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The Liora Beaded Alabaster Swag Chandelier is a continuous strand of natural alabaster beads, hung between small brass ceiling anchors so that each length falls into a soft curve of its own. One strand, several strands crossing, or a whole ceiling drawn on — the arrangement is decided by where the anchors go, not by us.

What makes it unlike anything else in the range: every single bead is lit. This is not a strand of decoration with a bulb somewhere behind it — light runs the whole length, so each stone glows from within, and the veining inside each bead shows individually. The curve is not designed either. Hang anything flexible between two fixed points and gravity draws the same line — the one a necklace makes, or a rope between two posts. Move the anchors closer and the strand falls deep and narrow; spread them wide and it stretches into a long shallow sweep. Suited to a stairwell, a double-height entry, above a long dining table, or drawn across an open-plan ceiling. In natural alabaster with brass anchors.

Natural Alabaster

Naturally Unique Veining

No two pieces of stone are ever the same

Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

An inherent characteristic of real stone — not a quality defect.
Layout & installation

You Don't Hang It. You Draw With It.

There is no frame and no canopy plate — just a strand and a set of small brass anchors. Where you put the anchors is the whole design, which means the same product makes a different fixture in every room it goes into.

One rule decides every curve

Hang anything flexible between two fixed points and gravity draws the same line — the one a necklace makes. Set the anchors close together and the strand falls deep and narrow. Set them far apart and it stretches into a long shallow sweep. You are not choosing a shape from a list; you are choosing two points, and the curve follows.

2 anchors · 1 strand
Simplest

A Single Swag

Two anchors, one curve. The quietest version — a single line drawn across a ceiling, with nothing else competing for attention.

Best over a dining table or a long console
4 anchors · 3 strands, stepped
Most chosen

Layered Swags

Several strands sharing anchors, each hung deeper than the one above. The depths overlap, so from below you look through three curves at once and the piece gains real volume.

Best in a stairwell or a double-height entry
4 anchors · strands overlapping
Sculptural

Crossing Strands

Two swags anchored so their curves overlap in the middle rather than nesting. Where they cross, the beads double up and the light concentrates — a bright knot in the centre of the piece.

Best where the ceiling is seen from below and from a landing
5+ anchors · one continuous run
Widest reach

A Running Line

One strand carried across several anchors in a row, dipping between each. It stops being a fixture and becomes a line drawn on the ceiling — the only version that can cross a whole open-plan room.

Best across an open-plan ceiling or a long hallway
Going further

Order Several and Layer Them Into One Piece

Each chandelier is an independent strand with its own anchors, which means two or three of them can be installed in the same space and read as a single fixture. Nothing is joined and nothing is modified — they simply share a ceiling.

piece 1 piece 2 piece 3

Three separate chandeliers, three sets of anchors, one arrangement — installed at different depths so the curves never sit on top of each other.

1

Stagger the depths, never match them. Two strands hung at the same depth cancel each other out — the eye reads one thick line instead of two. Set each piece noticeably deeper than the last and the layers stay separate from every viewing angle.

2

Offset the anchor positions too. If two pieces share the same start and end points, their curves nest and the second one disappears behind the first. Shift each set of anchors sideways so the curves cross rather than stack.

3

Three is usually the limit in one space. Beyond that the ceiling starts to read as busy rather than layered — and a stairwell in particular is seen from several floors at once, which multiplies whatever is up there.

4

Wire them to one switch, or to several. On one switch the whole arrangement reads as a single piece. On separate switches you can light one strand for an evening and all three when guests come — the same installation, two different rooms.

Specifications

The Details

Material Genuine Natural Alabaster Beads · BrassStone cut and polished; metal electroplated and finished.
Finish White · Gold Alabaster: natural white in both.
Light source Integrated LED — warm white 3000K Built into the strand. No bulb to buy, fit or replace.
Power Max 40W
Voltage AC 110–240V
Control Standard wall switch Dimmable version available — ask before ordering. See the note below.
Mounting Ceiling — hardwired, multiple anchor points Every strand runs between two fixings. See the note below.
Environment Indoor, dry locations only
Preparation time 5–10 days Made and inspected at our own workshop before dispatch.

