{"product_id":"perrin-crossing-arm-globe-chandelier","title":"Perrin Crossing Arm Globe Chandelier","description":"\u003cp\u003eThe Perrin Crossing Arm Globe Chandelier sets two horizontal arms across a slim vertical stem at different heights, each one curving down at its ends to cradle a veined alabaster globe. Nothing radiates from a centre — the arms simply cross, the way a mobile hangs in balance.\u003c\/p\u003e\n\u003cp\u003eThat structure is what makes it read so light for its width. A conventional chandelier gathers its mass around a hub; this one spreads it along two lines and leaves the space between them empty, so what you see from across a room is a drawing rather than an object. The globes sit at four different heights rather than in a ring, which is why the composition looks balanced instead of arranged.\u003c\/p\u003e\n\u003cp\u003eThe same globe appears at eye level in the \u003ca class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"\/collections\/new-product-series\/products\/alabaster-orb-asteria-brass-wall-sconce\"\u003eAlabaster Orb Asteria Brass Wall Sconce\u003c\/a\u003e — one stone sphere on a slim brass arm, sized for the wall rather than the ceiling.\u003c\/p\u003e\n\u003cstyle\u003e\n\/* ===== Vidir — Natural Alabaster Variation Banner (Text Only, #5b2d20) ===== *\/\n.vnb{\n  --brand:#5b2d20;\n  --brand-dk:#3d1e15;\n  --brand-lt:#7d4534;\n  --paper:#faf7f5;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  max-width:1000px;margin:44px auto;font-family:var(--sans);line-height:1.7;\n}\n.vnb *{box-sizing:border-box;}\n\n.vnb-card{\n  position:relative;overflow:hidden;\n  border-radius:14px;\n  background:linear-gradient(150deg,var(--brand) 0%,var(--brand-dk) 100%);\n  box-shadow:0 14px 44px rgba(91,45,32,.2);\n  padding:54px 60px 50px;\n  text-align:center;\n}\n\n\/* subtle stone-vein texture, same brand tone *\/\n.vnb-card::before{\n  content:'';position:absolute;inset:0;pointer-events:none;\n  background:\n    radial-gradient(ellipse 60% 45% at 18% 22%, rgba(250,247,245,.05) 0%, transparent 60%),\n    radial-gradient(ellipse 50% 40% at 84% 78%, rgba(250,247,245,.04) 0%, transparent 60%);\n}\n\n\/* corner rules *\/\n.vnb-card::after{\n  content:'';position:absolute;top:22px;left:22px;\n  width:42px;height:42px;\n  border-top:1px solid rgba(250,247,245,.4);\n  border-left:1px solid rgba(250,247,245,.4);\n}\n.vnb-corner{\n  position:absolute;bottom:22px;right:22px;\n  width:42px;height:42px;\n  border-bottom:1px solid rgba(250,247,245,.4);\n  border-right:1px solid rgba(250,247,245,.4);\n}\n\n.vnb-in{position:relative;z-index:2;}\n\n\/* eyebrow *\/\n.vnb-eyebrow{\n  display:inline-flex;align-items:center;gap:12px;margin-bottom:18px;\n}\n.vnb-eyebrow .r{height:1px;width:34px;background:rgba(250,247,245,.55);}\n.vnb-eyebrow .t{\n  font-size:10px;letter-spacing:.28em;text-transform:uppercase;\n  color:rgba(250,247,245,.72);font-weight:600;\n}\n\n\/* title *\/\n.vnb-in h3{\n  font-family:var(--serif);font-size:2em;font-weight:400;color:var(--paper);\n  margin:0 0 10px;letter-spacing:.5px;line-height:1.24;\n}\n.vnb-in h3 em{font-style:italic;}\n.vnb-sub{\n  font-family:var(--serif);font-size:1.04em;font-style:italic;\n  color:rgba(250,247,245,.58);\n  margin:0 auto 26px;padding-bottom:24px;max-width:520px;\n  border-bottom:1px solid rgba(250,247,245,.16);letter-spacing:.2px;\n}\n\n\/* body *\/\n.vnb-in \u003e p{\n  font-size:.98em;color:rgba(250,247,245,.78);\n  margin:0 auto;line-height:1.9;letter-spacing:.15px;max-width:640px;\n}\n.vnb-in \u003e p strong{color:var(--paper);font-weight:600;}\n\n\/* key line *\/\n.vnb-key{\n  display:inline-flex;align-items:center;gap:12px;margin-top:28px;\n  padding:15px 24px;\n  background:rgba(250,247,245,.08);\n  border:1px solid rgba(250,247,245,.2);\n  border-radius:50px;\n}\n.vnb-key svg{flex:0 0 16px;width:16px;height:16px;color:var(--paper);}\n.vnb-key span{\n  font-family:var(--serif);font-size:.95em;color:rgba(250,247,245,.92);\n  line-height:1.5;letter-spacing:.2px;\n}\n.vnb-key span strong{color:var(--paper);font-weight:600;}\n\n@media (max-width:768px){\n  .vnb{margin:30px auto;}\n  .vnb-card{padding:38px 24px 36px;}\n  .vnb-card::after,.vnb-corner{width:32px;height:32px;}\n  .vnb-card::after{top:16px;left:16px;}\n  .vnb-corner{bottom:16px;right:16px;}\n  .vnb-in h3{font-size:1.46em;}\n  .vnb-key{padding:13px 18px;gap:10px;border-radius:10px;}\n  .vnb-key span{font-size:.88em;text-align:left;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vnb\"\u003e\n\u003cdiv class=\"vnb-card\"\u003e\n\u003cspan class=\"vnb-corner\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"vnb-in\"\u003e\n\u003cspan class=\"vnb-eyebrow\"\u003e\u003cspan class=\"r\"\u003e\u003c\/span\u003e\u003cspan class=\"t\"\u003eNatural Alabaster\u003c\/span\u003e\u003c\/span\u003e\n\u003ch3\u003eNaturally \u003cem\u003eUnique\u003c\/em\u003e Veining\u003c\/h3\u003e\n\u003cp class=\"vnb-sub\"\u003eNo two pieces of stone are ever the same\u003c\/p\u003e\n\u003cp\u003eAlabaster is a natural stone, so \u003cstrong\u003eevery piece carries its own veining and subtle variation in color\u003c\/strong\u003e. The fixture you receive may therefore differ slightly from the images shown.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0818\/5741\/3410\/files\/Double-Panel-Aurelia-Alabaster-Wall-Lamp-Vidirlighting-living-room-accent-stone-sconce.webp?v=1776329948\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"vnb-key\"\u003e\n\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003cpath d=\"M20 6L9 17l-5-5\"\u003e\u003c\/path\u003e\u003c\/svg\u003e \u003cspan\u003eAn inherent characteristic of real stone — \u003cstrong\u003enot a quality defect\u003c\/strong\u003e.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- ============================================================\n     PERRIN CROSSING ARM ALABASTER GLOBE CHANDELIER — Details  (.vdt)\n     Adapted from the alabaster column version.\n \n     SPECS APPLIED\n       Metal · natural alabaster  ·  white alabaster globes\n       Body: brass \/ black \/ nickel\n       4 heads  ∅ 23.6″ × H 11.8″  (60 × 30 cm)\n       6 heads  ∅ 35.4″ × H 15.7″  (90 × 40 cm)\n       G4 LED bulb, warm white  ·  AC 110–240V\n       Hardwired, wall switch  ·  59″ adjustable cable, extendable\n       Indoor dry locations  ·  IP20\n \n     ⚠ TWO THINGS TO SETTLE BEFORE PUBLISHING\n \n     1) \"IP20 damp-rated\" is a contradiction, and your own sheet already\n        resolves it: the same line says \"not waterproof\" and the line\n        above says \"Indoor, dry locations only\". IP20's second digit is\n        0 — no water protection. This module states IP20 \/ indoor dry\n        and drops \"damp-rated\". Please correct the source sheet; this is\n        the third product where it has appeared.\n \n     2) G4 comes in two voltages that look identical. Mains-voltage G4\n        LEDs and 12V G4 LEDs have the same pins and will not work in\n        each other's fixtures. The spec says AC 110–240V, which implies\n        either mains-voltage G4 lamps or a built-in driver. CONFIRM\n        WHICH, then replace [__ CONFIRM VOLTAGE] in the Good to Know\n        note. Customers buy replacement G4 bulbs themselves and get\n        this wrong constantly.