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The Anouk Draped Strap Alabaster Chandelier hangs spheres of natural alabaster on long looping straps of PU (faux) leather, each strap running from one ceiling point, down through a sphere, and back up to another. The result is a fixture with no rigid frame at all — what holds it up is the same thing that shapes it. Against the warm tan strap, the pale stone reads as something worn rather than something installed — closer to saddlery than to hardware.

Which means the shape is not decided at our workshop. You decide where each strap is anchored, and the loop finds its own curve between those two points. Anchor them close together and the strap falls in a deep narrow drop; spread them wide and it sweeps in a long shallow swag across the ceiling. The same fixture makes a completely different silhouette depending on where the hooks go — and the curve itself is drawn by gravity, not by a designer.

Natural Alabaster

Naturally Unique Veining

No two pieces of stone are ever the same

Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

An inherent characteristic of real stone — not a quality defect.
Made to order

Need More Spheres? We'll Build Them.

The versions on this page go up to 9 MAX HEADS, which suits most rooms. It is not a limit. A cluster is simply more of the same stone on more of the same strap — so if your span is wider or your stairwell taller, tell us the count you want and we'll make it.

Adjustable on site

And You Set Every Height By Hand

Almost every cluster chandelier is fixed to height by cutting its cords on installation day — one decision, made on a ladder, lived with for twenty years. Two inches too short and there is nothing to be done.

Not here. Every strap carries its own buckle, so each sphere is raised or lowered by hand in seconds, with no tools and no electrician. Hang them all long first, stand where people will actually stand, and adjust one at a time until the arrangement looks right in the room rather than right on paper. Change your mind next year and change it again.

Specifications

The Details

Material Natural Alabaster Spheres · Iron FittingsStrap in your choice of two materials — see below.
Strap options Leather or woven canvasTwo different characters
Height adjustment Buckle on every strap Each sphere is set by hand on installation day. Nothing is cut, so nothing is permanent.
Dimensions Sphere Dia 20cm / Dia 7.8″
Light source G9 or E12 Bulbs — LED recommended Bulbs not included. Warm white 2700–3000K advised; cooler light through alabaster reads grey.
Power Max 40W per socket
Voltage AC 110–240V
Control Wall switch — dimmable with dimmable bulbs on a compatible dimmer
Mounting Ceiling — hardwired, multiple fixing points Every strap runs between two anchors. See the note below.
Rating IP20 — indoor, dry locations only No protection against water or steam. Not for bathrooms.
Preparation time 5–10 days Made and inspected at our own workshop before dispatch.

Good to Know

A buckle, not a cut cord — so nothing is permanent

Almost every cluster chandelier is set to height by shortening its cords, which cannot be undone. Here every strap has its own buckle. Each sphere is raised or lowered by hand, in the room, in seconds — and changed again next year if you rearrange the furniture. No electrician, no tools, no regret about a cord cut two inches too short.

Where the anchors go decides the shape

The curve of each loop is not fixed at our workshop — it is drawn by the distance between its two anchors. Set them close together and the strap falls in a deep narrow drop; spread them wide and it sweeps in a long shallow swag across the ceiling. The same fixture makes a different silhouette in every room, so it is worth planning the anchor positions before anyone drills.

Size Guide

Read the Dimensions, Not the Head Count

On this fixture the number of spheres tells you almost nothing about how big it is. The two-head is the largest piece in the range — more than twice the reach of the nine.

3 Heads · Model ACompact
Spread 31.5″ × 47.2″ deep 80 × 120 cm
Best forRound dining table 42–54″ · breakfast nook · entry · over a console
Ceiling9–11 ft

The only configuration that suits a standard room. Start here if your ceiling is normal height.

5 HeadsMost chosen
Spread 39.4″ × 59″ deep 100 × 150 cm
Best forDining table 60–72″ · kitchen island · open-plan living room
Ceiling10–13 ft

Enough spheres to read as a group, still short enough for a tall room rather than a void.

9 HeadsFull group
Spread 47.2″ × 78.7″ deep 120 × 200 cm
Best forDouble-height living room · large entry · long dining table
Ceiling13 ft +

Six and a half feet deep. More spheres, but still narrower than the two-head.

2 HeadsLargest — check ceiling
Spread 79.9″ × 110″ deep 203 × 280 cm
Best forStairwell void · three-storey entry · atrium. Two spheres, one very long sweep.
Ceiling15 ft +

Nine feet two inches of fixture. Not a small option — the smallest count, the largest piece.