Good to Know

Want it dimmable? Say so before you order

Because the LED is built into the strand, there is no bulb to swap for a dimmable one afterwards. A dimmable version is available, but it has to be specified at the time of order.

Size & Configuration

Two Numbers Decide It — Span and Strand

How far apart your anchors go, and how long the strand between them is. The first is your ceiling. The second is what we cut. Together they decide how deep the curve falls.

The extra length is the drop

A strand is always longer than the gap it spans — and that surplus is exactly what falls into the curve. Fix a 220.5″ strand across a 78.7″ span and you get a deep, dramatic sweep. Fix the same strand across a 157.5″ span and it stretches into a long shallow arc. Same strand, different anchors, completely different fixture.

narrow span → deep curve wide span → shallow sweep

Both drawings use a strand of the same length. Only the distance between the anchors changed.

Step one — how much ceiling do you want to cover?
39.4″100 cm The compact option. Suits a round dining table, a breakfast nook or an entry — a single contained curve rather than a gesture across a room.
78.7″200 cm Six and a half feet across. Right for a rectangular dining table, a kitchen island, or a stairwell seen from one landing.
118.1″300 cm Nearly ten feet. This is an architectural span — a double-height entry, a long hallway, or a stairwell viewed from several floors.
157.5″400 cm Over thirteen feet across. For open-plan ceilings and atriums, where the piece is drawing a line right through the space rather than sitting above one surface.
Pearl-Alabaster-Necklace-Chandelier-Vidirlighting2 - Vidirlighting
2 StrandsSimplest
  • 01145.7″370 cm
  • 02220.5″560 cm
Reads asTwo curves at clearly different depths — the shorter above, the longer falling well below it.

The quietest configuration. Start here if you're unsure.

3 Strands · AMost chosen
  • 01145.7″370 cm
  • 02220.5″560 cm
  • 03244.9″622 cm
Reads asThree curves stepping down at even intervals. The most balanced of the four — nothing dominates.

The version most stairwells want.

3 Strands · BDeeper contrast
  • 01116.9″297 cm
  • 02220.5″560 cm
  • 03244.9″622 cm
Reads asSame as A, but the top strand is 29″ shorter — so it sits much tighter to the ceiling and opens a gap before the two long ones.

Choose B when the top of the piece needs to stay high — under a beam, or above a doorway.

4 StrandsFullest
  • 01116.9″297 cm
  • 02145.7″370 cm
  • 03220.5″560 cm
  • 04244.9″622 cm
Reads asAll four lengths together — two tight curves above, two long ones below. The only version with real density.

Needs height. In a low room four strands read as clutter rather than layers.

The design

We Took the Fixture Away and Kept Only the Light

No frame. No canopy. No body. Just a line.

Take almost any chandelier apart and most of what you are holding is not light. It is structure — a frame to give it shape, arms to hold the shades out, a canopy plate to cover the hole in your ceiling and hide the wiring. All necessary, all of it hanging there in daylight doing nothing, and all of it the reason a chandelier is an object you install rather than something you place.

Liora began by asking whether any of that was actually required. It turns out it is not. A strand of beads needs no frame, because the ceiling itself provides the structure — two small anchors and gravity between them. There is nothing to give the piece shape, so it takes the shape of wherever you put it. There is no canopy plate, because there is no single hole to cover. What is left is a line of glowing stone and a ceiling behind it.

And every bead in that line is lit. This is not a strand of decoration with a bulb somewhere behind it — the light runs the full length, so each stone glows from the inside out. Which means the veining inside every bead shows individually: one pale and cloudy, the next carrying a strong amber grain, the one after almost clear. Strung together they read as a line of separate small warmths rather than one continuous tube of light. That is the difference between quarried stone and moulded resin, and lit from within, it is impossible to miss.

