A new perspective
Light changes everything
Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.
The Nerida Spiral Shell Alabaster Table Lamp is a curled form of natural alabaster — one edge sweeping up and over, rolling inward until it closes on itself like a shell — set on a solid alabaster base. Stone above, stone below: there is no visible metal anywhere on the piece.
The spiral is doing real work. Because the form curls in on itself, the light source sits inside the coil where you cannot see it from any angle you would ever sit at. What you see instead is the glow escaping from the mouth of the curl and travelling up through the stone — bright and warm where the spiral tightens, fading to a soft pale at the outer edge. One object, lit unevenly on purpose, which is why it reads as sculpture rather than as a lamp with the bulb showing.
No two pieces of stone are ever the same
Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

No proprietary adapter, no electrician, no fixed socket. A USB cable and any plug, power bank or laptop port you already have.
One cable, and whatever you happen to have. Nothing about where it stands is decided by where a socket is.
No proprietary adapter to lose and no bulb to source — the LED is built in. If the cable ever goes missing, the replacement is in a drawer somewhere.
A USB lead is thinner and easier to hide than a moulded mains flex — which matters on a bedside table where the cable is at eye level.
Nothing wired, nothing drilled, no permission needed if you rent. It goes where you put it and it moves when you do.
At 7.1″ across and 13.4″ tall this is an accent lamp, not a room light — roughly the height of two coffee mugs stacked. A photograph of a lamp on its own gives you no sense of scale, so it is worth picturing against your own nightstand before you order. It suits a bedside table, a console, a bookshelf or a hallway cabinet, and on a wide surface a single piece can look adrift — which is why most people buy two.
There is no bulb: the LED is part of the lamp, running at warm white 3000K. Nothing to source, nothing to match between a pair, and nothing to fit into a shape that would be awkward to reach into. The trade-off is that you cannot make it dimmable afterwards by swapping a bulb — a dimmable version is available, but it has to be specified when you order. Beside a bed most people eventually want the light lower, so it is worth deciding now.
One size, so the only real question is whether you want one or two. Photographs of a lamp on its own give no sense of scale, so here it is against things you already own.

Between a wine bottle and a hardback — about half the height of the table lamp most people picture.
A matching pair either side is what makes a bedroom look finished.
Or one lamp with something of similar height beside it.
The one place a single lamp is right on its own.
It sets a mood. It doesn't do a job.
Hide the source and only the glow is left.
Every lampshade is solving the same problem: a bulb is too bright to look at, so something has to stand between it and your eye. The usual answer is to wrap the bulb in a cylinder and open both ends — which works, but leaves you a lit ring at the top, a lit ring at the bottom, and a bright spot visible the moment you sit lower than the shade. Most of the time you can see exactly where the light is coming from.
Nerida answers it differently. The stone curls in on itself — one edge sweeping up and over, rolling inward until it closes against its own body like a shell. The light sits inside the coil, and the coil has no opening pointed at you. From every angle you would sit at, there is nothing to look into. Only the glow escaping from the mouth of the curl, and the warmth travelling up through the stone.
Which is why it is lit so unevenly, and why that is deliberate. Where the spiral tightens the stone is thin and close to the source, so it burns bright and amber. Where it opens out, the stone thickens and the light thins to a pale glow at the rim. A shade lit evenly all over announces itself as a lamp. A shade lit unevenly reads as an object with light inside it — which is a very different thing to have on a bedside table.
And because it is quarried rather than moulded, every curl carries its own veining — faint and cloudy in one, stronger and more marked in the next. Switched off in the morning it is still worth looking at, which is more than a fabric shade ever manages.
How small it really is, why one side is brighter, and where it belongs.
Small — 7.1″ across and 13.4″ tall. Roughly the height of two coffee mugs stacked. Worth picturing properly before you order, because photographs of a lamp on its own give you no sense of scale.
That size is right for a bedside table, a console, a bookshelf or a hallway cabinet. It is not a room light and it will not light a living room. On a wide empty surface a single small piece can look adrift — which is why most people buy two.
Because it's meant to be. The light sits inside the coil, so where the spiral tightens the stone is thin and close to the source — bright and amber. Where the curl opens out, the stone is thicker and the glow fades to a soft pale at the rim.
A shade lit evenly all over looks like a lamp. A shade lit unevenly looks like an object with light inside it — which is a very different thing to have beside a bed.
Ask us before you order. The LED is built in, so there's no bulb to swap for a dimmable one afterwards — the decision has to be made at the time of order.
A dimmable version is available. Beside a bed most people eventually want the light lower, so it's worth deciding now rather than living without the option.
Two, if they're going either side of a bed or a mirror. At this size a single piece can look adrift on a wide surface, while a matching pair reads as deliberate — and symmetry is most of what makes a bedside arrangement look finished.
One is right on a hallway cabinet, a bookshelf or a desk corner, where it sits as a single accent rather than half of a pair.
Nothing you can see. Both the curled shade and the base are natural alabaster, so there's no metal stem and no visible hardware anywhere on the piece.
That matters more than it sounds. On most stone lamps there's a clear line where the shade stops and a metal fitting begins. Here the whole thing reads as one object rather than as a shade sitting on a fitting.
Because the stone is quarried, not moulded. The veining through your lamp will be its own — faint and cloudy on one piece, stronger and more marked on the next.
If you're buying a pair, expect the two to differ from each other as well. A pair that matched exactly would have to be resin.
A soft dry cloth. Keep water off it — alabaster is porous, absorbs it, and leaves a mark that won't buff out.
Dust settles in the mouth of the curl where a cloth can't reach easily, so a soft brush works better there. No sprays, no polish, nothing abrasive. Switch off and let it cool first.
A small lamp sets a mood but never lights a room. These two do the work above it — so the little one is free to be the quiet detail rather than the only light on.