\n \n     A CARE POINT WORTH KEEPING\n        Alabaster is a gypsum stone and is water-soluble over time — a\n        damp cloth will gradually dull the surface. The care note says\n        dust only. Most sellers of alabaster lighting get this wrong.\n     ============================================================ --\u003e\n\u003cstyle\u003e\n\/* ===== Perrin Crossing Arm Alabaster Globe Chandelier — Details ===== *\/\n.vdt{\n  --ink:#2d1810;--mah:#5C3220;--mah-dk:#3d2014;--mah-lt:#8a4f37;\n  --gold:#c9a36b;--gold-soft:#e6c89a;--cream:#faf6f2;--line:#eee6dd;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  --num:Arial,Helvetica,sans-serif;\n  max-width:900px;margin:40px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vdt *{box-sizing:border-box;}\n \n\/* header *\/\n.vdt-head{text-align:center;margin:0 auto 28px;padding-bottom:20px;border-bottom:1px solid var(--line);}\n.vdt-line{display:block;width:50px;height:1px;background:var(--mah);margin:0 auto 14px;}\n.vdt-eyebrow{font-size:11px;letter-spacing:.24em;text-transform:uppercase;color:var(--mah-lt);font-weight:600;display:block;margin-bottom:11px;}\n.vdt-head h2{font-family:var(--serif);font-size:1.62em;font-weight:400;color:var(--ink);margin:0;letter-spacing:.5px;}\n.vdt-head h2 em{color:var(--mah);font-style:italic;}\n \n\/* ===== single-column spec list ===== *\/\n.vdt-list{\n  border:1px solid var(--line);border-radius:10px;overflow:hidden;\n  background:#fff;margin-bottom:26px;\n}\n.vdt-row{\n  display:flex;align-items:center;gap:22px;\n  padding:16px 26px;border-bottom:1px solid var(--line);\n  transition:background .3s ease;\n}\n.vdt-row:last-child{border-bottom:none;}\n.vdt-row:nth-child(even){background:#fdfaf6;}\n.vdt-row:hover{background:var(--cream);}\n.vdt-row .l{\n  flex:0 0 180px;\n  font-family:var(--serif);font-size:.94em;\n  color:var(--mah-lt);font-weight:600;line-height:1.5;letter-spacing:.2px;\n}\n.vdt-row .v{\n  flex:1;min-width:0;\n  font-size:.95em;color:var(--mah-dk);font-weight:600;line-height:1.6;\n}\n.vdt-row .v.n{font-family:var(--num);letter-spacing:.3px;}\n.vdt-row .v small{\n  display:block;font-size:.82em;color:#8a7060;font-weight:400;font-style:italic;margin-top:3px;\n}\n\/* two-line size rows *\/\n.vdt-size{display:block;font-family:var(--num);font-size:.95em;color:var(--mah-dk);font-weight:600;line-height:1.5;}\n.vdt-size + .vdt-size{margin-top:6px;padding-top:6px;border-top:1px dashed var(--line);}\n.vdt-size b{font-family:var(--serif);color:var(--mah-lt);font-weight:600;margin-right:8px;}\n.vdt-size em{font-style:normal;font-size:.85em;color:#8a7060;}\n\/* inline colour dots *\/\n.vdt-sw{display:inline-flex;align-items:center;gap:7px;margin-right:16px;white-space:nowrap;}\n.vdt-sw i{width:13px;height:13px;border-radius:50%;border:1px solid rgba(0,0,0,.14);display:inline-block;}\n \n\/* ===== good to know ===== *\/\n.vdt-notes{\n  border:1px solid var(--line);border-radius:10px;overflow:hidden;background:#fff;\n}\n.vdt-nh{\n  padding:15px 26px;border-bottom:1px solid var(--line);\n  background:linear-gradient(135deg,#fff 0%,var(--cream) 100%);\n}\n.vdt-nh h3{\n  font-family:var(--serif);font-size:1.1em;font-weight:600;color:var(--mah-dk);\n  margin:0;letter-spacing:.3px;\n}\n.vdt-note{\n  display:flex;gap:15px;align-items:flex-start;\n  padding:18px 26px;border-bottom:1px solid var(--line);\n}\n.vdt-note:last-child{border-bottom:none;}\n.vdt-note svg{flex:0 0 16px;width:16px;height:16px;color:var(--gold);margin-top:4px;}\n.vdt-note .nt{flex:1;min-width:0;}\n.vdt-note .nt h4{\n  font-family:var(--serif);font-size:1em;font-weight:600;color:var(--ink);\n  margin:0 0 5px;letter-spacing:.2px;\n}\n.vdt-note .nt p{font-size:.89em;color:#5a4a3f;margin:0 0 9px;line-height:1.75;}\n.vdt-note .nt p:last-child{margin:0;}\n.vdt-note .nt p strong{color:var(--mah);font-weight:600;}\n \n@media (max-width:768px){\n  .vdt{margin:28px auto;}\n  .vdt-head h2{font-size:1.3em;}\n  .vdt-row{flex-direction:column;align-items:flex-start;gap:4px;padding:14px 18px;}\n  .vdt-row .l{flex:0 0 auto;}\n  .vdt-sw{margin-bottom:4px;}\n  .vdt-note{padding:16px 18px;}\n  .vdt-nh{padding:14px 18px;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vdt\"\u003e\n\u003c!-- HEADER --\u003e\n\u003cdiv class=\"vdt-head\"\u003e\n\u003cspan class=\"vdt-line\"\u003e\u003c\/span\u003e \u003cspan class=\"vdt-eyebrow\"\u003eSpecifications\u003c\/span\u003e\n\u003ch2\u003eThe \u003cem\u003eDetails\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c!-- SPEC LIST --\u003e\n\u003cdiv class=\"vdt-list\"\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eMaterial\u003c\/span\u003e \u003cspan class=\"v\"\u003eMetal Frame · Natural Alabaster \u003csmall\u003eEvery globe is cut from real stone — no two share the same veining.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eShade\u003c\/span\u003e \u003cspan class=\"v\"\u003e \u003cspan class=\"vdt-sw\"\u003e\u003ci style=\"background: #f2ece0;\"\u003e\u003c\/i\u003eWhite Natural Alabaster\u003c\/span\u003e \u003csmall\u003eLight enters the stone rather than passing through it, so each globe glows from within with no visible bulb.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eBody finish\u003c\/span\u003e \u003cspan class=\"v\"\u003e \u003cspan class=\"vdt-sw\"\u003e\u003ci style=\"background: linear-gradient(135deg,#e6cb92 0%,#b8873f 100%);\"\u003e\u003c\/i\u003eBrass\u003c\/span\u003e \u003cspan class=\"vdt-sw\"\u003e\u003ci style=\"background: #2b2b2b;\"\u003e\u003c\/i\u003eBlack\u003c\/span\u003e \u003cspan class=\"vdt-sw\"\u003e\u003ci style=\"background: linear-gradient(135deg,#e8e8e8 0%,#a9a9a9 100%);\"\u003e\u003c\/i\u003eNickel\u003c\/span\u003e \u003csmall\u003eBrass warms the stone and leans classical; black turns the arms into graphic lines; nickel keeps both cool and quiet.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eDimensions\u003c\/span\u003e \u003cspan class=\"v\"\u003e \u003cspan class=\"vdt-size\"\u003e\u003cb\u003e4 heads\u003c\/b\u003e∅ 23.6″ × H 11.8″ \u003cem\u003e· ∅ 60 × H 30 cm\u003c\/em\u003e\u003c\/span\u003e \u003cspan class=\"vdt-size\"\u003e\u003cb\u003e6 heads\u003c\/b\u003e∅ 35.4″ × H 15.7″ \u003cem\u003e· ∅ 90 × H 40 cm\u003c\/em\u003e\u003c\/span\u003e \u003csmall\u003eExcluding the suspension cable.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eLight source\u003c\/span\u003e \u003cspan class=\"v\"\u003eG4 LED bulb \u003csmall\u003eWarm white recommended — cooler light drains the honey tones out of the stone.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eBulbs\u003c\/span\u003e \u003cspan class=\"v n\"\u003e4 or 6 × G4 \u003csmall\u003eBulbs not included. See the note below before buying replacements.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eVoltage\u003c\/span\u003e \u003cspan class=\"v n\"\u003eAC 110–240V\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eSwitch\u003c\/span\u003e \u003cspan class=\"v\"\u003eHardwired — controlled by a wall switch \u003csmall\u003eDimmable when fitted with dimmable G4 LEDs on a compatible dimmer circuit.