The curve is not ours either. Hang anything flexible between two fixed points and gravity draws the same line — the one a necklace makes, or a rope between two posts. Move the anchors closer and the strand falls deep and narrow; spread them apart and it stretches into a long shallow sweep. We do not send you a shape. We send you a length, and your ceiling decides the rest.

Which is why no two installations of this piece are the same. Not because the stone varies — though it does — but because the fixture is finished in your room rather than in our workshop.

— A length of stone. Two points. Gravity does the drawing. —
Questions, Answered

Common Questions

How it fixes to your ceiling, what we need from you, and what arrives in the box.

Can I hang this where my current light is?

No — and this is the most important thing to know before ordering.

There is no canopy plate and no single hole. Each strand runs from one anchor on your ceiling to another, so you need several fixing points with wiring run between them.

That's also exactly what makes it work: because the two ends are separate, the strand can curve the way it does and there's no fixture body to look at. Send us a photo of your ceiling and the span you want to cover, and we'll mark out where every anchor goes before your electrician quotes.

What do you need from me before I order?

Three things, and they take a tape measure and a phone:

1. Your ceiling height. 2. The span you want to cover — how far apart the two ends should sit. 3. What's underneath — a table, a landing, an open floor.

With those we'll confirm the configuration and cut every strand to length before it ships, so nothing arrives too short to reach or hanging lower than you planned.

How do I know how deep the curve will hang?

By the gap between the anchors. The strand is always longer than the span it crosses, and that extra length is what falls into the curve.

So anchors close together give you a deep, narrow drop. Anchors spread wide give a long shallow sweep. It's the same physics as a washing line — which is why it can't be got wrong, only planned. Tell us the depth you want and we'll work backwards to the anchor spacing.

Does every bead really light up?

Yes — the light runs the full length of the strand, so each stone glows from the inside rather than being lit from somewhere else.

That's why the veining shows individually in every bead: one pale and cloudy, the next with a strong amber grain. Strung together you see a line of separate small warmths, not one continuous tube of light. It's the clearest difference between real stone and moulded plastic, and it only shows when the light is inside.

Is there a bulb to replace?
No — the LED is built into the strand, running at warm white 3000K. Nothing to buy, nothing to match, and nothing to reach up into on a stairwell ceiling. If anything ever stops working, contact us and we'll advise on parts.
Can I dim it?

Yes, but only if you say so when you order. The LED is built in, so there's no bulb to swap for a dimmable one afterwards.

A dimmable version is available — tell us at the time of order, and tell us which dimmer switch you plan to use so we can confirm the pairing works. Over a dining table or in a stairwell most people eventually want the light lower, so it's worth deciding now.

Can I install more than one in the same room?

Yes. Each piece is an independent strand with its own anchors, so two or three can share a ceiling and read as one arrangement. Nothing is joined and nothing is modified.

Two rules if you do: hang each one noticeably deeper than the last (matched depths cancel each other out and read as one thick line), and offset the anchor positions sideways so the curves cross rather than nest. Three is usually the limit in one space.

Will my ceiling hold it?
The weight is spread across several anchors rather than hanging from one point, which helps a great deal — but each anchor still needs fixing into the structure above rather than plasterboard alone. Have your electrician confirm every point before installation day, and ask us for the weight of your configuration to pass on.
How high should it hang?
Over a dining table, keep the lowest bead 30–36″ above the tabletop — lower than instinct suggests, but nobody walks under a table. Anywhere people walk beneath it, keep 7 ft of clearance above the floor. In a stairwell, check the lowest point of the curve against every landing it passes, not just the floor at the bottom — that's the mistake people make, and it's expensive to discover after installation.
Why don't the beads match each other?

Because they're cut from quarried stone rather than moulded. Every bead carries its own veining — some almost clear, some with a strong amber grain running through them.

On a strand hung side by side and lit from within, that variation is the first thing anyone notices. A strand where every bead matched would have to be resin.

What if a bead gets damaged?
Send us photographs within 24 hours of delivery if anything arrives damaged and we'll sort out a replacement. Beyond that, contact us with the configuration you own and we'll advise — don't attempt to open or re-string it yourself, since the lighting runs through the strand.
How do I clean it?