Ceiling · hardwired
The main light this one cannot be. A shallow trough of the same stone throwing one continuous band of light along a table — the working light, so the small lamp beside you never has to be.

Wall mounted · Indoor dry rooms
For the bedside with no room on the nightstand. A straight column on the wall against a curled shell on the table — the same stone saying the opposite thing, which is why the two sit together rather than compete.
The Nerida Spiral Shell Alabaster Table Lamp is a curled form of natural alabaster — one edge sweeping up and over, rolling inward until it closes on itself like a shell — set on a solid alabaster base. Stone above, stone below: there is no visible metal anywhere on the piece.
The spiral is doing real work. Because the form curls in on itself, the light source sits inside the coil where you cannot see it from any angle you would ever sit at. What you see instead is the glow escaping from the mouth of the curl and travelling up through the stone — bright and warm where the spiral tightens, fading to a soft pale at the outer edge. One object, lit unevenly on purpose, which is why it reads as sculpture rather than as a lamp with the bulb showing.
No two pieces of stone are ever the same
Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

No proprietary adapter, no electrician, no fixed socket. A USB cable and any plug, power bank or laptop port you already have.
One cable, and whatever you happen to have. Nothing about where it stands is decided by where a socket is.
No proprietary adapter to lose and no bulb to source — the LED is built in. If the cable ever goes missing, the replacement is in a drawer somewhere.
A USB lead is thinner and easier to hide than a moulded mains flex — which matters on a bedside table where the cable is at eye level.
Nothing wired, nothing drilled, no permission needed if you rent. It goes where you put it and it moves when you do.
At 7.1″ across and 13.4″ tall this is an accent lamp, not a room light — roughly the height of two coffee mugs stacked. A photograph of a lamp on its own gives you no sense of scale, so it is worth picturing against your own nightstand before you order. It suits a bedside table, a console, a bookshelf or a hallway cabinet, and on a wide surface a single piece can look adrift — which is why most people buy two.
There is no bulb: the LED is part of the lamp, running at warm white 3000K. Nothing to source, nothing to match between a pair, and nothing to fit into a shape that would be awkward to reach into. The trade-off is that you cannot make it dimmable afterwards by swapping a bulb — a dimmable version is available, but it has to be specified when you order. Beside a bed most people eventually want the light lower, so it is worth deciding now.
One size, so the only real question is whether you want one or two. Photographs of a lamp on its own give no sense of scale, so here it is against things you already own.