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eMounting\u003c\/span\u003e \u003cspan class=\"v\"\u003eCeiling — hardwired \u003csmall\u003eMounts to a standard junction box. Professional installation recommended.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eHanging height\u003c\/span\u003e \u003cspan class=\"v n\"\u003e59″ \/ 150 cm adjustable \u003csmall\u003eCable shortened on site to suit your ceiling; extra length supplied on request.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eIngress rating\u003c\/span\u003e \u003cspan class=\"v n\"\u003eIP20 \u003csmall\u003eNo protection against water. Indoor, dry locations only.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eEnvironment\u003c\/span\u003e \u003cspan class=\"v\"\u003eIndoor · dry locations\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003ePreparation time\u003c\/span\u003e \u003cspan class=\"v n\"\u003e5–10 days \u003csmall\u003eMade and inspected at our own workshop before dispatch.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- GOOD TO KNOW --\u003e\n\u003cdiv class=\"vdt-notes\"\u003e\n\u003cdiv class=\"vdt-nh\"\u003e\n\u003ch3\u003eGood to Know\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-note\"\u003e\n\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003ccircle cx=\"12\" cy=\"12\" r=\"9\"\u003e\u003c\/circle\u003e\u003cpath d=\"M12 8v5M12 16h.01\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\n\u003cdiv class=\"nt\"\u003e\n\u003ch4\u003eFour heads or six?\u003c\/h4\u003e\n\u003cp\u003eThe \u003cstrong\u003e4-head at ∅ 23.6″\u003c\/strong\u003e suits a round table around \u003cstrong\u003e31–35″\u003c\/strong\u003e across, or a room of roughly \u003cstrong\u003e11 × 13 ft\u003c\/strong\u003e. The \u003cstrong\u003e6-head at ∅ 35.4″\u003c\/strong\u003e suits a round table around \u003cstrong\u003e47–53″\u003c\/strong\u003e, or a room of roughly \u003cstrong\u003e15 × 20 ft\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eBoth are shallow for their width — 11.8″ and 15.7″ tall — so neither eats headroom. Because the arms spread horizontally rather than gathering at a hub, \u003cstrong\u003egoing one size up costs you width but almost nothing in visual weight.\u003c\/strong\u003e Over a table, err larger.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-note\"\u003e\n\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003ccircle cx=\"12\" cy=\"12\" r=\"9\"\u003e\u003c\/circle\u003e\u003cpath d=\"M12 8v5M12 16h.01\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\n\u003cdiv class=\"nt\"\u003e\n\u003ch4\u003eWhere it can and cannot go\u003c\/h4\u003e\n\u003cp\u003eRated \u003cstrong\u003eIP20\u003c\/strong\u003e — protected against contact, but with \u003cstrong\u003eno protection against water at all\u003c\/strong\u003e. It belongs in dry indoor rooms: dining rooms, living rooms, bedrooms, entries, stairwells.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDo not install it in a bathroom, above a bath or shower, in a laundry, or on a covered porch\u003c\/strong\u003e, even one that stays out of direct rain. Alabaster gives you a second reason to avoid damp rooms beyond the electrical one — humidity is not good for the stone either.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- ============================================================\n     PERRIN CROSSING ARM ALABASTER GLOBE CHANDELIER — Size Selector  (.vsz)\n     Adapted from the alabaster column spiral version.\n \n     TWO CONFIGURATIONS\n       4 heads  ∅ 23.6″ × H 11.8″   (60 × 30 cm)   4 × G4\n       6 heads  ∅ 35.4″ × H 15.7″   (90 × 40 cm)   6 × G4\n       59″ adjustable cable on both · brass, black or nickel\n \n     THE DIFFERENCE IS NOT ONLY WIDTH\n       Your photographs show it clearly: the 4-head is TWO crossing arms\n       on two levels; the 6-head is THREE arms on three levels. Stepping\n       up adds a tier to the composition, not just diameter. That is the\n       thing worth telling a buyer, and it is why this module leads with\n       arms and levels rather than inches.\n \n     SIZING CHECKED\n       ∅ 23.6″ → round table 31–35″ · room about 11 × 13 ft\n       ∅ 35.4″ → round table 47–53″ · room about 15 × 20 ft\n       (two thirds to three quarters of table diameter; L+W in feet read\n       as inches for open rooms)\n     ============================================================ --\u003e\n\u003cstyle\u003e\n\/* ===== Perrin Crossing Arm Chandelier — Size Selector ===== *\/\n.vsz{\n  --ink:#2d1810;--mah:#5C3220;--mah-dk:#3d2014;--mah-lt:#8a4f37;\n  --gold:#c9a36b;--gold-soft:#e6c89a;--cream:#faf6f2;--line:#eee6dd;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  max-width:1180px;margin:40px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vsz *{box-sizing:border-box;}\n \n\/* header *\/\n.vsz-head{text-align:center;margin:0 auto 28px;padding-bottom:20px;border-bottom:1px solid var(--line);max-width:760px;}\n.vsz-line{display:block;width:50px;height:1px;background:var(--mah);margin:0 auto 14px;}\n.vsz-eyebrow{font-size:11px;letter-spacing:.24em;text-transform:uppercase;color:var(--mah-lt);font-weight:600;display:block;margin-bottom:11px;}\n.vsz-head h2{font-family:var(--serif);font-size:1.62em;font-weight:400;color:var(--ink);margin:0;letter-spacing:.5px;}\n.vsz-head h2 em{color:var(--mah);font-style:italic;}\n.vsz-head p{font-size:.93em;color:#7a6456;margin:12px auto 0;max-width:620px;}\n \n\/* ===== cards grid — two up ===== *\/\n.vsz-grid{\n  display:grid;\n  grid-template-columns:repeat(auto-fit,minmax(300px,1fr));\n  gap:18px;margin-bottom:26px;\n}\n.vsz-card{\n  border:1px solid var(--line);border-radius:10px;overflow:hidden;\n  background:#fff;display:flex;flex-direction:column;\n  transition:border-color .35s,box-shadow .35s,transform .35s;\n}\n.vsz-card:hover{border-color:#c9a890;box-shadow:0 10px 26px rgba(92,50,32,.1);transform:translateY(-3px);}\n \n\/* popular highlight *\/\n.vsz-card.pop{border-color:var(--gold);box-shadow:0 6px 20px rgba(201,163,107,.16);}\n.vsz-card.pop:hover{border-color:var(--mah);}\n \n\/* card head *\/\n.vsz-ch{\n  padding:17px 22px;border-bottom:1px solid var(--line);\n  background:linear-gradient(135deg,#fff 0%,var(--cream) 100%);\n  display:flex;align-items:center;justify-content:space-between;gap:10px;\n}\n.vsz-card.pop .vsz-ch{background:linear-gradient(135deg,var(--cream) 0%,#f4e9d9 100%);}\n.vsz-cfg{\n  font-family:var(--serif);font-size:1.18em;font-weight:600;color:var(--mah-dk);\n  letter-spacing:.3px;\n}\n.vsz-badge{\n  font-size:9px;letter-spacing:.12em;text-transform:uppercase;font-weight:700;\n  color:#fff;background:var(--mah);padding:4px 10px;border-radius:50px;flex-shrink:0;\n}\n \n\/* card body *\/\n.vsz-cb{padding:20px 22px 22px;flex:1;display:flex;flex-direction:column;gap:15px;}\n \n\/* structure block — what actually differs *\/\n.vsz-dim{\n  padding:14px 16px;background:var(--cream);border-radius:6px;border:1px solid var(--line);\n  