A soft dry cloth along the beads. Keep water off the stone — alabaster is porous, absorbs it, and leaves a mark that won't buff out.

Switch off and let it cool first. Once or twice a year is plenty — and if it's in a stairwell, do it from a proper platform rather than a ladder on the treads.

Can I put it in a bathroom?
No — indoor dry rooms only. There's no protection against water or steam, and alabaster is porous, so damp is bad for the stone as well as the wiring. Dining rooms, entries, stairwells, hallways and living rooms are all fine.
Installation

The Complete Installation Guide

Not sure how to wire it, how high to hang it, or whether you need an electrician? Our full guide walks through every step for US homes.

01

Power Off First

Switch off at the breaker and confirm before you touch any wiring.

02

Check the Box

Make sure your junction box is standard, secure, and rated for the weight.

03

Match the Wires

Black to black, white to white, ground to ground — the US standard explained.

04

Set the Height

Mounting heights and clearances for sconces, pendants, and chandeliers.

Read the Full Installation Guide

Free guide · Written for US homes · Opens in a new tab

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Liora Beaded Alabaster Swag Chandelier

SKU: V202503241-3
Regular price $4,795.00
Unit price
per 

The price includes tax, and free standard shipping within the U.S. is provided.

Availability
 
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Built Right, Inside and Out

The beauty of a fixture is easy to photograph. What matters just as much is what sits inside the canopy—the driver, the bracket, the wiring, the hardware in the box. Here is how we build for safety and longevity, so the fixture you order arrives ready to install and made to last.

Install the driver, bracket and other components - Vidirlighting
01 · The Driver

An LED Driver Built to Last

We offer integrated LED drivers in a range of styles—dimmable, constant-current, and color-temperature-adjustable—so the fixture can be matched to how you actually light the room. It runs on 110–240V, works straight out of the box on standard US household power, and is rated for both dry and damp locations, so it fits wherever you'd like to install it.

02 · The Bracket

A Solid Mounting Bracket

Every fixture ships with a sturdy mounting bracket sized to a standard US junction box—so it hangs true and stays secure, year after year. No improvising, no trips to the hardware store.

03 · The Box

Everything You Need, in One Box

Open the carton and it's all there—canopy, mounting plate and bracket, screws and wall anchors, the driver, and a pair of clean cotton gloves for handling the glass. Nothing missing, nothing to source separately. It's the small stuff, packed with care, that makes installation day feel easy.

04 · The Wiring

Clean, Color-Coded Wiring

Clearly labeled leads and a tidy factory harness make professional installation quick and unambiguous. Hand it to your electrician and they'll have it up in minutes—standard L / N / E hardwiring, the way a considered fixture should be.

Order with confidence: what arrives at your door is a fixture built to be lived with—considered on the inside, finished on the outside. Wiring should be carried out by a qualified electrician in line with local code.

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Hassle-free return within 30 days

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✦ Complete the Look

Pairs Well With

The Liora Beaded Alabaster Swag Chandelier is a continuous strand of natural alabaster beads, hung between small brass ceiling anchors so that each length falls into a soft curve of its own. One strand, several strands crossing, or a whole ceiling drawn on — the arrangement is decided by where the anchors go, not by us.

What makes it unlike anything else in the range: every single bead is lit. This is not a strand of decoration with a bulb somewhere behind it — light runs the whole length, so each stone glows from within, and the veining inside each bead shows individually. The curve is not designed either. Hang anything flexible between two fixed points and gravity draws the same line — the one a necklace makes, or a rope between two posts. Move the anchors closer and the strand falls deep and narrow; spread them wide and it stretches into a long shallow sweep. Suited to a stairwell, a double-height entry, above a long dining table, or drawn across an open-plan ceiling. In natural alabaster with brass anchors.

Natural Alabaster

Naturally Unique Veining

No two pieces of stone are ever the same

Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

An inherent characteristic of real stone — not a quality defect.
Layout & installation

You Don't Hang It. You Draw With It.

