A new perspective
Light changes everything
Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.
Alabaster linear pendant
Vidirlighting’s Stelline Alabaster linear pendant features two semi-circular natural alabaster shades arranged in an alternating pattern along a slender stainless steel channel, creating a luminous effect that resembles a continuous stone column.
The idea came from a stone quarry at midday, where a cut slab leans against the wall and the sun catches its edge. For a moment the block stops looking heavy and starts looking lit. We turned that moment on its side: two lengths of alabaster, cut into half-rounds and lit from within, with the seam between them reading like a fault line in the stone.
Integrated LED runs the full length behind the stone, so a long table gets one even wash of warm light instead of a row of hot spots with shadows between them. The veining wakes up along the whole run, warm where the stone is thick, almost white where it is thin.
Centre it over a dining table as a linear dining room chandelier, above a kitchen island, along a bar, or over a long work table. Three fine cables on a single canopy keep it level and almost weightless, which suits modern minimalist, Japandi and organic modern rooms.
The light
One continuous glow across the whole table, soft at the edges, with no shadow gaps between fixtures.
Three bright pools with darker gaps between them, three canopies to align and three drops to level.
The light is integrated LED, tuned to keep alabaster honey-toned rather than grey. There are no bulbs to buy and nothing to replace, and one canopy with three cables means a single junction box to wire.
This version switches on and off at the wall and is not dimmable. A dimmable version can be built to order: tell us the dimmer or smart switch you plan to use and we will confirm the right driver before you order.
The stone
Each section is cut and polished from natural alabaster, so tone and veining shift along the run and from light to light. Yours will look slightly different from the photos: a characteristic of real stone, not a defect.
Tell us before you order and we will select sections that flow into each other along the length, then photograph the actual stone for your approval before it ships.
Lengths
All three share the same 8.7″ (22 cm) height and stone profile. Pick the length by the table or island it will hang over.