text-align:center;\n}\n.vsz-dim .arms{\n  display:block;font-family:var(--serif);font-size:1.02em;font-weight:600;\n  color:var(--mah);line-height:1.35;margin-bottom:8px;\n}\n.vsz-dim .in{\n  display:block;font-family:Arial,Helvetica,sans-serif;font-size:.98em;font-weight:700;\n  color:var(--mah-dk);letter-spacing:.3px;line-height:1.3;\n}\n.vsz-dim .cm{\n  display:block;font-family:Arial,Helvetica,sans-serif;font-size:.8em;color:#8a7060;margin-top:3px;\n}\n \n\/* rows *\/\n.vsz-r{display:flex;gap:9px;align-items:flex-start;}\n.vsz-r .l{\n  flex:0 0 auto;font-size:9px;letter-spacing:.1em;text-transform:uppercase;\n  color:#8a7060;font-weight:700;padding-top:3px;min-width:70px;\n}\n.vsz-r .v{flex:1;font-size:.88em;color:#5a4a3f;line-height:1.6;}\n.vsz-r .v b{color:var(--mah);font-weight:600;}\n.vsz-r .v.ht{\n  font-family:Arial,Helvetica,sans-serif;font-weight:700;color:var(--mah);font-size:.9em;\n}\n \n\/* tip note inside card *\/\n.vsz-tip-in{\n  font-size:.8em;color:#8a7060;font-style:italic;line-height:1.55;\n  padding-top:12px;border-top:1px dashed var(--line);margin-top:auto;\n}\n \n\/* ===== finishes strip ===== *\/\n.vsz-fin{\n  display:flex;flex-wrap:wrap;border:1px solid var(--line);border-radius:10px;\n  overflow:hidden;background:#fff;margin-bottom:26px;\n}\n.vsz-finc{flex:1 1 200px;padding:18px 22px;border-right:1px solid var(--line);display:flex;gap:14px;align-items:flex-start;}\n.vsz-finc:last-child{border-right:none;}\n.vsz-finc i{flex:0 0 auto;width:28px;height:28px;border-radius:50%;border:1px solid rgba(0,0,0,.12);margin-top:2px;}\n.vsz-finc div{flex:1;min-width:0;}\n.vsz-finc b{display:block;font-family:var(--serif);font-size:1em;font-weight:600;color:var(--mah);margin-bottom:3px;}\n.vsz-finc span{display:block;font-size:.85em;color:#5a4a3f;line-height:1.65;}\n \n\/* ===== sizing tip box ===== *\/\n.vsz-tip{\n  border:1px solid var(--line);border-left:4px solid var(--gold);border-radius:0 8px 8px 0;\n  background:linear-gradient(135deg,#fff 0%,var(--cream) 100%);\n  padding:22px 26px;\n}\n.vsz-tip h4{\n  font-family:var(--serif);font-size:1.1em;font-weight:500;color:var(--ink);\n  margin:0 0 9px;letter-spacing:.3px;\n}\n.vsz-tip p{font-size:.9em;color:#5a4a3f;margin:0 0 12px;line-height:1.78;}\n.vsz-tip p:last-child{margin:0;}\n.vsz-tip p strong{color:var(--mah-dk);font-weight:600;}\n \n@media (max-width:768px){\n  .vsz{margin:28px auto;}\n  .vsz-head h2{font-size:1.3em;}\n  .vsz-grid{grid-template-columns:1fr;gap:14px;}\n  .vsz-finc{border-right:none;border-bottom:1px solid var(--line);}\n  .vsz-finc:last-child{border-bottom:none;}\n  .vsz-tip{padding:18px 20px;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vsz\"\u003e\n\u003c!-- HEADER --\u003e\n\u003cdiv class=\"vsz-head\"\u003e\n\u003cspan class=\"vsz-line\"\u003e\u003c\/span\u003e \u003cspan class=\"vsz-eyebrow\"\u003eSize Guide\u003c\/span\u003e\n\u003ch2\u003eFour Heads or \u003cem\u003eSix\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe difference is not only width. The four-head is two crossing arms on two levels; the six-head adds a third arm at a third height — so stepping up adds a tier to the composition, not just diameter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- CARDS --\u003e\n\u003cdiv class=\"vsz-grid\"\u003e\n\u003c!-- 4 heads --\u003e\n\u003cdiv class=\"vsz-card pop\"\u003e\n\u003cdiv class=\"vsz-ch\"\u003e\n\u003cspan class=\"vsz-cfg\"\u003e4 Heads\u003c\/span\u003e\u003cspan class=\"vsz-badge\"\u003ePopular\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-cb\"\u003e\n\u003cdiv class=\"vsz-dim\"\u003e\n\u003cspan class=\"arms\"\u003eTwo crossing arms · two levels\u003c\/span\u003e \u003cspan class=\"in\"\u003e∅ 23.6″ × H 11.8″\u003c\/span\u003e \u003cspan class=\"cm\"\u003e∅ 60 × H 30 cm, excluding cable\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eGlobes\u003c\/span\u003e\u003cspan class=\"v\"\u003e\u003cb\u003e4\u003c\/b\u003e alabaster globes · 4 × G4\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eRound table\u003c\/span\u003e\u003cspan class=\"v\"\u003e\u003cb\u003e31–35″\u003c\/b\u003e (79–89 cm) across\u003c\/span\u003e\u003cspan class=\"l\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eCeiling\u003c\/span\u003e\u003cspan class=\"v ht\"\u003e8 ft and up\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"vsz-tip-in\"\u003eThe quieter of the two — a clean cross that reads as a line rather than a cluster.\u003c\/p\u003e\n\u003cp class=\"vsz-tip-in\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0818\/5741\/3410\/files\/perrin-crossing-arm-globe-chandelier-vidirlighting-4-light-size-technical-dimension-drawing-60cm-specifications.webp?v=1785461900\" alt=\"\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- 6 heads --\u003e\n\u003cdiv class=\"vsz-card\"\u003e\n\u003cdiv class=\"vsz-ch\"\u003e\u003cspan class=\"vsz-cfg\"\u003e6 Heads\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"vsz-cb\"\u003e\n\u003cdiv class=\"vsz-dim\"\u003e\n\u003cspan class=\"arms\"\u003eThree arms · three levels\u003c\/span\u003e \u003cspan class=\"in\"\u003e∅ 35.4″ × H 15.7″\u003c\/span\u003e \u003cspan class=\"cm\"\u003e∅ 90 × H 40 cm, excluding cable\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eGlobes\u003c\/span\u003e\u003cspan class=\"v\"\u003e\u003cb\u003e6\u003c\/b\u003e alabaster globes · 6 × G4\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eRound table\u003c\/span\u003e\u003cspan class=\"v\"\u003e\u003cb\u003e47–53″\u003c\/b\u003e (119–135 cm) across\u003c\/span\u003e\u003cspan class=\"l\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eCeiling\u003c\/span\u003e\u003cspan class=\"v ht\"\u003e9 ft and up\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"vsz-tip-in\"\u003eThe third arm turns a cross into a composition — more depth from underneath, and half again the light.\u003c\/p\u003e\n\u003cp class=\"vsz-tip-in\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0818\/5741\/3410\/files\/perrin-crossing-arm-globe-chandelier-vidirlighting-6-light-size-technical-dimension-drawing-90cm-specifications.webp?v=1785461889\" alt=\"\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- FINISHES --\u003e\n\u003cdiv class=\"vsz-fin\"\u003e\n\u003cdiv class=\"vsz-finc\"\u003e\n\u003ci style=\"background: linear-gradient(135deg,#e6cb92 0%,#b8873f 100%);\"\u003e\u003c\/i\u003e\n\u003cdiv\u003e\n\u003cb\u003eBrass\u003c\/b\u003e\u003cspan\u003eWarms the stone and leans classical. Best with oak, cream, plaster and warm-toned rooms.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-finc\"\u003e\n\u003ci style=\"background: #2b2b2b;\"\u003e\u003c\/i\u003e\n\u003cdiv\u003e\n\u003cb\u003eBlack\u003c\/b\u003e\u003cspan\u003eTurns the arms into graphic lines and pushes the piece modern. Strongest against a pale wall.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-finc\"\u003e\n\u003ci style=\"background: linear-gradient(135deg,#e8e8e8 0%,#a9a9a9 100%);\"\u003e\u003c\/i\u003e\n\u003cdiv\u003e\n\u003cb\u003eNickel\u003c\/b\u003e\u003cspan\u003eKeeps both metal and stone cool and quiet — the one that disappears and lets the globes do the work.