork matched to something else.
Send your ceiling and we mark canopy positions on it before anything is made.
A stone ring around every drop, chains that go where you put them, and a shape decided in your room rather than in a factory.
Every other chandelier arrives with its geometry already fixed — you hang it, and it is what it is. This one arrives as drops and chains, and the shape is set by where you place the ceiling hooks. Pull them wide and the drops scatter across the ceiling like a constellation; bring them in and they gather over a table. The same product can span ten feet or cluster into three, which is why it fits rooms that defeat a conventional fixture — a beam in the wrong place, a junction box nowhere near the table, a ceiling that needs filling rather than a point that needs lighting.
That flat disc around each drop is not trim. A bare pendant sends roughly half its output sideways and upward, where it does nothing but create glare in your eyeline. The ring catches that spill and turns it back down, so the light lands where you need it — and because the ring is alabaster rather than metal, it does not bounce the light back as a hard reflection. The stone glows from the edge, giving each drop a soft halo instead of a bright rim.
From a single pendant to thirteen, every configuration uses the identical drop — so a bedside light and a hotel lobby installation share exactly the same detail. Choose 1, 2, 3, 4, 5, 7, 9, 11, or 13 lights, and add the rest later if the room changes. The 150 cm / 59″ of cord and chain shortens on site, so every drop hangs at the height you set rather than the one you were given.
The rings are cut and polished from genuine natural alabaster. Light travels a short way into the stone before it comes back out, which is why the edge glows softly instead of throwing a hard line — and it is why no two rings on your fixture will share the same veining. Stone also holds its colour: it will not yellow near a warm LED the way an acrylic disc does. The suspension is welded metal chain, not fabric cord — cord sags into a soft curve and stretches over years, while chain holds the exact line you set on installation day and carries the weight of a swag without creeping. The metal is electroplated and polished, a finish that wears rather than flakes.
— Alabaster rings, welded chain, and a shape you draw yourself —
How a swag light hangs, what to do about a sloped ceiling, and how many drops you actually need.
Differently from a normal chandelier, and this is the whole point of it.
The wiring comes out of the electrical box in your ceiling as usual. But instead of the light hanging straight down from there, the chain runs sideways across the ceiling to hooks that you screw in wherever you want, and the drops hang down from those hooks.
So you are drilling more than one hole — the box, plus one hook per drop. In exchange, you decide where every light ends up instead of being stuck with whatever spot the builder wired.
Yes, and it handles a slope better than most fixtures do. Chains hang straight down whatever angle the ceiling is, so every drop will sit perfectly upright. A fixture on a rigid rod would lean over; this one cannot.
Two things to sort out. First, the round cover plate at the ceiling — the piece that hides the wiring — is made to sit flat, so on a slope it leaves a gap on the high side. A sloped ceiling adapter fixes it: a small angled plate that goes behind the cover. Any electrician knows the part and most hardware stores stock it. Tell us your ceiling angle when you order and we will confirm what you need.
Second, remember the drops will hang at different distances from the floor if the hooks are at different heights on the slope. That can look wonderful — or accidental. Decide which you want before you drill, and measure each drop from the floor rather than from the ceiling.
Yes — this is exactly the problem a swag light solves, and it is why people buy them.
If your electrical box sits in the middle of the room but your table is off to one side, a normal chandelier leaves you with a light that hangs in the wrong place. Here you keep the wiring where it is and swag the chain across to hooks above the table. No rewiring, no electrician cutting into your ceiling, no patching and repainting.
The same applies if a beam, a vent, or a skylight sits where you would rather have the light.
A simple rule: about one drop per foot of table or island length. A 5 ft island takes five, an 8 ft table takes seven to nine. For an open room with nothing underneath, pick by how much of the ceiling you want the fixture to cover.
Then leave 12–18″ between the drops. Closer than that and they blur into one mass instead of reading as separate lights.
Yes. Every ring is cut and polished from genuine natural alabaster — not resin, not acrylic, not plastic made to look like stone.
You can tell when it arrives: real stone is cool to the touch and heavier than it looks, and every ring carries its own faint veining. On a fixture with several drops the rings will not match each other exactly. That is what real stone does, not a fault.
No. This is rated IP20, which means indoor dry rooms only — no protection against water at all, not even steam.
Dining room, kitchen, entry, bedroom, stairwell: all fine. Not a bathroom, not above a bath or shower, not a laundry, and not a porch or balcony even with a roof over it. Alabaster is also porous, so damp is bad for the stone as well as the wiring.