There is no frame and no canopy plate — just a strand and a set of small brass anchors. Where you put the anchors is the whole design, which means the same product makes a different fixture in every room it goes into.

One rule decides every curve

Hang anything flexible between two fixed points and gravity draws the same line — the one a necklace makes. Set the anchors close together and the strand falls deep and narrow. Set them far apart and it stretches into a long shallow sweep. You are not choosing a shape from a list; you are choosing two points, and the curve follows.

2 anchors · 1 strand
Simplest

A Single Swag

Two anchors, one curve. The quietest version — a single line drawn across a ceiling, with nothing else competing for attention.

Best over a dining table or a long console
4 anchors · 3 strands, stepped
Most chosen

Layered Swags

Several strands sharing anchors, each hung deeper than the one above. The depths overlap, so from below you look through three curves at once and the piece gains real volume.

Best in a stairwell or a double-height entry
4 anchors · strands overlapping
Sculptural

Crossing Strands

Two swags anchored so their curves overlap in the middle rather than nesting. Where they cross, the beads double up and the light concentrates — a bright knot in the centre of the piece.

Best where the ceiling is seen from below and from a landing
5+ anchors · one continuous run
Widest reach

A Running Line

One strand carried across several anchors in a row, dipping between each. It stops being a fixture and becomes a line drawn on the ceiling — the only version that can cross a whole open-plan room.

Best across an open-plan ceiling or a long hallway
Going further

Order Several and Layer Them Into One Piece

Each chandelier is an independent strand with its own anchors, which means two or three of them can be installed in the same space and read as a single fixture. Nothing is joined and nothing is modified — they simply share a ceiling.

piece 1 piece 2 piece 3

Three separate chandeliers, three sets of anchors, one arrangement — installed at different depths so the curves never sit on top of each other.

1

Stagger the depths, never match them. Two strands hung at the same depth cancel each other out — the eye reads one thick line instead of two. Set each piece noticeably deeper than the last and the layers stay separate from every viewing angle.

2

Offset the anchor positions too. If two pieces share the same start and end points, their curves nest and the second one disappears behind the first. Shift each set of anchors sideways so the curves cross rather than stack.

3

Three is usually the limit in one space. Beyond that the ceiling starts to read as busy rather than layered — and a stairwell in particular is seen from several floors at once, which multiplies whatever is up there.

4

Wire them to one switch, or to several. On one switch the whole arrangement reads as a single piece. On separate switches you can light one strand for an evening and all three when guests come — the same installation, two different rooms.

Specifications

The Details

Material Genuine Natural Alabaster Beads · BrassStone cut and polished; metal electroplated and finished.
Finish White · Gold Alabaster: natural white in both.
Light source Integrated LED — warm white 3000K Built into the strand. No bulb to buy, fit or replace.
Power Max 40W
Voltage AC 110–240V
Control Standard wall switch Dimmable version available — ask before ordering. See the note below.
Mounting Ceiling — hardwired, multiple anchor points Every strand runs between two fixings. See the note below.
Environment Indoor, dry locations only
Preparation time 5–10 days Made and inspected at our own workshop before dispatch.

Good to Know

Want it dimmable? Say so before you order

Because the LED is built into the strand, there is no bulb to swap for a dimmable one afterwards. A dimmable version is available, but it has to be specified at the time of order.

Size & Configuration

Two Numbers Decide It — Span and Strand

How far apart your anchors go, and how long the strand between them is. The first is your ceiling. The second is what we cut. Together they decide how deep the curve falls.

The extra length is the drop

A strand is always longer than the gap it spans — and that surplus is exactly what falls into the curve. Fix a 220.5″ strand across a 78.7″ span and you get a deep, dramatic sweep. Fix the same strand across a 157.5″ span and it stretches into a long shallow arc. Same strand, different anchors, completely different fixture.

narrow span → deep curve wide span → shallow sweep

Both drawings use a strand of the same length. Only the distance between the anchors changed.