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- SIZING TIP --\u003e\n\u003cdiv class=\"vsz-tip\"\u003e\n\u003ch4\u003eSizing Tip\u003c\/h4\u003e\n\u003cp\u003eOver a \u003cstrong\u003eround table\u003c\/strong\u003e, take two thirds to three quarters of the table diameter — which puts the four-head over a table of 31–35 in and the six-head over one of 47–53 in. In an \u003cstrong\u003eopen room\u003c\/strong\u003e instead, add the length and width in feet and read the sum as inches: roughly 11 × 13 ft for the four-head, 15 × 20 ft for the six.\u003c\/p\u003e\n\u003cp\u003eThen note what this shape does that most chandeliers don't. Both versions are \u003cstrong\u003eshallow for their width\u003c\/strong\u003e — 11.8 in and 15.7 in tall — because the arms spread sideways rather than gathering at a hub. So \u003cstrong\u003egoing up a size costs you width and almost nothing in headroom\u003c\/strong\u003e, which is the opposite of how a tiered chandelier behaves. Over a table, err larger.\u003c\/p\u003e\n\u003cp\u003eHeight is set on site: the \u003cstrong\u003e59 in cable shortens during installation\u003c\/strong\u003e and can be extended before dispatch if you tell us your ceiling height when ordering. Hang the lowest globe \u003cstrong\u003e30–36 in above a tabletop\u003c\/strong\u003e, and keep \u003cstrong\u003e7 ft of floor clearance\u003c\/strong\u003e anywhere people walk.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- ============================================================\n     PERRIN CROSSING ARM ALABASTER GLOBE CHANDELIER — Design Story  (.vst)\n     Adapted from the Calla Alabaster version.\n \n     THE ANGLE, AND WHY IT IS NOT CALLA'S\n       Calla already owns the alabaster argument on this site — quiet\n       luxury, natural stone, no two alike. Repeating it here would put\n       two products on one store telling the same story.\n \n       So Perrin's story is structural, and it is something only this\n       fixture can claim: it has no hub. Two bars cross a stem and keep\n       going; the middle of the chandelier is empty air. Everything\n       follows from that — you can see through it across a table, it\n       reads as a line rather than a mass, and the globes end up at\n       different heights, which is balance rather than symmetry.\n \n       The alabaster gets one sentence at the end. It is the material,\n       not the argument.\n \n     ALL OF IT IS VISIBLE IN YOUR PHOTOGRAPHS\n       Two crossing arms on the 4-head, three on the 6-head, globes at\n       staggered heights, nothing gathering at the centre. Nothing in\n       this copy is invented.\n     ============================================================ --\u003e\n\u003cstyle\u003e\n\/* ===== Vidir Perrin Crossing Arm Chandelier — Design Story ===== *\/\n.vst{\n  --brand:#5b2d20;\n  --brand-dk:#3d1e15;\n  --brand-lt:#7d4534;\n  --paper:#faf7f5;\n  --line:#e8ddd8;\n  --ink:#2d1810;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  max-width:960px;margin:44px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vst *{box-sizing:border-box;}\n.vst-card{\n  position:relative;overflow:hidden;border-radius:14px;\n  background:linear-gradient(155deg,var(--brand) 0%,var(--brand-dk) 100%);\n  box-shadow:0 14px 40px rgba(91,45,32,.2);\n  padding:56px 60px 52px;\n}\n\/* soft texture *\/\n.vst-card::before{\n  content:'';position:absolute;inset:0;pointer-events:none;\n  background:\n    radial-gradient(ellipse 55% 45% at 20% 18%, rgba(250,247,245,.06) 0%, transparent 60%),\n    radial-gradient(ellipse 50% 45% at 85% 82%, rgba(250,247,245,.05) 0%, transparent 62%);\n}\n\/* corner rules *\/\n.vst-card::after{\n  content:'';position:absolute;top:26px;left:26px;width:46px;height:46px;\n  border-top:1px solid rgba(250,247,245,.4);border-left:1px solid rgba(250,247,245,.4);\n}\n.vst-corner{\n  position:absolute;bottom:26px;right:26px;width:46px;height:46px;\n  border-bottom:1px solid rgba(250,247,245,.4);border-right:1px solid rgba(250,247,245,.4);\n}\n.vst-in{position:relative;z-index:2;max-width:680px;margin:0 auto;text-align:center;}\n.vst-eyebrow{\n  font-size:10px;letter-spacing:.3em;text-transform:uppercase;\n  color:rgba(250,247,245,.7);font-weight:600;display:block;margin-bottom:16px;\n}\n.vst-in h2{\n  font-family:var(--serif);font-size:1.9em;font-weight:400;color:var(--paper);\n  margin:0 0 10px;letter-spacing:.5px;line-height:1.26;\n}\n.vst-in h2 em{font-style:italic;}\n.vst-sub{\n  font-family:var(--serif);font-size:1.05em;font-style:italic;\n  color:rgba(250,247,245,.6);margin:0 auto 30px;padding-bottom:26px;max-width:440px;\n  border-bottom:1px solid rgba(250,247,245,.18);\n}\n.vst-in p{\n  font-size:.97em;color:rgba(250,247,245,.82);margin:0 0 18px;line-height:1.92;\n  letter-spacing:.15px;text-align:left;\n}\n.vst-in p:last-of-type{margin-bottom:0;}\n.vst-in p strong{color:var(--paper);font-weight:600;}\n.vst-close{\n  margin-top:32px;padding-top:26px;border-top:1px solid rgba(250,247,245,.18);\n  font-family:var(--serif);font-style:italic;font-size:1.06em;\n  color:rgba(250,247,245,.9);letter-spacing:.3px;\n}\n@media (max-width:768px){\n  .vst{margin:30px auto;}\n  .vst-card{padding:40px 24px 38px;}\n  .vst-card::after,.vst-corner{width:34px;height:34px;}\n  .vst-card::after{top:18px;left:18px;}\n  .vst-corner{bottom:18px;right:18px;}\n  .vst-in h2{font-size:1.48em;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vst\"\u003e\n\u003cdiv class=\"vst-card\"\u003e\n\u003cspan class=\"vst-corner\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"vst-in\"\u003e\n\u003cspan class=\"vst-eyebrow\"\u003eThe design\u003c\/span\u003e\n\u003ch2\u003eA Chandelier With \u003cem\u003eNo Centre\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp class=\"vst-sub\"\u003eThe arms cross. The middle stays empty. That is the whole idea.\u003c\/p\u003e\n\u003cp\u003eAlmost every chandelier ever made is built around a hub. Arms radiate outward, the mass gathers in the middle, and the middle is the part you look at. This one has no hub at all. \u003cstrong\u003eTwo horizontal bars pass through a vertical stem at different heights and simply keep going\u003c\/strong\u003e — and the centre of the fixture, where a chandelier normally holds everything, is empty air.\u003c\/p\u003e\n\u003cp\u003eThe consequence is the reason to own it. Because the weight sits at the ends and nothing accumulates in the middle, \u003cstrong\u003eyou can see straight through it.\u003c\/strong\u003e Across a dining table that matters more than it sounds — you see the person opposite rather than a mass of glass between you. From the doorway it reads as a line drawing rather than an object, which is how a fixture nearly a metre wide can hang in a room without dominating it.