Between a wine bottle and a hardback — about half the height of the table lamp most people picture.
A matching pair either side is what makes a bedroom look finished.
Or one lamp with something of similar height beside it.
The one place a single lamp is right on its own.
It sets a mood. It doesn't do a job.
Hide the source and only the glow is left.
Every lampshade is solving the same problem: a bulb is too bright to look at, so something has to stand between it and your eye. The usual answer is to wrap the bulb in a cylinder and open both ends — which works, but leaves you a lit ring at the top, a lit ring at the bottom, and a bright spot visible the moment you sit lower than the shade. Most of the time you can see exactly where the light is coming from.
Nerida answers it differently. The stone curls in on itself — one edge sweeping up and over, rolling inward until it closes against its own body like a shell. The light sits inside the coil, and the coil has no opening pointed at you. From every angle you would sit at, there is nothing to look into. Only the glow escaping from the mouth of the curl, and the warmth travelling up through the stone.
Which is why it is lit so unevenly, and why that is deliberate. Where the spiral tightens the stone is thin and close to the source, so it burns bright and amber. Where it opens out, the stone thickens and the light thins to a pale glow at the rim. A shade lit evenly all over announces itself as a lamp. A shade lit unevenly reads as an object with light inside it — which is a very different thing to have on a bedside table.
And because it is quarried rather than moulded, every curl carries its own veining — faint and cloudy in one, stronger and more marked in the next. Switched off in the morning it is still worth looking at, which is more than a fabric shade ever manages.
How small it really is, why one side is brighter, and where it belongs.
Small — 7.1″ across and 13.4″ tall. Roughly the height of two coffee mugs stacked. Worth picturing properly before you order, because photographs of a lamp on its own give you no sense of scale.
That size is right for a bedside table, a console, a bookshelf or a hallway cabinet. It is not a room light and it will not light a living room. On a wide empty surface a single small piece can look adrift — which is why most people buy two.
Because it's meant to be. The light sits inside the coil, so where the spiral tightens the stone is thin and close to the source — bright and amber. Where the curl opens out, the stone is thicker and the glow fades to a soft pale at the rim.
A shade lit evenly all over looks like a lamp. A shade lit unevenly looks like an object with light inside it — which is a very different thing to have beside a bed.
Ask us before you order. The LED is built in, so there's no bulb to swap for a dimmable one afterwards — the decision has to be made at the time of order.
A dimmable version is available. Beside a bed most people eventually want the light lower, so it's worth deciding now rather than living without the option.
Two, if they're going either side of a bed or a mirror. At this size a single piece can look adrift on a wide surface, while a matching pair reads as deliberate — and symmetry is most of what makes a bedside arrangement look finished.
One is right on a hallway cabinet, a bookshelf or a desk corner, where it sits as a single accent rather than half of a pair.
Nothing you can see. Both the curled shade and the base are natural alabaster, so there's no metal stem and no visible hardware anywhere on the piece.
That matters more than it sounds. On most stone lamps there's a clear line where the shade stops and a metal fitting begins. Here the whole thing reads as one object rather than as a shade sitting on a fitting.
Because the stone is quarried, not moulded. The veining through your lamp will be its own — faint and cloudy on one piece, stronger and more marked on the next.
If you're buying a pair, expect the two to differ from each other as well. A pair that matched exactly would have to be resin.
A soft dry cloth. Keep water off it — alabaster is porous, absorbs it, and leaves a mark that won't buff out.
Dust settles in the mouth of the curl where a cloth can't reach easily, so a soft brush works better there. No sprays, no polish, nothing abrasive. Switch off and let it cool first.
A small lamp sets a mood but never lights a room. These two do the work above it — so the little one is free to be the quiet detail rather than the only light on.


Ceiling · hardwired
The main light this one cannot be. A shallow trough of the same stone throwing one continuous band of light along a table — the working light, so the small lamp beside you never has to be.

Wall mounted · Indoor dry rooms
For the bedside with no room on the nightstand. A straight column on the wall against a curled shell on the table — the same stone saying the opposite thing, which is why the two sit together rather than compete.

Natural stone lighting
The Vidir lighting edit
Most shades block light and let it out at the edges. Yet, this stone-textured lampshade manages to achieve exactly that.
Alabaster is translucent. Switch it on and the whole shade lights up from within, veining and all, instead of glowing only where the bulb sits. There is no bright spot to look at, because the light source is the entire surface.
The veining was decided underground, long before anyone cut it. Every shade carries its own pattern and its own faint colour shift — so the piece that arrives is not the piece in the photograph, and that is the point.
Resin and acrylic imitations go amber and brittle within a few years of sitting next to a warm bulb. Stone does not age that way. The shade you unpack is the shade you will have in twenty years.
Designed for better living
Use warm white (2700K). The stone itself has an off-white, creamy tone; cool light passing through it makes it look grayish and dingy, whereas warm light brings out that honey-like hue seen in the photos.
Alabaster is a natural stone that absorbs water and cleaning agents, which can leave permanent stains. Disconnect the power, let the bulb cool down, and then wipe the fixture with a soft, dry cloth—do not use water or spray cleaners.
The density of the stone is far greater than that of a glass shade of the same size; ensure the ceiling's load-bearing capacity is sufficient for safety.
A new perspective
Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.
Our product
Alabaster Cylindrical Chain Chandelier
Alabaster is translucent, so the light travels through the stone rather than escaping at the edges — the whole shade glows, veining and all. Every piece carries a pattern that was decided underground, which is why no two are alike.
Resin is cast in moulds, so the "veining" repeats from one shade to the next and the light passes through evenly with no depth to it. It also ages differently: sitting close to a warm bulb, resin tends to amber and grow brittle within a few years.
THE ART OF ALABASTER
The natural texture of alabaster brings a warm, mineral quality to the space. (Please contact us if you require a specific texture.)
A pure white texture reminiscent of fresh snow—warm, smooth, and refined.
Deep, inky patterns flow across a white base.
A dynamic pattern resembling a bolt of lightning streaking across the sky.
Fine, intricate cracks evoking the aesthetic beauty of a sheet of ice at the moment it shatters.
A pattern as light and airy as falling snowflakes, with every single flake unique.
Material · Method · Light
Every texture tells a story of natural light and patient craftsmanship.





Crafted from select natural alabaster, preserving its unique veining.
Meticulously cut and shaped by artisans.
Repeatedly ground and polished for a smooth, refined texture.
Carefully assembled and quality-inspected.
Custom Stone Lighting

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