3 Heads · Model BLargest — check ceiling
Spread 79.9″ × 110″ deep 203 × 280 cm
Best forStairwell void · double-height entry. The wide span of the two-head, with a third sphere in it.
Ceiling15 ft +

Same size as the two-head — not a slightly bigger Model A. Check which one you are ordering.

The design

We Didn't Draw the Curve. Gravity Did

Hang a strap between two points and the shape makes itself.

There is a curve that appears whenever something flexible hangs between two fixed points. A washing line. A power cable between two poles. The chain across the front of a shop. Nobody designs that shape — it is simply what a length of material does when it is held at both ends and left alone. It cannot be drawn freehand and it cannot be got wrong, because it is not a decision. It is a consequence.

Each strap runs from one anchor on the ceiling, down through a sphere of alabaster, and back up to another — and the line it takes between those two points is not ours. Move the anchors closer and the loop falls deep and narrow. Spread them apart and it stretches into a long shallow sweep. The fixture has no fixed shape at all; it has a rule, and the room supplies the rest.

Which is why there is no frame. On almost every chandelier the structure and the shade are separate things — a metal armature that does the holding, and something prettier hung off it. Here the strap is the structure, so there is nothing to conceal and nothing left over. What holds the stone up is the same thing that decides how the whole piece looks.

The stone is deliberately the simplest shape we cut. A sphere has no top, no bottom and no front, so it looks the same however the strap happens to turn it — and alabaster passes light evenly all the way around, with no hotspot and nothing to look into. Each one is quarried rather than moulded, so the veining is its own; hung together, the difference between them is the first thing you notice.

— A rule, not a shape —
Questions, Answered

Common Questions

How it fixes to the ceiling, why two spheres is the big one, and what you can change later.

Can I hang this where my current light is?

Not directly — and this is the most important thing to know before ordering.

Each strap runs from one point on your ceiling, down through a sphere, and back up to another. So a fixture with several spheres needs several fixing points, with wiring run between them.

Which size is the biggest?

The two-sphere version — and it catches almost everyone out.

The 2-head spans 79.9″ and drops 110″. The 9-head spans 47.2″ and drops 78.7″. So two spheres is two and a half times wider and more than twice as long as nine.

The reason: the measurement is the distance between the ceiling anchors, not the width of a fixture. Two spheres on straps anchored nearly seven feet apart stretch right across a ceiling; nine gathered close together do not. Choose by the span you want to fill, not by how many stones you want.

Will it fit a normal ceiling?

Only one version really does. The 3-head Model A — 31.5″ span, 47.2″ drop — suits a room with a 9–11 ft ceiling, over a round table or in an entry.

Everything else needs height. The 5-head wants 10–12 ft, the 9-head 13 ft or more, and the 2-head and 3-head Model B drop 110″ — nine feet two inches. On a standard eight-foot ceiling those would reach the floor. They are stairwell and double-height pieces only.

What are the straps made of?

You choose between leather and woven canvas — and they are not a cheap version and an expensive one. They are two characters at the same quality.

Leather hangs with more weight, holds a crisper edge, and softens and darkens over the years the way a bag or a saddle does. Canvas is lighter, matte, and stays much closer to how it arrived — the quieter of the two in a room that is already busy.

Ask us for a sample if you're undecided. It is a material you'll be looking at every day, and a photograph doesn't settle it.

Can I change the height after it's installed?

Yes — and that's unusual. Every strap has its own buckle, so each sphere is raised or lowered by hand, in seconds, with no tools and no electrician.

Almost every other cluster chandelier is set to height by cutting its cords, which cannot be undone. Here nothing is cut. Move the furniture next year, change the arrangement then. The only thing decided permanently is where the anchors go in the ceiling.

Can I decide the shape of the curve?

Yes, and it is decided by where you place the two anchors for each strap, not by us.

Anchors close together give a deep, narrow drop. Anchors spread wide give a long, shallow sweep across the ceiling. The line between them is drawn by gravity — the same curve a washing line makes — so it cannot be got wrong, but it does mean the anchor positions are worth planning before anyone drills.

