A new perspective
Light changes everything
Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.
The Perrine Stacked Alabaster Pendant Light features shapes—specifically teardrop, sphere, and cylinder—strung along a slender suspension cord. Alabaster is translucent, so light travels through the stone rather than escaping around it. Each piece glows from within—veining and all—without any harsh, glaring hotspots. The dark collars between the stones ensure the fixture registers as a distinct stack rather than a single, blurred form.
A wide pendant is a statement and you hang one. This one is narrow enough to repeat — two over a short island, three over a long one, with two feet of clear air between each. Warm white light, built in — no bulb to buy.
No two pieces of stone are ever the same
Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

This pendant is narrow, which is what makes a row of them work — and a row is how most people use it. Order all of them in one go. Natural stone is cut in batches, so pendants ordered together come from closely matched stone; ordered months apart, they may not. The same applies to the light: a batch is built to one setting, and a row is where any difference would show.
The standard fixture runs from a normal wall switch. A dimmable version is made to order, and because the LED is integrated it has to be built that way — it cannot be converted afterwards by changing a bulb or a switch. Tell us when you order and we will build it dimmable and confirm which dimmer to use. Over an island, it is worth it.
The one that fits a standard ceiling over a counter.

Seven inches longer. Needs the height — see below.

Each piece is built after you order it — which means these three are easy to arrange now, and impossible to change once it ships.
Every stone is different, so the one that arrives won't match these photographs exactly. That is what real stone does.
If you want it paler and more even, with more grey movement, or warmer in tone — say so and we'll select stone to suit.
What we can't do: copy a picture. We choose a direction, not a pattern.

Each pendant light comes with a 150 cm (59-inch) cable that can be shortened on-site to adjust to the desired hanging height.
Please contact us if you require a longer length.
What we can't do: add cable on installation day.
The standard canopy sits flat, so on a raked or vaulted ceiling it needs a version built for the angle — otherwise the canopy gaps on one side and the pendant hangs off true.
Please contact us if you require a model for sloped-ceiling installation.
What we can't do: convert one afterwards. The angle is built into the canopy, so it has to be decided before the piece is made.

Three stones on a cord, each one lit.
Almost every pendant is one shade wrapped around one bulb. This one is a column of separate stones — a teardrop, a sphere, a barrel — held between slim collars and descending on a black cord. Three shapes, chosen because they are different from each other, and stacked so the eye reads down the piece rather than settling on it.
The collars are doing more than holding it together. Each one puts a dark break between one stone and the next, and those breaks are the reason this reads as a stack instead of a tube. Without them the whole thing would blur into one long glow; with them, every stone keeps its own edge and the column has rhythm.
Alabaster is translucent, so light travels through the body of the stone rather than escaping around it. Each piece glows from the inside, veining and all, and there is no bright point to look into from any angle — which is why this is comfortable hanging at eye level over a counter, where a clear glass pendant would put a filament directly in your sightline.
At 5.5″ across it is deliberately narrow, and that is the decision that matters most. A wide pendant is a statement and you hang one of it. A narrow one is a module: two over a short island, three over a long one, with two feet of clear air between each. It was drawn to be repeated.
How many, how high, and whether it fits your ceiling.
Two for an island up to about 7 ft, three for 8 ft and over. Space centres 30–36″ apart, and keep the outer ones at least 12″ in from each end.
This pendant is only 5.5″ wide, so at those spacings there is about two feet of clear air between each — a row reads as a rhythm rather than a crowd. One pendant alone over a long counter is the thing that looks wrong.
Over an island or counter: 30–36″ from the surface to the lowest point.
Beside a bed: about 20–24″ above the nightstand, or level with your eyes sitting up to read. Hanging it frees the whole surface of the table.
Anywhere people walk beneath: at least 7 ft from the floor.
Do this sum before choosing the length. Measure countertop to ceiling — on a standard 8 ft ceiling with a 36″ counter that is about 60″. Subtract the 30″ of clearance you want above the counter, and what is left is all the room the fixture and cable have.
On an 8 ft ceiling the 3-stone works — at 23.2″ it leaves about 7″ for the canopy and cable. The 4-stone does not. At 30.7″ it would reach the ceiling with nothing left over. The 4-stone needs 9 ft or more.
The entire column is illuminated using a single module.
What is true regardless: alabaster is translucent, so light travels through the body of each stone and the whole surface glows, veining included. The dark collars between the stones are what keep it reading as a stack rather than one continuous tube.
No, and that is worth being straight about. Light passes through the stone, so there is no hot spot anywhere — which is the appeal, and also the trade. It gives ambient light, not task light.
Over a kitchen island, plan under-cabinet or recessed lighting for the work surface and let these do the atmosphere. That is how they are meant to be used.
Cleaning: a dry soft cloth only. Never anything damp. Alabaster is porous — water and sprays soak in and leave marks that do not come out. This matters most over a kitchen, where reaching for a wet cloth is a reflex.
Dimming has to be ordered up front. The LED is built in, so a dimmable version is made that way and cannot be converted later by changing a bulb or a switch. Over an island it is worth having — tell us when you order.
Not above a bath or in a shower — IP20, no water protection.
Not sure how to wire it, how high to hang it, or whether you need an electrician? Our full guide walks through every step for US homes.
Switch off at the breaker and confirm before you touch any wiring.
Make sure your junction box is standard, secure, and rated for the weight.
Black to black, white to white, ground to ground — the US standard explained.
Mounting heights and clearances for sconces, pendants, and chandeliers.
This pendant is a teardrop, a sphere and a barrel stacked. These two take the same forms in the same stone — one onto a wall, one down to the floor.