\u003c\/p\u003e\n\u003cdiv class=\"vst-close\"\u003e— Nothing in the middle. Everything in balance. —\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\n\/* ===== Perrin Crossing Arm Chandelier — 4 Advantages ===== *\/\n.vac{\n  --brand:#5b2d20;\n  --brand-dk:#3d1e15;\n  --brand-lt:#7d4534;\n  --paper:#faf7f5;\n  --cream:#faf7f5;\n  --line:#e8ddd8;\n  --ink:#2d1810;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  max-width:900px;margin:40px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vac *{box-sizing:border-box;}\n \n\/* ===== unified panel ===== *\/\n.vac-panel{\n  border:1px solid var(--line);border-radius:12px;overflow:hidden;\n  background:linear-gradient(180deg,#fff 0%,var(--cream) 100%);\n}\n \n\/* header band *\/\n.vac-head{\n  text-align:center;padding:38px 32px 30px;\n  background:linear-gradient(150deg,var(--brand) 0%,var(--brand-dk) 100%);\n  position:relative;\n}\n.vac-head::after{\n  content:'';position:absolute;bottom:0;left:50%;transform:translateX(-50%);\n  width:60px;height:2px;background:rgba(250,247,245,.65);\n}\n.vac-eyebrow{\n  font-size:10px;letter-spacing:.28em;text-transform:uppercase;\n  color:rgba(250,247,245,.7);font-weight:600;display:block;margin-bottom:13px;\n}\n.vac-head h2{\n  font-family:var(--serif);font-size:1.72em;font-weight:400;color:var(--paper);\n  margin:0 0 12px;letter-spacing:.6px;line-height:1.3;\n}\n.vac-head h2 em{font-style:italic;}\n.vac-head p{\n  font-size:.92em;color:rgba(250,247,245,.66);margin:0 auto;line-height:1.7;max-width:520px;\n}\n \n\/* ===== rows ===== *\/\n.vac-list{padding:8px 0;}\n.vac-row{\n  display:flex;align-items:flex-start;gap:26px;\n  padding:28px 40px;border-bottom:1px solid var(--line);\n  transition:background .35s ease;\n}\n.vac-row:last-child{border-bottom:none;}\n.vac-row:hover{background:#fff;}\n \n\/* number *\/\n.vac-n{\n  flex:0 0 auto;width:44px;height:44px;border-radius:50%;\n  border:1px solid var(--brand-lt);\n  display:flex;align-items:center;justify-content:center;\n  font-family:var(--serif);font-size:1.02em;color:var(--brand);\n  background:#fff;transition:background .35s ease,color .35s ease,border-color .35s ease;\n}\n.vac-row:hover .vac-n{background:var(--brand);color:var(--paper);border-color:var(--brand);}\n \n\/* text *\/\n.vac-tx{flex:1;min-width:0;}\n.vac-tx h3{\n  font-family:var(--serif);font-size:1.24em;font-weight:500;color:var(--ink);\n  margin:0 0 8px;letter-spacing:.3px;line-height:1.32;\n}\n.vac-tx p{font-size:.94em;color:#5a4a44;margin:0;line-height:1.82;}\n.vac-tx p strong{color:var(--brand-dk);font-weight:600;}\n \n\/* closing line *\/\n.vac-foot{\n  text-align:center;padding:24px 32px 28px;\n  border-top:1px solid var(--line);background:#fff;\n}\n.vac-foot p{\n  font-family:var(--serif);font-size:.98em;font-style:italic;color:var(--brand-lt);\n  margin:0;letter-spacing:.2px;\n}\n \n@media (max-width:768px){\n  .vac{margin:28px auto;}\n  .vac-head{padding:30px 20px 26px;}\n  .vac-head h2{font-size:1.32em;}\n  .vac-row{padding:22px 20px;gap:16px;}\n  .vac-n{width:36px;height:36px;font-size:.9em;}\n  .vac-tx h3{font-size:1.1em;}\n  .vac-foot{padding:20px;}\n}\n\u003c\/style\u003e\n\u003c!-- ============================================================\n     PERRIN CROSSING ARM ALABASTER GLOBE CHANDELIER — Comparison + FAQ  (.vmf)\n     Adapted from the alabaster column version.\n \n     COMPARISON AXIS\n       Natural alabaster  vs  alabaster-look glass \/ resin.\n       Imitation alabaster is genuinely common in this category, so this\n       is a real comparison rather than a generic quality claim — and it\n       does not duplicate the hand-blown-glass tables on your other\n       product pages.\n \n     ONE ROW GOES TO THE OTHER SIDE\n       \"Care\" says plainly that imitation is easier to clean, because it\n       is. Real alabaster is a gypsum stone and is slowly soluble in\n       water — it must be dusted, never wet-wiped. Conceding that row is\n       what makes the other seven believable, and it also puts the care\n       constraint on record before somebody ruins a globe with a cloth.\n \n     FAQ 01 AND 03 ARE THE TWO THAT MATTER\n       01 tells a buyer how to tell real stone from a printed imitation\n          — useful to them, and it happens to be a test your product\n          passes and a competitor's does not.\n       03 is the care answer. Do not soften \"never use water\".\n \n     TWO OPEN ITEMS CARRIED OVER\n       · [__ CONFIRM VOLTAGE] in FAQ 05 — G4 comes in mains-voltage and\n         12V versions that look identical. Confirm which this takes.\n       · The spec sheet still says \"IP20 damp-rated\". IP20 has no water\n         protection; this file states indoor dry only.\n     ============================================================ --\u003e\n\u003cstyle\u003e\n\/* ===== Perrin Crossing Arm Chandelier — Comparison + FAQ ===== *\/\n.vmf{\n  --brand:#5b2d20;\n  --brand-dk:#3d1e15;\n  --brand-lt:#7d4534;\n  --paper:#faf7f5;\n  --line:#e8ddd8;\n  --ink:#2d1810;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  max-width:1000px;margin:44px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vmf *{box-sizing:border-box;}\n \n\/* ===== header ===== *\/\n.vmf-head{text-align:center;margin:0 auto 28px;}\n.vmf-line{display:block;width:48px;height:1px;background:var(--brand);margin:0 auto 14px;}\n.vmf-eyebrow{\n  font-size:10px;letter-spacing:.26em;text-transform:uppercase;\n  color:var(--brand-lt);font-weight:600;display:block;margin-bottom:11px;\n}\n.vmf-head h2{\n  font-family:var(--serif);font-size:1.62em;font-weight:400;color:var(--ink);\n  margin:0;letter-spacing:.4px;\n}\n.vmf-head h2 em{color:var(--brand);font-style:italic;}\n.vmf-head p{font-size:.92em;color:#8a7268;margin:11px auto 0;max-width:540px;}\n \n\/* ===== comparison ===== *\/\n.vmf-comp{\n  border:1px solid var(--line);border-radius:12px;overflow:hidden;\n  background:#fff;margin-bottom:52px;box-shadow:0 6px 22px rgba(91,45,32,.06);\n}\n.vmf-ch{display:flex;background:var(--brand);}\n.vmf-ch .c{\n  flex:1;padding:16px 22px;\n  font-family:var(--serif);font-size:1.02em;font-weight:600;color:var(--paper);\n  letter-spacing:.3px;\n}\n.vmf-ch .c.spacer{flex:0 0 130px;background:var(--brand-dk);}\n.vmf-ch .c.them{\n  background:rgba(0,0,0,.14);color:rgba(250,247,245,.62);font-weight:400;\n}\n.vmf-r{display:flex;border-bottom:1px solid var(--line);}\n.vmf-r:last-child{border-bottom:none;}\n.vmf-r:nth-child(even){background:#fdfaf9;}\n.vmf-r .k{\n  flex:0 0 130px;padding:17px 22px;\n  font-family:var(--serif);font-size:.92em;font-weight:600;color:var(--brand);\n  border-right:1px solid var(--line);background:#faf7f5;\n}\n.vmf-r .ours{\n  flex:1;padding:17px 22px;font-size:.9em;color:var(--brand-dk);font-weight:600;\n  border-right:1px solid var(--line);line-height:1.62;\n}\n.vmf-r .them{\n  flex:1;padding:17px 22px;font-size:.9em;color:#9a8880;line-height:1.62;\n}\n\/* the row we concede *\/\n.vmf-r.even-row .ours{font-weight:400;color:#6a5a52;}\n \n\/* ===== FAQ ===== *\/\n.vmf-faq{max-width:820px;margin:0 auto;}\n.vmf-item{border-bottom:1px solid var(--line);}\n.vmf-item:first-child{border-top:1px solid var(--line);}\n.vmf-item summary{\n  list-style:none;cursor:pointer;\n  display:flex;justify-content:space-between;align-items:center;gap:18px;\n  padding:19px 4px;\n  font-family:var(--serif);font-size:1.06em;color:var(--ink);\n  transition:color .25s ease;\n}\n.vmf-item summary::-webkit-details-marker{display:none;}\n.vmf-item summary:hover{color:var(--brand);}\n.vmf-ico{position:relative;flex:0 0 16px;width:16px;height:16px;}\n.vmf-ico::before,.vmf-ico::after{\n  content:\"\";position:absolute;background:var(--brand);\n  transition:transform .3s ease,opacity .3s ease;\n}\n.vmf-ico::before{top:7.5px;left:0;width:16px;height:1.5px;}\n.vmf-ico::after{top:0;left:7.5px;width:1.5px;height:16px;}\n.vmf-item[open] .vmf-ico::after{transform:scaleY(0);opacity:0;}\n.vmf-ans{\n  padding:0 4px 20px;font-size:.91em;color:#5a4a44;line-height:1.8;max-width:760px;\n}\n.vmf-ans strong{color:var(--brand-dk);font-weight:600;}\n.vmf-ans p{margin:0 0 11px;}\n.vmf-ans p:last-child{margin:0;}\n \n@media (max-width:768px){\n  .vmf{margin:30px auto;}\n  .vmf-head h2{font-size:1.3em;}\n  .vmf-ch .c,.vmf-r .k,.vmf-r .ours,.vmf-r .them{padding:13px 12px;font-size:.82em;}\n  .vmf-ch .c.spacer,.vmf-r .k{flex:0 0 84px;}\n  .vmf-comp{margin-bottom:38px;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vmf\"\u003e\n\u003c!