What bulbs does it take?
Choose LED in warm white, 2700–3000K, and use the same bulb in every sphere. Cool white light through alabaster looks grey and drains the warmth out of the stone — it is the quickest way to make an expensive fixture look cheap. Buy a couple of spares at the same time so a replacement always matches.
Can I dim it?
Yes, with dimmable bulbs on a compatible dimmer switch. Ordinary bulbs won't dim whatever switch you fit — that's the usual reason people think a new light is faulty. Fit dimmable bulbs in every socket, not just some, since mixing types causes flicker.
Will I see the bulbs?
No. A sphere has no opening to look into from any angle — light passes through the stone itself and leaves evenly all the way round. There is no beam, no hotspot and no bright edge, which is why this is comfortable to sit beneath even when the spheres hang low.
Why don't the spheres match each other?

Because they're cut from real quarried stone, not moulded. Every sphere carries its own veining, and one or two will glow a little warmer than the rest.

Hung together, that's the first thing you notice — and it's what tells you the stone is real. A set that matched perfectly would have to be resin.

Will my ceiling hold it?
The weight is spread across several anchor points rather than hanging from one, which helps a great deal — but every one of those points needs fixing into the structure above, not plasterboard alone. Have your electrician confirm each anchor before installation day, and ask us for the weight of your configuration to pass on.
How do I clean it?

A soft dry cloth on the spheres. Keep water off the stone — alabaster is porous, absorbs it, and leaves a mark that won't buff out.

Wipe the straps dry as well, never damp, and never with any cleaning product. Switch off and let the bulbs cool first. Once or twice a year is plenty.

Can I put it in a bathroom?
No — indoor dry rooms only. There is no protection against water or steam, alabaster is porous, and damp is bad for the straps as well. Dining rooms, entries, stairwells and living rooms are all fine.
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Floor standing · Plug in

Stone stacked upward rather than hung downward — the same glow, standing in the corner a chandelier will never reach. It plugs in, so there is nothing to wire and nothing to drill.

From $4,995.00
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Twist Tapered Alabaster Wall Sconce

Wall mounted · Indoor dry rooms

A single point on a wall instead of several across a ceiling. The twist echoes the drape — both are a straight material persuaded into a curve — and in pairs it frames a bed or a doorway.

From $465.00
View Details

Anouk Draped Strap Alabaster Chandelier

SKU: V-ALCH2608211-1
Regular price $595.00
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✦ Complete the Look

Pairs Well With

The Anouk Draped Strap Alabaster Chandelier hangs spheres of natural alabaster on long looping straps of PU (faux) leather, each strap running from one ceiling point, down through a sphere, and back up to another. The result is a fixture with no rigid frame at all — what holds it up is the same thing that shapes it. Against the warm tan strap, the pale stone reads as something worn rather than something installed — closer to saddlery than to hardware.

Which means the shape is not decided at our workshop. You decide where each strap is anchored, and the loop finds its own curve between those two points. Anchor them close together and the strap falls in a deep narrow drop; spread them wide and it sweeps in a long shallow swag across the ceiling. The same fixture makes a completely different silhouette depending on where the hooks go — and the curve itself is drawn by gravity, not by a designer.

Natural Alabaster

Naturally Unique Veining

No two pieces of stone are ever the same

Alabaster is a natural stone, so every piece carries its own veining and subtle variation in color. The fixture you receive may therefore differ slightly from the images shown.

An inherent characteristic of real stone — not a quality defect.
Made to order

Need More Spheres? We'll Build Them.

The versions on this page go up to 9 MAX HEADS, which suits most rooms. It is not a limit. A cluster is simply more of the same stone on more of the same strap — so if your span is wider or your stairwell taller, tell us the count you want and we'll make it.

Adjustable on site

And You Set Every Height By Hand

Almost every cluster chandelier is fixed to height by cutting its cords on installation day — one decision, made on a ladder, lived with for twenty years. Two inches too short and there is nothing to be done.

Not here. Every strap carries its own buckle, so each sphere is raised or lowered by hand in seconds, with no tools and no electrician. Hang them all long first, stand where people will actually stand, and adjust one at a time until the arrangement looks right in the room rather than right on paper. Change your mind next year and change it again.

Specifications

The Details

Material Natural Alabaster Spheres · Iron FittingsStrap in your choice of two materials — see below.
Strap options Leather or woven canvasTwo different characters
Height adjustment Buckle on every strap Each sphere is set by hand on installation day. Nothing is cut, so nothing is permanent.
Dimensions Sphere Dia 20cm / Dia 7.8″
Light source G9 or E12 Bulbs — LED recommended Bulbs not included. Warm white 2700–3000K advised; cooler light through alabaster reads grey.
Power Max 40W per socket
Voltage AC 110–240V
Control Wall switch — dimmable with dimmable bulbs on a compatible dimmer
Mounting Ceiling — hardwired, multiple fixing points Every strap runs between two anchors. See the note below.
Rating IP20 — indoor, dry locations only No protection against water or steam. Not for bathrooms.
Preparation time 5–10 days Made and inspected at our own workshop before dispatch.