The top stone of this pendant, on its own and on a wall. One teardrop, one piece of veining — where the pendant gives you three stones to compare, this gives you one to look at closely. It also goes where there is no ceiling box to hang from: a hallway, a landing, beside a bed.
The same idea standing up. Where the pendant stacks short stones, this is one long tapered column — the uninterrupted version of the same glow. It is also the only one of the three that needs no electrician: it plugs in, which matters in a rented room or over a floor you would rather not open a ceiling above.
The Perrine Stacked Alabaster Pendant Light features shapes—specifically teardrop, sphere, and cylinder—strung along a slender suspension cord. Alabaster is translucent, so light travels through the stone rather than escaping around it. Each piece glows from within—veining and all—without any harsh, glaring hotspots. The dark collars between the stones ensure the fixture registers as a distinct stack rather than a single, blurred form.
A wide pendant is a statement and you hang one. This one is narrow enough to repeat — two over a short island, three over a long one, with two feet of clear air between each. Warm white light, built in — no bulb to buy.
No two pieces of stone are ever the same
Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

This pendant is narrow, which is what makes a row of them work — and a row is how most people use it. Order all of them in one go. Natural stone is cut in batches, so pendants ordered together come from closely matched stone; ordered months apart, they may not. The same applies to the light: a batch is built to one setting, and a row is where any difference would show.
The standard fixture runs from a normal wall switch. A dimmable version is made to order, and because the LED is integrated it has to be built that way — it cannot be converted afterwards by changing a bulb or a switch. Tell us when you order and we will build it dimmable and confirm which dimmer to use. Over an island, it is worth it.
The one that fits a standard ceiling over a counter.

Seven inches longer. Needs the height — see below.

Each piece is built after you order it — which means these three are easy to arrange now, and impossible to change once it ships.
Every stone is different, so the one that arrives won't match these photographs exactly. That is what real stone does.
If you want it paler and more even, with more grey movement, or warmer in tone — say so and we'll select stone to suit.
What we can't do: copy a picture. We choose a direction, not a pattern.

Each pendant light comes with a 150 cm (59-inch) cable that can be shortened on-site to adjust to the desired hanging height.
Please contact us if you require a longer length.
What we can't do: add cable on installation day.
The standard canopy sits flat, so on a raked or vaulted ceiling it needs a version built for the angle — otherwise the canopy gaps on one side and the pendant hangs off true.
Please contact us if you require a model for sloped-ceiling installation.
What we can't do: convert one afterwards. The angle is built into the canopy, so it has to be decided before the piece is made.