Tables 60–72″ · 6 ft islands
Tables 72–90″ · 7 ft islands
Tables 90–108″ · 8–9 ft islands
Rule of thumb: aim for about two thirds of the table length, and leave at least 6″ of table at each end.
Hanging height
Measured from the table top to the bottom of the stone. Go lower over a long table for a more intimate pool of light, higher in a room with tall ceilings.
Keep at least 84″ clear to the floor anywhere people pass underneath, such as the open end of an island or a bar counter.
Three fine cables carry the run from a single canopy and are adjusted at installation, so the light hangs level along its whole length.
Cable drop
Specifications
Questions · 18
Yes. Every section is cut and polished from a block of natural alabaster, not resin or glass. That is why the veining only shows up once the light is on, and why the colour shifts slightly along the run.
They are chosen to sit well together, but they will not be identical. Tell us before you order and we will pick sections whose veining flows from one into the next.
Yes. Tell us whether you want it paler and even, greyer, or warmer, and we will select the stone, photograph it and send it for your approval before it ships.
Closely, but not exactly. Tone and veining vary in natural stone, so your light will be its own piece rather than a copy of the sample.
No. The LED is integrated along the full length behind the stone, so there is nothing to buy, fit or replace.
This version switches on and off at the wall and is not dimmable. A dimmable version can be built to order, so tell us the dimmer or smart switch you plan to use and we will confirm the right driver.
An even wash across the whole length, bright enough to light a dining table or island without hot spots or shadow gaps between fixtures.
Warm white 3000K. It keeps the alabaster honey-toned rather than grey, and sits comfortably with wood, brass and warm paint colours.
The driver is housed in the canopy and runs the LED at a steady output. If you fit any lighting on an incompatible dimmer you can get flicker, which is one reason this version is supplied non-dimmable.
Aim for about two thirds of your table length: 47.2″ for tables 60–72″, 59.1″ for 72–90″, and 70.9″ for 90–108″. Leave at least 6″ of table at each end.
30–36″ between the table top and the bottom of the stone. Lower feels more intimate over a long table; raise it in rooms with tall ceilings.
Three fine cables drop from one canopy. Each cable is adjusted at installation so the run hangs level along its whole length.
Each cable is supplied at 59″ (150 cm) and can be shortened to any drop at installation. Tell us your ceiling height if you need longer cables.
Yes. The canopy follows the slope while the cables hang plumb, so each cable is set to a different length and the light still sits level. Send us your ceiling pitch and we will confirm the lengths.
Yes, that is one of its best uses. Keep 30–36″ above the counter, and at least 84″ clear to the floor at any open end people walk past.
It is rated IP20 for indoor, dry locations only, so keep it away from showers, tubs and steam.
It is hardwired to one ceiling junction box, so we recommend a licensed electrician. One canopy means only a single box to prepare.
Each light is prepared and inspected at our factory in 5–10 days before it ships.
Installation
Switch off at the breaker and confirm before wiring.
Secure the canopy to one rated ceiling junction box.
Adjust all three cables to the same drop and check the run is level.
Restore power. The LED is built in, so there is nothing to fit.
Alabaster linear pendant
Vidirlighting’s Stelline Alabaster linear pendant features two semi-circular natural alabaster shades arranged in an alternating pattern along a slender stainless steel channel, creating a luminous effect that resembles a continuous stone column.
The idea came from a stone quarry at midday, where a cut slab leans against the wall and the sun catches its edge. For a moment the block stops looking heavy and starts looking lit. We turned that moment on its side: two lengths of alabaster, cut into half-rounds and lit from within, with the seam between them reading like a fault line in the stone.
Integrated LED runs the full length behind the stone, so a long table gets one even wash of warm light instead of a row of hot spots with shadows between them. The veining wakes up along the whole run, warm where the stone is thick, almost white where it is thin.
Centre it over a dining table as a linear dining room chandelier, above a kitchen island, along a bar, or over a long work table. Three fine cables on a single canopy keep it level and almost weightless, which suits modern minimalist, Japandi and organic modern rooms.
The light
One continuous glow across the whole table, soft at the edges, with no shadow gaps between fixtures.
Three bright pools with darker gaps between them, three canopies to align and three drops to level.
The light is integrated LED, tuned to keep alabaster honey-toned rather than grey. There are no bulbs to buy and nothing to replace, and one canopy with three cables means a single junction box to wire.
This version switches on and off at the wall and is not dimmable. A dimmable version can be built to order: tell us the dimmer or smart switch you plan to use and we will confirm the right driver before you order.
The stone
Each section is cut and polished from natural alabaster, so tone and veining shift along the run and from light to light. Yours will look slightly different from the photos: a characteristic of real stone, not a defect.
Tell us before you order and we will select sections that flow into each other along the length, then photograph the actual stone for your approval before it ships.
Lengths
All three share the same 8.7″ (22 cm) height and stone profile. Pick the length by the table or island it will hang over.