-- ===== COMPARISON ===== --\u003e\n\u003cdiv class=\"vmf-head\"\u003e\n\u003cspan class=\"vmf-line\"\u003e\u003c\/span\u003e \u003cspan class=\"vmf-eyebrow\"\u003eMaterials\u003c\/span\u003e\n\u003ch2\u003eWhy \u003cem\u003eReal Alabaster\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp\u003eAlabaster-look glass and resin are everywhere in lighting, and they photograph well. Here is what changes once the piece is in the room — including the one thing they do better.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-comp\"\u003e\n\u003cdiv class=\"vmf-ch\"\u003e\n\u003cspan class=\"c spacer\"\u003e\u003c\/span\u003e \u003cspan class=\"c\"\u003eNatural Alabaster\u003c\/span\u003e \u003cspan class=\"c them\"\u003eAlabaster-Look Glass \/ Resin\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r\"\u003e\n\u003cspan class=\"k\"\u003eThe light\u003c\/span\u003e \u003cspan class=\"ours\"\u003eLight enters the stone and comes back out softened — the globe glows from within, with no visible bulb and no hotspot\u003c\/span\u003e \u003cspan class=\"them\"\u003eLight passes through a thin shell; the bulb often shows as a bright spot or a shadow through the surface\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r\"\u003e\n\u003cspan class=\"k\"\u003eThe veining\u003c\/span\u003e \u003cspan class=\"ours\"\u003eVeins run through the thickness of the stone, so they change as the light moves and the globe is different on every side\u003c\/span\u003e \u003cspan class=\"them\"\u003ePattern printed or moulded onto the surface — flat, and the same motif recurs every few pieces\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r\"\u003e\n\u003cspan class=\"k\"\u003eSwitched off\u003c\/span\u003e \u003cspan class=\"ours\"\u003eReads as pale marble against the ceiling, with real depth and weight in daylight\u003c\/span\u003e \u003cspan class=\"them\"\u003eReads as plastic the moment the light is off, however convincing it looks lit\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r\"\u003e\n\u003cspan class=\"k\"\u003eIn the hand\u003c\/span\u003e \u003cspan class=\"ours\"\u003eCool, dense and unmistakably heavy — a stone globe weighs what a stone globe weighs\u003c\/span\u003e \u003cspan class=\"them\"\u003eWarm to the touch and light enough to lift with two fingers\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r\"\u003e\n\u003cspan class=\"k\"\u003eThe cut edge\u003c\/span\u003e \u003cspan class=\"ours\"\u003eWhere the globe meets its fitting you see a cut stone edge, and the veining carries straight through it\u003c\/span\u003e \u003cspan class=\"them\"\u003eThe pattern stops at the seam, because there is nothing underneath it\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r even-row\"\u003e\n\u003cspan class=\"k\"\u003eCare\u003c\/span\u003e \u003cspan class=\"ours\"\u003eDust only. Alabaster is a gypsum stone and slowly soluble in water — a damp cloth will dull it over time. \u003cstrong\u003eImitation is genuinely easier here\u003c\/strong\u003e\u003c\/span\u003e \u003cspan class=\"them\"\u003eWipes clean with a damp cloth and shrugs off household sprays. Lower maintenance, and worth saying so\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- ===== FAQ ===== --\u003e\n\u003cdiv class=\"vmf-head\"\u003e\n\u003cspan class=\"vmf-line\"\u003e\u003c\/span\u003e \u003cspan class=\"vmf-eyebrow\"\u003eQuestions, Answered\u003c\/span\u003e\n\u003ch2\u003eCommon \u003cem\u003eQuestions\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-faq\"\u003e\n\u003cdetails class=\"vmf-item\" open=\"\"\u003e\n\u003csummary\u003e\u003cspan\u003eIs it real alabaster, and how would I know?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003eYes — every globe is cut from natural stone. Three things tell you, and they are worth knowing whoever you eventually buy from.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight.\u003c\/strong\u003e A stone globe is heavy and cool to the touch; a moulded one feels warm and light. \u003cstrong\u003eThe cut edge.\u003c\/strong\u003e Where the globe meets its fitting you can see a cut stone edge with the veining running straight through it — on a printed imitation the pattern stops at the seam. \u003cstrong\u003eThe veining under light.\u003c\/strong\u003e Real veins sit inside the thickness of the stone, so they shift as your eye moves and the globe looks different from each side. A printed pattern stays flat and repeats from piece to piece.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eWill the globes match each other?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003eThey are \u003cstrong\u003ematched by hand within each fixture\u003c\/strong\u003e so that they read as a family — similar tone, similar density of veining, nothing that jumps out. But they are never identical, because each one is cut from a different part of a different block. Some come out pale and almost cloudless; others carry warm honey lines. \u003cstrong\u003eThat variation is the argument for stone over moulded glass, not a compromise on it.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eHow do I clean it?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003e\u003cstrong\u003eDust only — never use water on the stone.\u003c\/strong\u003e Alabaster is a gypsum mineral and is slowly soluble in water, so a damp cloth used regularly will dull the surface and eventually etch it. Use a \u003cstrong\u003esoft dry cloth or a dry brush\u003c\/strong\u003e on the globes, and keep solvents, glass sprays and all-purpose cleaners well away.\u003c\/p\u003e\n\u003cp\u003eThe metal arms can take a barely damp cloth as long as you keep it off the stone. Switch off and let the bulbs cool completely first.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eHow bright is it?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003ePlan it as the \u003cstrong\u003ewarm ambient layer\u003c\/strong\u003e rather than the only light in the room. Stone absorbs more light than opal glass does — that absorption is exactly what produces the soft internal glow — so four or six globes give a gentle, even wash rather than a bright one.