Good to Know

A buckle, not a cut cord — so nothing is permanent

Almost every cluster chandelier is set to height by shortening its cords, which cannot be undone. Here every strap has its own buckle. Each sphere is raised or lowered by hand, in the room, in seconds — and changed again next year if you rearrange the furniture. No electrician, no tools, no regret about a cord cut two inches too short.

Where the anchors go decides the shape

The curve of each loop is not fixed at our workshop — it is drawn by the distance between its two anchors. Set them close together and the strap falls in a deep narrow drop; spread them wide and it sweeps in a long shallow swag across the ceiling. The same fixture makes a different silhouette in every room, so it is worth planning the anchor positions before anyone drills.

Size Guide

Read the Dimensions, Not the Head Count

On this fixture the number of spheres tells you almost nothing about how big it is. The two-head is the largest piece in the range — more than twice the reach of the nine.

3 Heads · Model ACompact
Spread 31.5″ × 47.2″ deep 80 × 120 cm
Best forRound dining table 42–54″ · breakfast nook · entry · over a console
Ceiling9–11 ft

The only configuration that suits a standard room. Start here if your ceiling is normal height.

5 HeadsMost chosen
Spread 39.4″ × 59″ deep 100 × 150 cm
Best forDining table 60–72″ · kitchen island · open-plan living room
Ceiling10–13 ft

Enough spheres to read as a group, still short enough for a tall room rather than a void.

9 HeadsFull group
Spread 47.2″ × 78.7″ deep 120 × 200 cm
Best forDouble-height living room · large entry · long dining table
Ceiling13 ft +

Six and a half feet deep. More spheres, but still narrower than the two-head.

2 HeadsLargest — check ceiling
Spread 79.9″ × 110″ deep 203 × 280 cm
Best forStairwell void · three-storey entry · atrium. Two spheres, one very long sweep.
Ceiling15 ft +

Nine feet two inches of fixture. Not a small option — the smallest count, the largest piece.

3 Heads · Model BLargest — check ceiling
Spread 79.9″ × 110″ deep 203 × 280 cm
Best forStairwell void · double-height entry. The wide span of the two-head, with a third sphere in it.
Ceiling15 ft +

Same size as the two-head — not a slightly bigger Model A. Check which one you are ordering.

The design

We Didn't Draw the Curve. Gravity Did

Hang a strap between two points and the shape makes itself.

There is a curve that appears whenever something flexible hangs between two fixed points. A washing line. A power cable between two poles. The chain across the front of a shop. Nobody designs that shape — it is simply what a length of material does when it is held at both ends and left alone. It cannot be drawn freehand and it cannot be got wrong, because it is not a decision. It is a consequence.

Each strap runs from one anchor on the ceiling, down through a sphere of alabaster, and back up to another — and the line it takes between those two points is not ours. Move the anchors closer and the loop falls deep and narrow. Spread them apart and it stretches into a long shallow sweep. The fixture has no fixed shape at all; it has a rule, and the room supplies the rest.

Which is why there is no frame. On almost every chandelier the structure and the shade are separate things — a metal armature that does the holding, and something prettier hung off it. Here the strap is the structure, so there is nothing to conceal and nothing left over. What holds the stone up is the same thing that decides how the whole piece looks.

The stone is deliberately the simplest shape we cut. A sphere has no top, no bottom and no front, so it looks the same however the strap happens to turn it — and alabaster passes light evenly all the way around, with no hotspot and nothing to look into. Each one is quarried rather than moulded, so the veining is its own; hung together, the difference between them is the first thing you notice.

— A rule, not a shape —
Questions, Answered

Common Questions

How it fixes to the ceiling, why two spheres is the big one, and what you can change later.

Can I hang this where my current light is?

Not directly — and this is the most important thing to know before ordering.

Each strap runs from one point on your ceiling, down through a sphere, and back up to another. So a fixture with several spheres needs several fixing points, with wiring run between them.

Which size is the biggest?

The two-sphere version — and it catches almost everyone out.

The 2-head spans 79.9″ and drops 110″. The 9-head spans 47.2″ and drops 78.7″. So two spheres is two and a half times wider and more than twice as long as nine.