Tables 60–72″ · 6 ft islands
Tables 72–90″ · 7 ft islands
Tables 90–108″ · 8–9 ft islands
Rule of thumb: aim for about two thirds of the table length, and leave at least 6″ of table at each end.
Hanging height
Measured from the table top to the bottom of the stone. Go lower over a long table for a more intimate pool of light, higher in a room with tall ceilings.
Keep at least 84″ clear to the floor anywhere people pass underneath, such as the open end of an island or a bar counter.
Three fine cables carry the run from a single canopy and are adjusted at installation, so the light hangs level along its whole length.
Cable drop
Specifications
Questions · 18
Yes. Every section is cut and polished from a block of natural alabaster, not resin or glass. That is why the veining only shows up once the light is on, and why the colour shifts slightly along the run.
They are chosen to sit well together, but they will not be identical. Tell us before you order and we will pick sections whose veining flows from one into the next.
Yes. Tell us whether you want it paler and even, greyer, or warmer, and we will select the stone, photograph it and send it for your approval before it ships.
Closely, but not exactly. Tone and veining vary in natural stone, so your light will be its own piece rather than a copy of the sample.
No. The LED is integrated along the full length behind the stone, so there is nothing to buy, fit or replace.
This version switches on and off at the wall and is not dimmable. A dimmable version can be built to order, so tell us the dimmer or smart switch you plan to use and we will confirm the right driver.
An even wash across the whole length, bright enough to light a dining table or island without hot spots or shadow gaps between fixtures.
Warm white 3000K. It keeps the alabaster honey-toned rather than grey, and sits comfortably with wood, brass and warm paint colours.
The driver is housed in the canopy and runs the LED at a steady output. If you fit any lighting on an incompatible dimmer you can get flicker, which is one reason this version is supplied non-dimmable.
Aim for about two thirds of your table length: 47.2″ for tables 60–72″, 59.1″ for 72–90″, and 70.9″ for 90–108″. Leave at least 6″ of table at each end.
30–36″ between the table top and the bottom of the stone. Lower feels more intimate over a long table; raise it in rooms with tall ceilings.
Three fine cables drop from one canopy. Each cable is adjusted at installation so the run hangs level along its whole length.
Each cable is supplied at 59″ (150 cm) and can be shortened to any drop at installation. Tell us your ceiling height if you need longer cables.
Yes. The canopy follows the slope while the cables hang plumb, so each cable is set to a different length and the light still sits level. Send us your ceiling pitch and we will confirm the lengths.
Yes, that is one of its best uses. Keep 30–36″ above the counter, and at least 84″ clear to the floor at any open end people walk past.
It is rated IP20 for indoor, dry locations only, so keep it away from showers, tubs and steam.
It is hardwired to one ceiling junction box, so we recommend a licensed electrician. One canopy means only a single box to prepare.
Each light is prepared and inspected at our factory in 5–10 days before it ships.
Installation
Switch off at the breaker and confirm before wiring.
Secure the canopy to one rated ceiling junction box.
Adjust all three cables to the same drop and check the run is level.
Restore power. The LED is built in, so there is nothing to fit.

Natural stone lighting
The Vidir lighting edit
Most shades block light and let it out at the edges. Yet, this stone-textured lampshade manages to achieve exactly that.
Alabaster is translucent. Switch it on and the whole shade lights up from within, veining and all, instead of glowing only where the bulb sits. There is no bright spot to look at, because the light source is the entire surface.
The veining was decided underground, long before anyone cut it. Every shade carries its own pattern and its own faint colour shift — so the piece that arrives is not the piece in the photograph, and that is the point.
Resin and acrylic imitations go amber and brittle within a few years of sitting next to a warm bulb. Stone does not age that way. The shade you unpack is the shade you will have in twenty years.
Designed for better living
Use warm white (2700K). The stone itself has an off-white, creamy tone; cool light passing through it makes it look grayish and dingy, whereas warm light brings out that honey-like hue seen in the photos.
Alabaster is a natural stone that absorbs water and cleaning agents, which can leave permanent stains. Disconnect the power, let the bulb cool down, and then wipe the fixture with a soft, dry cloth—do not use water or spray cleaners.
The density of the stone is far greater than that of a glass shade of the same size; ensure the ceiling's load-bearing capacity is sufficient for safety.
A new perspective
Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.
Our product
Alabaster Cylindrical Chain Chandelier
Alabaster is translucent, so the light travels through the stone rather than escaping at the edges — the whole shade glows, veining and all. Every piece carries a pattern that was decided underground, which is why no two are alike.
Resin is cast in moulds, so the "veining" repeats from one shade to the next and the light passes through evenly with no depth to it. It also ages differently: sitting close to a warm bulb, resin tends to amber and grow brittle within a few years.
THE ART OF ALABASTER
The natural texture of alabaster brings a warm, mineral quality to the space. (Please contact us if you require a specific texture.)
A pure white texture reminiscent of fresh snow—warm, smooth, and refined.
Deep, inky patterns flow across a white base.
A dynamic pattern resembling a bolt of lightning streaking across the sky.
Fine, intricate cracks evoking the aesthetic beauty of a sheet of ice at the moment it shatters.
A pattern as light and airy as falling snowflakes, with every single flake unique.
Material · Method · Light
Every texture tells a story of natural light and patient craftsmanship.





Crafted from select natural alabaster, preserving its unique veining.
Meticulously cut and shaped by artisans.
Repeatedly ground and polished for a smooth, refined texture.
Carefully assembled and quality-inspected.
Custom Stone Lighting

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