This matters more here than on a normal chandelier, because you are putting weight on points you chose yourself rather than on a box the builder installed.
Every hook needs to go into a joist or a proper anchor rated for the weight — never straight into bare plasterboard, which will pull out. Stone drops are heavier than they look. Mark all your hook positions first, check what is behind each one, and only then start drilling.
That drop comes off on its own. Each one hangs from its own hook and its own chain, so a single damaged piece never means sending the whole fixture back.
If anything arrives damaged, send us photos within 24 hours of delivery and we will replace it. After that we keep spares — just tell us your finish and how many drops you have.
Not sure how to wire it, how high to hang it, or whether you need an electrician? Our full guide walks through every step for US homes.
Switch off at the breaker and confirm before you touch any wiring.
Make sure your junction box is standard, secure, and rated for the weight.
Black to black, white to white, ground to ground — the US standard explained.
Mounting heights and clearances for sconces, pendants, and chandeliers.
All four hang natural stone from adjustable chains, and all four let you set the count and the height yourself. What changes is the shape of the stone — and how far the count goes.
1–9 heads · ∅ 3.9″ or ∅ 7.9″ · 18 reviews
The slim upright cylinder — the most familiar of the four, and the most reviewed. Two stone sizes, so the same design works over a nightstand or a stairwell.
1–17 heads · ∅ 5.1″ × H 16.9″ · 7 reviews
The tallest stone of the four at nearly 17″, and the widest range — up to 17 heads as standard. Choose this when the fixture has to fill vertical space, not just cover a table.
1–17 heads · ∅ 4.7″ globe · 10 reviews
Round instead of upright. A globe reads softer than a cylinder and throws light evenly in all directions, which suits a room with a lot of hard lines already in it.
1–13 heads · ∅ 5.5″ or ∅ 6.5″ · E26 / E27
Short, wide cylinders rather than tall ones — a lower, denser cluster that sits closer to the ceiling. Two stone widths, and it takes standard E26 bulbs.

Natural stone lighting
The Vidir lighting edit
Most shades block light and let it out at the edges. Yet, this stone-textured lampshade manages to achieve exactly that.
Alabaster is translucent. Switch it on and the whole shade lights up from within, veining and all, instead of glowing only where the bulb sits. There is no bright spot to look at, because the light source is the entire surface.
The veining was decided underground, long before anyone cut it. Every shade carries its own pattern and its own faint colour shift — so the piece that arrives is not the piece in the photograph, and that is the point.
Resin and acrylic imitations go amber and brittle within a few years of sitting next to a warm bulb. Stone does not age that way. The shade you unpack is the shade you will have in twenty years.
Designed for better living
Use warm white (2700K). The stone itself has an off-white, creamy tone; cool light passing through it makes it look grayish and dingy, whereas warm light brings out that honey-like hue seen in the photos.
Alabaster is a natural stone that absorbs water and cleaning agents, which can leave permanent stains. Disconnect the power, let the bulb cool down, and then wipe the fixture with a soft, dry cloth—do not use water or spray cleaners.
The density of the stone is far greater than that of a glass shade of the same size; ensure the ceiling's load-bearing capacity is sufficient for safety.
THE ART OF ALABASTER
The natural texture of alabaster brings a warm, mineral quality to the space. (Please contact us if you require a specific texture.)
A pure white texture reminiscent of fresh snow—warm, smooth, and refined.
Deep, inky patterns flow across a white base.
A dynamic pattern resembling a bolt of lightning streaking across the sky.
Fine, intricate cracks evoking the aesthetic beauty of a sheet of ice at the moment it shatters.
A pattern as light and airy as falling snowflakes, with every single flake unique.
Material · Method · Light
Every texture tells a story of natural light and patient craftsmanship.





Crafted from select natural alabaster, preserving its unique veining.
Meticulously cut and shaped by artisans.
Repeatedly ground and polished for a smooth, refined texture.
Carefully assembled and quality-inspected.
A new perspective
Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.
Our product
Alabaster Cylindrical Chain Chandelier
Alabaster is translucent, so the light travels through the stone rather than escaping at the edges — the whole shade glows, veining and all. Every piece carries a pattern that was decided underground, which is why no two are alike.
Resin is cast in moulds, so the "veining" repeats from one shade to the next and the light passes through evenly with no depth to it. It also ages differently: sitting close to a warm bulb, resin tends to amber and grow brittle within a few years.
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