The reason: the measurement is the distance between the ceiling anchors, not the width of a fixture. Two spheres on straps anchored nearly seven feet apart stretch right across a ceiling; nine gathered close together do not. Choose by the span you want to fill, not by how many stones you want.

Will it fit a normal ceiling?

Only one version really does. The 3-head Model A — 31.5″ span, 47.2″ drop — suits a room with a 9–11 ft ceiling, over a round table or in an entry.

Everything else needs height. The 5-head wants 10–12 ft, the 9-head 13 ft or more, and the 2-head and 3-head Model B drop 110″ — nine feet two inches. On a standard eight-foot ceiling those would reach the floor. They are stairwell and double-height pieces only.

What are the straps made of?

You choose between leather and woven canvas — and they are not a cheap version and an expensive one. They are two characters at the same quality.

Leather hangs with more weight, holds a crisper edge, and softens and darkens over the years the way a bag or a saddle does. Canvas is lighter, matte, and stays much closer to how it arrived — the quieter of the two in a room that is already busy.

Ask us for a sample if you're undecided. It is a material you'll be looking at every day, and a photograph doesn't settle it.

Can I change the height after it's installed?

Yes — and that's unusual. Every strap has its own buckle, so each sphere is raised or lowered by hand, in seconds, with no tools and no electrician.

Almost every other cluster chandelier is set to height by cutting its cords, which cannot be undone. Here nothing is cut. Move the furniture next year, change the arrangement then. The only thing decided permanently is where the anchors go in the ceiling.

Can I decide the shape of the curve?

Yes, and it is decided by where you place the two anchors for each strap, not by us.

Anchors close together give a deep, narrow drop. Anchors spread wide give a long, shallow sweep across the ceiling. The line between them is drawn by gravity — the same curve a washing line makes — so it cannot be got wrong, but it does mean the anchor positions are worth planning before anyone drills.

What bulbs does it take?
Choose LED in warm white, 2700–3000K, and use the same bulb in every sphere. Cool white light through alabaster looks grey and drains the warmth out of the stone — it is the quickest way to make an expensive fixture look cheap. Buy a couple of spares at the same time so a replacement always matches.
Can I dim it?
Yes, with dimmable bulbs on a compatible dimmer switch. Ordinary bulbs won't dim whatever switch you fit — that's the usual reason people think a new light is faulty. Fit dimmable bulbs in every socket, not just some, since mixing types causes flicker.
Will I see the bulbs?
No. A sphere has no opening to look into from any angle — light passes through the stone itself and leaves evenly all the way round. There is no beam, no hotspot and no bright edge, which is why this is comfortable to sit beneath even when the spheres hang low.
Why don't the spheres match each other?

Because they're cut from real quarried stone, not moulded. Every sphere carries its own veining, and one or two will glow a little warmer than the rest.

Hung together, that's the first thing you notice — and it's what tells you the stone is real. A set that matched perfectly would have to be resin.

Will my ceiling hold it?
The weight is spread across several anchor points rather than hanging from one, which helps a great deal — but every one of those points needs fixing into the structure above, not plasterboard alone. Have your electrician confirm each anchor before installation day, and ask us for the weight of your configuration to pass on.
How do I clean it?

A soft dry cloth on the spheres. Keep water off the stone — alabaster is porous, absorbs it, and leaves a mark that won't buff out.

Wipe the straps dry as well, never damp, and never with any cleaning product. Switch off and let the bulbs cool first. Once or twice a year is plenty.

Can I put it in a bathroom?
No — indoor dry rooms only. There is no protection against water or steam, alabaster is porous, and damp is bad for the straps as well. Dining rooms, entries, stairwells and living rooms are all fine.
You may also like

The Same Stone, Without the Ceiling Work

A strap chandelier asks for several anchor points and an electrician. These two ask for neither — same alabaster, no holes in your ceiling.

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Alabaster Cairn Geometric Floor Lamp

Floor standing · Plug in

Stone stacked upward rather than hung downward — the same glow, standing in the corner a chandelier will never reach. It plugs in, so there is nothing to wire and nothing to drill.

From $4,995.00
View Details
One fixing Twist-Tapered-Alabaster-Wall-Sconce-Vidirlighting3_2 - Vidirlighting

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Wall mounted · Indoor dry rooms

A single point on a wall instead of several across a ceiling. The twist echoes the drape — both are a straight material persuaded into a curve — and in pairs it frames a bed or a doorway.