Step one — how much ceiling do you want to cover?
39.4″100 cm The compact option. Suits a round dining table, a breakfast nook or an entry — a single contained curve rather than a gesture across a room.
78.7″200 cm Six and a half feet across. Right for a rectangular dining table, a kitchen island, or a stairwell seen from one landing.
118.1″300 cm Nearly ten feet. This is an architectural span — a double-height entry, a long hallway, or a stairwell viewed from several floors.
157.5″400 cm Over thirteen feet across. For open-plan ceilings and atriums, where the piece is drawing a line right through the space rather than sitting above one surface.
Pearl-Alabaster-Necklace-Chandelier-Vidirlighting2 - Vidirlighting
2 StrandsSimplest
  • 01145.7″370 cm
  • 02220.5″560 cm
Reads asTwo curves at clearly different depths — the shorter above, the longer falling well below it.

The quietest configuration. Start here if you're unsure.

3 Strands · AMost chosen
  • 01145.7″370 cm
  • 02220.5″560 cm
  • 03244.9″622 cm
Reads asThree curves stepping down at even intervals. The most balanced of the four — nothing dominates.

The version most stairwells want.

3 Strands · BDeeper contrast
  • 01116.9″297 cm
  • 02220.5″560 cm
  • 03244.9″622 cm
Reads asSame as A, but the top strand is 29″ shorter — so it sits much tighter to the ceiling and opens a gap before the two long ones.

Choose B when the top of the piece needs to stay high — under a beam, or above a doorway.

4 StrandsFullest
  • 01116.9″297 cm
  • 02145.7″370 cm
  • 03220.5″560 cm
  • 04244.9″622 cm
Reads asAll four lengths together — two tight curves above, two long ones below. The only version with real density.

Needs height. In a low room four strands read as clutter rather than layers.

The design

We Took the Fixture Away and Kept Only the Light

No frame. No canopy. No body. Just a line.

Take almost any chandelier apart and most of what you are holding is not light. It is structure — a frame to give it shape, arms to hold the shades out, a canopy plate to cover the hole in your ceiling and hide the wiring. All necessary, all of it hanging there in daylight doing nothing, and all of it the reason a chandelier is an object you install rather than something you place.

Liora began by asking whether any of that was actually required. It turns out it is not. A strand of beads needs no frame, because the ceiling itself provides the structure — two small anchors and gravity between them. There is nothing to give the piece shape, so it takes the shape of wherever you put it. There is no canopy plate, because there is no single hole to cover. What is left is a line of glowing stone and a ceiling behind it.

And every bead in that line is lit. This is not a strand of decoration with a bulb somewhere behind it — the light runs the full length, so each stone glows from the inside out. Which means the veining inside every bead shows individually: one pale and cloudy, the next carrying a strong amber grain, the one after almost clear. Strung together they read as a line of separate small warmths rather than one continuous tube of light. That is the difference between quarried stone and moulded resin, and lit from within, it is impossible to miss.

The curve is not ours either. Hang anything flexible between two fixed points and gravity draws the same line — the one a necklace makes, or a rope between two posts. Move the anchors closer and the strand falls deep and narrow; spread them apart and it stretches into a long shallow sweep. We do not send you a shape. We send you a length, and your ceiling decides the rest.

Which is why no two installations of this piece are the same. Not because the stone varies — though it does — but because the fixture is finished in your room rather than in our workshop.

— A length of stone. Two points. Gravity does the drawing. —
Questions, Answered

Common Questions

How it fixes to your ceiling, what we need from you, and what arrives in the box.

Can I hang this where my current light is?

No — and this is the most important thing to know before ordering.

There is no canopy plate and no single hole. Each strand runs from one anchor on your ceiling to another, so you need several fixing points with wiring run between them.

That's also exactly what makes it work: because the two ends are separate, the strand can curve the way it does and there's no fixture body to look at. Send us a photo of your ceiling and the span you want to cover, and we'll mark out where every anchor goes before your electrician quotes.

What do you need from me before I order?