Three stones on a cord, each one lit.
Almost every pendant is one shade wrapped around one bulb. This one is a column of separate stones — a teardrop, a sphere, a barrel — held between slim collars and descending on a black cord. Three shapes, chosen because they are different from each other, and stacked so the eye reads down the piece rather than settling on it.
The collars are doing more than holding it together. Each one puts a dark break between one stone and the next, and those breaks are the reason this reads as a stack instead of a tube. Without them the whole thing would blur into one long glow; with them, every stone keeps its own edge and the column has rhythm.
Alabaster is translucent, so light travels through the body of the stone rather than escaping around it. Each piece glows from the inside, veining and all, and there is no bright point to look into from any angle — which is why this is comfortable hanging at eye level over a counter, where a clear glass pendant would put a filament directly in your sightline.
At 5.5″ across it is deliberately narrow, and that is the decision that matters most. A wide pendant is a statement and you hang one of it. A narrow one is a module: two over a short island, three over a long one, with two feet of clear air between each. It was drawn to be repeated.
How many, how high, and whether it fits your ceiling.
Two for an island up to about 7 ft, three for 8 ft and over. Space centres 30–36″ apart, and keep the outer ones at least 12″ in from each end.
This pendant is only 5.5″ wide, so at those spacings there is about two feet of clear air between each — a row reads as a rhythm rather than a crowd. One pendant alone over a long counter is the thing that looks wrong.
Over an island or counter: 30–36″ from the surface to the lowest point.
Beside a bed: about 20–24″ above the nightstand, or level with your eyes sitting up to read. Hanging it frees the whole surface of the table.
Anywhere people walk beneath: at least 7 ft from the floor.
Do this sum before choosing the length. Measure countertop to ceiling — on a standard 8 ft ceiling with a 36″ counter that is about 60″. Subtract the 30″ of clearance you want above the counter, and what is left is all the room the fixture and cable have.
On an 8 ft ceiling the 3-stone works — at 23.2″ it leaves about 7″ for the canopy and cable. The 4-stone does not. At 30.7″ it would reach the ceiling with nothing left over. The 4-stone needs 9 ft or more.
The entire column is illuminated using a single module.
What is true regardless: alabaster is translucent, so light travels through the body of each stone and the whole surface glows, veining included. The dark collars between the stones are what keep it reading as a stack rather than one continuous tube.
No, and that is worth being straight about. Light passes through the stone, so there is no hot spot anywhere — which is the appeal, and also the trade. It gives ambient light, not task light.
Over a kitchen island, plan under-cabinet or recessed lighting for the work surface and let these do the atmosphere. That is how they are meant to be used.
Cleaning: a dry soft cloth only. Never anything damp. Alabaster is porous — water and sprays soak in and leave marks that do not come out. This matters most over a kitchen, where reaching for a wet cloth is a reflex.
Dimming has to be ordered up front. The LED is built in, so a dimmable version is made that way and cannot be converted later by changing a bulb or a switch. Over an island it is worth having — tell us when you order.
Not above a bath or in a shower — IP20, no water protection.
Not sure how to wire it, how high to hang it, or whether you need an electrician? Our full guide walks through every step for US homes.
Switch off at the breaker and confirm before you touch any wiring.
Make sure your junction box is standard, secure, and rated for the weight.
Black to black, white to white, ground to ground — the US standard explained.
Mounting heights and clearances for sconces, pendants, and chandeliers.
This pendant is a teardrop, a sphere and a barrel stacked. These two take the same forms in the same stone — one onto a wall, one down to the floor.

The top stone of this pendant, on its own and on a wall. One teardrop, one piece of veining — where the pendant gives you three stones to compare, this gives you one to look at closely. It also goes where there is no ceiling box to hang from: a hallway, a landing, beside a bed.
The same idea standing up. Where the pendant stacks short stones, this is one long tapered column — the uninterrupted version of the same glow. It is also the only one of the three that needs no electrician: it plugs in, which matters in a rented room or over a floor you would rather not open a ceiling above.

Natural stone lighting
The Vidir lighting edit
Most shades block light and let it out at the edges. Yet, this stone-textured lampshade manages to achieve exactly that.
Alabaster is translucent. Switch it on and the whole shade lights up from within, veining and all, instead of glowing only where the bulb sits. There is no bright spot to look at, because the light source is the entire surface.
The veining was decided underground, long before anyone cut it. Every shade carries its own pattern and its own faint colour shift — so the piece that arrives is not the piece in the photograph, and that is the point.
Resin and acrylic imitations go amber and brittle within a few years of sitting next to a warm bulb. Stone does not age that way. The shade you unpack is the shade you will have in twenty years.
Designed for better living
Use warm white (2700K). The stone itself has an off-white, creamy tone; cool light passing through it makes it look grayish and dingy, whereas warm light brings out that honey-like hue seen in the photos.
Alabaster is a natural stone that absorbs water and cleaning agents, which can leave permanent stains. Disconnect the power, let the bulb cool down, and then wipe the fixture with a soft, dry cloth—do not use water or spray cleaners.
The density of the stone is far greater than that of a glass shade of the same size; ensure the ceiling's load-bearing capacity is sufficient for safety.
A new perspective
Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.
Our product
Alabaster Cylindrical Chain Chandelier
Alabaster is translucent, so the light travels through the stone rather than escaping at the edges — the whole shade glows, veining and all. Every piece carries a pattern that was decided underground, which is why no two are alike.
Resin is cast in moulds, so the "veining" repeats from one shade to the next and the light passes through evenly with no depth to it. It also ages differently: sitting close to a warm bulb, resin tends to amber and grow brittle within a few years.
THE ART OF ALABASTER
The natural texture of alabaster brings a warm, mineral quality to the space. (Please contact us if you require a specific texture.)
A pure white texture reminiscent of fresh snow—warm, smooth, and refined.
Deep, inky patterns flow across a white base.
A dynamic pattern resembling a bolt of lightning streaking across the sky.
Fine, intricate cracks evoking the aesthetic beauty of a sheet of ice at the moment it shatters.
A pattern as light and airy as falling snowflakes, with every single flake unique.
Material · Method · Light
Every texture tells a story of natural light and patient craftsmanship.





Crafted from select natural alabaster, preserving its unique veining.
Meticulously cut and shaped by artisans.
Repeatedly ground and polished for a smooth, refined texture.
Carefully assembled and quality-inspected.
Custom Stone Lighting

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