From $465.00
View Details

Customer Reviews

The quiet glow of alabaster
Vidir lighting / 01

Natural stone lighting

The quiet glow of alabaster

Sculpted by nature, refined for modern spaces. Discover light with a softer point of view.
Hand-finished in stone
The alabaster edit

The Vidir lighting edit

The only shade that glows from inside.

Most shades block light and let it out at the edges. Yet, this stone-textured lampshade manages to achieve exactly that.

01

Translucent properties

Alabaster is translucent. Switch it on and the whole shade lights up from within, veining and all, instead of glowing only where the bulb sits. There is no bright spot to look at, because the light source is the entire surface.

02

Naturally formed

The veining was decided underground, long before anyone cut it. Every shade carries its own pattern and its own faint colour shift — so the piece that arrives is not the piece in the photograph, and that is the point.

03

Durable and long-lasting

Resin and acrylic imitations go amber and brittle within a few years of sitting next to a warm bulb. Stone does not age that way. The shade you unpack is the shade you will have in twenty years.

Designed for better living

Stone Light Fixtures

Natural stone is different from metal or glass. Understanding these points before you buy ensures there won't be any surprises after installation.
01

Light Color Defines the Look

Use warm white (2700K). The stone itself has an off-white, creamy tone; cool light passing through it makes it look grayish and dingy, whereas warm light brings out that honey-like hue seen in the photos.

02

Clean Only with a Dry Cloth

Alabaster is a natural stone that absorbs water and cleaning agents, which can leave permanent stains. Disconnect the power, let the bulb cool down, and then wipe the fixture with a soft, dry cloth—do not use water or spray cleaners.

03

It is heavier than it looks.

The density of the stone is far greater than that of a glass shade of the same size; ensure the ceiling's load-bearing capacity is sufficient for safety.

Geometric Alabaster Sculptural Floor Lamp - view 10 | Vidirlighting

A new perspective

Light changes everything

Discover sculptural lighting designed to bring warmth, character, and atmosphere to every room.

01 / Natural Materials Vidir Alabaster Cylindrical Chain Chandelier Our product Alabaster Cylindrical Chain Chandelier
Our Natural Alabaster Products

Natural Alabaster Lamps

Alabaster is translucent, so the light travels through the stone rather than escaping at the edges — the whole shade glows, veining and all. Every piece carries a pattern that was decided underground, which is why no two are alike.

Unique veining Soft, natural translucency Will not yellow
02 / Resin Material
Industrially Replicated Surface

Limitations of resin

Resin is cast in moulds, so the "veining" repeats from one shade to the next and the light passes through evenly with no depth to it. It also ages differently: sitting close to a warm bulb, resin tends to amber and grow brittle within a few years.

Prone to yellowing Uniform light transmission Repeating pattern

THE ART OF ALABASTER

Light, hidden within every texture.

The natural texture of alabaster brings a warm, mineral quality to the space. (Please contact us if you require a specific texture.)

Pure
01 / 05

Pure

A pure white texture reminiscent of fresh snow—warm, smooth, and refined.

Ink-Dyed
02 / 05

Ink-Dyed

Deep, inky patterns flow across a white base.

Lightning Pattern
03 / 05

Lightning Pattern

A dynamic pattern resembling a bolt of lightning streaking across the sky.

Ice-Crackle Pattern
04 / 05

Ice-Crackle Pattern

Fine, intricate cracks evoking the aesthetic beauty of a sheet of ice at the moment it shatters.

Snowflake Pattern
05 / 05

Snowflake Pattern

A pattern as light and airy as falling snowflakes, with every single flake unique.

Material · Method · Light

The art of alabaster

Every texture tells a story of natural light and patient craftsmanship.

01

Crafted from select natural alabaster, preserving its unique veining.

02

Meticulously cut and shaped by artisans.

03

Repeatedly ground and polished for a smooth, refined texture.

04

Carefully assembled and quality-inspected.

Custom Stone Lighting

Crafting Unique Stone Textures for You

We create bespoke stone lighting fixtures featuring unique textures tailored to your specifications. From one-off custom pieces to multi-unit project orders, we cater to a wide range of custom requirements for residential, hospitality, and commercial interior design.
Custom Stone From inspiration to the finished product, every detail can be customized.
Custom dimensions
Stone texture selection
Surface finishes
Shapes and profiles
Multi-piece orders
Trade and architectural projects
Stone sample service
Material study / 01Vidirlighting