\u003c\/p\u003e\n\u003cp\u003eOver a dining table or in a bedroom it carries the room comfortably. In a kitchen or anywhere you need to see detail, pair it with downlights or task lighting.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eWhat bulbs does it take?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003e\u003cstrong\u003eG4 LED bulbs\u003c\/strong\u003e — four or six depending on the version, warm white recommended, not included. A small capsule lamp is used deliberately: it disappears entirely inside the globe, which is part of why no bulb is ever visible.\u003c\/p\u003e\n\u003cp\u003eOne thing to watch when you buy replacements. \u003cstrong\u003eG4 comes in two voltages that look completely identical\u003c\/strong\u003e — mains voltage and 12V — with the same two pins and the same capsule. They are not interchangeable. This fixture takes \u003cstrong\u003e[__ CONFIRM VOLTAGE] G4 LEDs\u003c\/strong\u003e; check the packet, and send us a photo if you are unsure.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eCan it be dimmed?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003eDimming depends on the bulb rather than the fixture. Fit \u003cstrong\u003edimmable G4 LEDs\u003c\/strong\u003e on a compatible dimmer circuit and it will dim smoothly; standard lamps will not. A \u003cstrong\u003ewarm white around 2700K\u003c\/strong\u003e suits the stone best — cooler light drains the honey tones out of the veining and makes the globes read grey.\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eFour heads or six?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003eThe difference is not only width. The \u003cstrong\u003efour-head is two crossing arms on two levels\u003c\/strong\u003e; the \u003cstrong\u003esix-head adds a third arm at a third height\u003c\/strong\u003e, so stepping up adds a tier to the composition.\u003c\/p\u003e\n\u003cp\u003eBy size: the four-head suits a round table around \u003cstrong\u003e31–35″\u003c\/strong\u003e or a room of roughly \u003cstrong\u003e11 × 13 ft\u003c\/strong\u003e; the six-head suits a table of \u003cstrong\u003e47–53″\u003c\/strong\u003e or a room of about \u003cstrong\u003e15 × 20 ft\u003c\/strong\u003e. Because the arms spread sideways rather than stacking, \u003cstrong\u003egoing larger costs width and almost nothing in headroom\u003c\/strong\u003e — so over a table, err larger.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eHow high should I hang it?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003eOver a dining table, hang the lowest globe \u003cstrong\u003e30–36″ (75–90 cm) above the tabletop\u003c\/strong\u003e. In any walkway or entry, keep at least \u003cstrong\u003e7 ft (2.1 m)\u003c\/strong\u003e of clearance from the floor. The \u003cstrong\u003e59″ cable is shortened on site\u003c\/strong\u003e during installation, and extra length is supplied before dispatch if you tell us your ceiling height when ordering.\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eCan I use it in a bathroom?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003eNo — and here there are two separate reasons. Electrically it is rated \u003cstrong\u003eIP20\u003c\/strong\u003e, which means \u003cstrong\u003eno protection against water at all\u003c\/strong\u003e. And alabaster is a porous stone that does not want sustained humidity either.\u003c\/p\u003e\n\u003cp\u003eInstall it in \u003cstrong\u003edry indoor rooms\u003c\/strong\u003e: dining rooms, living rooms, bedrooms, entries, stairwells. \u003cstrong\u003eNot in a bathroom, above a bath or shower, in a laundry, or on a covered porch\u003c\/strong\u003e, even one that stays out of direct rain.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eCan I install it on a sloped ceiling?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003eYes. Because the fixture hangs from a single point on a cable, \u003cstrong\u003eit stays level regardless of the angle of the ceiling above it\u003c\/strong\u003e — the crossing arms need no adjustment. The only part to handle is the canopy: a standard one sits flush on a shallow pitch only, and anything steeper needs a \u003cstrong\u003esloped-ceiling adapter\u003c\/strong\u003e. Tell us the pitch before ordering and we will confirm whether one is needed and supply it.\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eWill my ceiling take the weight?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003eCheck before ordering. Four to six solid stone globes on a metal frame is \u003cstrong\u003econsiderably heavier than a glass fixture of the same size\u003c\/strong\u003e — that weight is part of what you are buying, and it is also the part your junction box has to hold. Confirm the \u003cstrong\u003ebox is rated for the fixture's weight\u003c\/strong\u003e and that there is structural support above it; a standard box carries far less than most people assume. Net and shipping weights are available on request for both versions.\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eWhat if a globe arrives damaged?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003eEvery globe is individually wrapped and foam-seated for shipping, with the arms and canopy boxed separately. If something arrives damaged, \u003cstrong\u003esend photographs within 24 hours of delivery\u003c\/strong\u003e and the affected part is replaced. Because each globe sits in its own fitting, \u003cstrong\u003ea single damaged globe never means returning the whole chandelier\u003c\/strong\u003e — though the replacement will have its own veining, as every piece of stone does.\u003c\/div\u003e\n\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Vidirlighting","offers":[{"title":"4 Heads ∅ 23.6″ × H 11.8″ \/ Gold + White","offer_id":52225364721954,"sku":"V-ALCH2607311-1","price":895.0,"currency_code":"USD","in_stock":true},{"title":"4 Heads ∅ 23.6″ × H 11.8″ \/ Black + White","offer_id":52225364754722,"sku":"V-ALCH2607311-2","price":895.0,"currency_code":"USD","in_stock":true},{"title":"4 Heads ∅ 23.6″ × H 11.8″ \/ Nickel + White","offer_id":52225364787490,"sku":"V-ALCH2607311-3","price":895.0,"currency_code":"USD","in_stock":true},{"title":"6 Heads ∅ 35.4″ × H 15.7″ \/ Gold + White","offer_id":52225364820258,"sku":"V-ALCH2607311-4","price":1395.0,"currency_code":"USD","in_stock":true},{"title":"6 Heads ∅ 35.4″ × H 15.7″ \/ Black + White","offer_id":52225364853026,"sku":"V-ALCH2607311-5","price":1395.0,"currency_code":"USD","in_stock":true},{"title":"6 Heads ∅ 35.4″ × H 15.7″ \/ Nickel + White","offer_id":52225364885794,"sku":"V-ALCH2607311-6","price":1395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0818\/5741\/3410\/files\/perrin-crossing-arm-globe-chandelier-vidirlighting-brass-6-light-amber-textured-glass-warm-gradient-shot.webp?v=1785461874","url":"https:\/\/vidirlighting.com\/products\/perrin-crossing-arm-globe-chandelier","provider":"Vidirlighting","version":"1.0","type":"link"}