Three things, and they take a tape measure and a phone:

1. Your ceiling height. 2. The span you want to cover — how far apart the two ends should sit. 3. What's underneath — a table, a landing, an open floor.

With those we'll confirm the configuration and cut every strand to length before it ships, so nothing arrives too short to reach or hanging lower than you planned.

How do I know how deep the curve will hang?

By the gap between the anchors. The strand is always longer than the span it crosses, and that extra length is what falls into the curve.

So anchors close together give you a deep, narrow drop. Anchors spread wide give a long shallow sweep. It's the same physics as a washing line — which is why it can't be got wrong, only planned. Tell us the depth you want and we'll work backwards to the anchor spacing.

Does every bead really light up?

Yes — the light runs the full length of the strand, so each stone glows from the inside rather than being lit from somewhere else.

That's why the veining shows individually in every bead: one pale and cloudy, the next with a strong amber grain. Strung together you see a line of separate small warmths, not one continuous tube of light. It's the clearest difference between real stone and moulded plastic, and it only shows when the light is inside.

Is there a bulb to replace?
No — the LED is built into the strand, running at warm white 3000K. Nothing to buy, nothing to match, and nothing to reach up into on a stairwell ceiling. If anything ever stops working, contact us and we'll advise on parts.
Can I dim it?

Yes, but only if you say so when you order. The LED is built in, so there's no bulb to swap for a dimmable one afterwards.

A dimmable version is available — tell us at the time of order, and tell us which dimmer switch you plan to use so we can confirm the pairing works. Over a dining table or in a stairwell most people eventually want the light lower, so it's worth deciding now.

Can I install more than one in the same room?

Yes. Each piece is an independent strand with its own anchors, so two or three can share a ceiling and read as one arrangement. Nothing is joined and nothing is modified.

Two rules if you do: hang each one noticeably deeper than the last (matched depths cancel each other out and read as one thick line), and offset the anchor positions sideways so the curves cross rather than nest. Three is usually the limit in one space.

Will my ceiling hold it?
The weight is spread across several anchors rather than hanging from one point, which helps a great deal — but each anchor still needs fixing into the structure above rather than plasterboard alone. Have your electrician confirm every point before installation day, and ask us for the weight of your configuration to pass on.
How high should it hang?
Over a dining table, keep the lowest bead 30–36″ above the tabletop — lower than instinct suggests, but nobody walks under a table. Anywhere people walk beneath it, keep 7 ft of clearance above the floor. In a stairwell, check the lowest point of the curve against every landing it passes, not just the floor at the bottom — that's the mistake people make, and it's expensive to discover after installation.
Why don't the beads match each other?

Because they're cut from quarried stone rather than moulded. Every bead carries its own veining — some almost clear, some with a strong amber grain running through them.

On a strand hung side by side and lit from within, that variation is the first thing anyone notices. A strand where every bead matched would have to be resin.

What if a bead gets damaged?
Send us photographs within 24 hours of delivery if anything arrives damaged and we'll sort out a replacement. Beyond that, contact us with the configuration you own and we'll advise — don't attempt to open or re-string it yourself, since the lighting runs through the strand.
How do I clean it?

A soft dry cloth along the beads. Keep water off the stone — alabaster is porous, absorbs it, and leaves a mark that won't buff out.

Switch off and let it cool first. Once or twice a year is plenty — and if it's in a stairwell, do it from a proper platform rather than a ladder on the treads.

Can I put it in a bathroom?
No — indoor dry rooms only. There's no protection against water or steam, and alabaster is porous, so damp is bad for the stone as well as the wiring. Dining rooms, entries, stairwells, hallways and living rooms are all fine.
Installation

The Complete Installation Guide

Not sure how to wire it, how high to hang it, or whether you need an electrician? Our full guide walks through every step for US homes.

01

Power Off First

Switch off at the breaker and confirm before you touch any wiring.

02

Check the Box

Make sure your junction box is standard, secure, and rated for the weight.

03

Match the Wires

Black to black, white to white, ground to ground — the US standard explained.

04

Set the Height

Mounting heights and clearances for sconces, pendants, and chandeliers.

Read the Full Installation Guide

Free guide · Written for US homes · Opens in a new tab

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Customer Reviews

The quiet glow of alabaster
Vidir lighting / 01

Natural stone lighting

The quiet glow of alabaster

Sculpted by nature, refined for modern spaces. Discover light with a softer point of view.
Hand-finished in stone
The alabaster edit

The Vidir lighting edit

The only shade that glows from inside.

Most shades block light and let it out at the edges. Yet, this stone-textured lampshade manages to achieve exactly that.

01

Translucent properties

Alabaster is translucent. Switch it on and the whole shade lights up from within, veining and all, instead of glowing only where the bulb sits. There is no bright spot to look at, because the light source is the entire surface.

02

Naturally formed

The veining was decided underground, long before anyone cut it. Every shade carries its own pattern and its own faint colour shift — so the piece that arrives is not the piece in the photograph, and that is the point.

03

Durable and long-lasting

Resin and acrylic imitations go amber and brittle within a few years of sitting next to a warm bulb. Stone does not age that way. The shade you unpack is the shade you will have in twenty years.

Designed for better living

Stone Light Fixtures

Natural stone is different from metal or glass. Understanding these points before you buy ensures there won't be any surprises after installation.
01

Light Color Defines the Look

Use warm white (2700K). The stone itself has an off-white, creamy tone; cool light passing through it makes it look grayish and dingy, whereas warm light brings out that honey-like hue seen in the photos.

02

Clean Only with a Dry Cloth

Alabaster is a natural stone that absorbs water and cleaning agents, which can leave permanent stains. Disconnect the power, let the bulb cool down, and then wipe the fixture with a soft, dry cloth—do not use water or spray cleaners.

03

It is heavier than it looks.

The density of the stone is far greater than that of a glass shade of the same size; ensure the ceiling's load-bearing capacity is sufficient for safety.

Geometric Alabaster Sculptural Floor Lamp - view 10 | Vidirlighting

THE ART OF ALABASTER

Light, hidden within every texture.

The natural texture of alabaster brings a warm, mineral quality to the space. (Please contact us if you require a specific texture.)

Pure
01 / 05

Pure

A pure white texture reminiscent of fresh snow—warm, smooth, and refined.

Ink-Dyed
02 / 05

Ink-Dyed

Deep, inky patterns flow across a white base.

Lightning Pattern
03 / 05

Lightning Pattern

A dynamic pattern resembling a bolt of lightning streaking across the sky.

Ice-Crackle Pattern
04 / 05

Ice-Crackle Pattern

Fine, intricate cracks evoking the aesthetic beauty of a sheet of ice at the moment it shatters.

Snowflake Pattern
05 / 05

Snowflake Pattern

A pattern as light and airy as falling snowflakes, with every single flake unique.

Material · Method · Light

The art of alabaster

Every texture tells a story of natural light and patient craftsmanship.

01

Crafted from select natural alabaster, preserving its unique veining.

02

Meticulously cut and shaped by artisans.

03

Repeatedly ground and polished for a smooth, refined texture.

04

Carefully assembled and quality-inspected.

A new perspective

Light changes everything

Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.

01 / Natural Materials Vidir Alabaster Cylindrical Chain Chandelier Our product Alabaster Cylindrical Chain Chandelier
Our Natural Alabaster Products

Natural Alabaster Lamps

Alabaster is translucent, so the light travels through the stone rather than escaping at the edges — the whole shade glows, veining and all. Every piece carries a pattern that was decided underground, which is why no two are alike.

Unique veining Soft, natural translucency Will not yellow
02 / Resin Material
Industrially Replicated Surface

Limitations of resin

Resin is cast in moulds, so the "veining" repeats from one shade to the next and the light passes through evenly with no depth to it. It also ages differently: sitting close to a warm bulb, resin tends to amber and grow brittle within a few years.

Prone to yellowing Uniform light transmission Repeating pattern