{"product_id":"corvina-molten-glass-wall-sconce","title":"Corvina Molten Glass Wall Sconce","description":"\u003cp\u003eThe Corvina Molten Glass Wall Sconce is a single hand-blown glass disc mounted flush to the wall, and it keeps every mark of how it was made. A fine mesh texture runs across the whole surface — the weave of the mould, pressed into the glass while it was still molten. The centre has collapsed slightly inward where the bubble gave. The edges fold and pleat where the glass met resistance and buckled.\u003c\/p\u003e\n\u003cp\u003eNone of that was polished out. Most glassmaking is a process of erasing evidence — grind the seam, smooth the fold, make it look as though the object simply arrived. Lit, the texture does the work. Light passing through the mesh grain and the folded seams throws a rayed shadow across the wall behind it — a soft radiating pattern that changes with the shape of each individual piece. The disc glows unevenly on purpose: brighter where the glass runs thin at the folds, deeper where it thickened as it slumped.\u003c\/p\u003e\n\u003cstyle\u003e\n\/* ===== Vidir — Buy a Pair Callout ===== *\/\n.vpr{\n  --brand:#5b2d20;\n  --brand-dk:#3d1e15;\n  --brand-lt:#7d4534;\n  --paper:#faf7f5;\n  --line:#e8ddd8;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  max-width:900px;margin:36px auto;font-family:var(--sans);line-height:1.7;\n}\n.vpr *{box-sizing:border-box;}\n\n.vpr-card{\n  position:relative;overflow:hidden;\n  display:flex;align-items:center;gap:30px;\n  border-radius:12px;\n  background:linear-gradient(140deg,var(--brand) 0%,var(--brand-dk) 100%);\n  box-shadow:0 12px 34px rgba(91,45,32,.22);\n  padding:32px 38px;\n  transition:box-shadow .4s ease;\n}\n.vpr-card:hover{box-shadow:0 16px 42px rgba(91,45,32,.3);}\n\n\/* soft texture, same tone *\/\n.vpr-card::before{\n  content:'';position:absolute;inset:0;pointer-events:none;\n  background:radial-gradient(ellipse 55% 60% at 88% 30%, rgba(250,247,245,.06) 0%, transparent 62%);\n}\n\n\/* ×2 mark *\/\n.vpr-mark{\n  flex:0 0 auto;position:relative;z-index:2;\n  width:80px;height:80px;border-radius:50%;\n  border:1px solid rgba(250,247,245,.45);\n  display:flex;align-items:center;justify-content:center;\n  background:rgba(250,247,245,.08);\n  transition:background .4s ease,transform .4s ease;\n}\n.vpr-card:hover .vpr-mark{background:rgba(250,247,245,.14);transform:scale(1.04);}\n.vpr-mark span{\n  font-family:var(--serif);font-size:1.62em;color:var(--paper);\n  letter-spacing:.5px;line-height:1;\n}\n\n\/* text *\/\n.vpr-tx{flex:1;min-width:0;position:relative;z-index:2;}\n.vpr-eyebrow{\n  display:inline-flex;align-items:center;gap:10px;margin-bottom:9px;\n}\n.vpr-eyebrow .r{height:1px;width:26px;background:rgba(250,247,245,.55);}\n.vpr-eyebrow .t{\n  font-size:10px;letter-spacing:.24em;text-transform:uppercase;\n  color:rgba(250,247,245,.72);font-weight:600;\n}\n.vpr-tx h3{\n  font-family:var(--serif);font-size:1.5em;font-weight:400;color:var(--paper);\n  margin:0 0 8px;letter-spacing:.4px;line-height:1.28;\n}\n.vpr-tx h3 em{font-style:italic;}\n.vpr-tx p{\n  font-size:.95em;color:rgba(250,247,245,.8);margin:0;line-height:1.75;letter-spacing:.15px;\n}\n.vpr-tx p strong{color:var(--paper);font-weight:600;}\n\n\/* inline tag *\/\n.vpr-tag{\n  display:inline-block;\n  font-family:var(--serif);font-weight:600;\n  color:var(--brand-dk);background:var(--paper);\n  padding:1px 9px;border-radius:4px;\n  letter-spacing:.5px;\n}\n\n@media (max-width:640px){\n  .vpr{margin:26px auto;}\n  .vpr-card{flex-direction:column;text-align:center;gap:18px;padding:28px 22px;}\n  .vpr-eyebrow{justify-content:center;}\n  .vpr-mark{width:66px;height:66px;}\n  .vpr-mark span{font-size:1.34em;}\n  .vpr-tx h3{font-size:1.24em;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vpr\"\u003e\n\u003cdiv class=\"vpr-card\"\u003e\n\u003cspan class=\"vpr-mark\"\u003e\u003cspan\u003e×2\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"vpr-tx\"\u003e\n\u003cspan class=\"vpr-eyebrow\"\u003e\u003cspan class=\"r\"\u003e\u003c\/span\u003e\u003cspan class=\"t\"\u003eBetter Together\u003c\/span\u003e\u003c\/span\u003e\n\u003ch3\u003eBuying a \u003cem\u003ePair\u003c\/em\u003e?\u003c\/h3\u003e\n\u003cp\u003eSelect the size marked \u003cspan class=\"vpr-tag\"\u003e(*2)\u003c\/span\u003e — \u003cstrong\u003etwo together come at a better price\u003c\/strong\u003e than buying them separately.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- ============================================================\n     VIDIRLIGHTING — What You See Is What You Get  (.vwy)\n     Corvina Molten Glass Wall Sconce\n \n     IMAGES UPDATED\n       left  · amber molten glass shade, back view\n       right · aluminium base mount and hardware detail\n \n     MATERIAL UPDATED — glass + aluminium\n       The source module said \"metal hardware\". Aluminium is worth\n       naming rather than generalising: on a wall fixture it is the\n       material that will not corrode behind the glass, and it is why a\n       25 cm disc is light enough to sit on a standard box. Card 3 makes\n       that argument instead of repeating the generic packing line.\n \n     WHY THE BACK VIEW IS THE RIGHT LEAD IMAGE\n       A back view of a hand-blown shade shows wall thickness, the fold\n       pattern and the collapsed centre from the side nobody styles.\n       That is the most honest photograph you can put on a glass page,\n       and the caption says so.\n \n     CARD 2 SHARPENED\n       Moulded resin and acrylic \"art glass\" is common in this category,\n       so naming it is a real differentiator rather than a generic\n       quality claim.\n     ============================================================ --\u003e\n\u003cstyle\u003e\n\/* ===== Vidir — What You See Is What You Get ===== *\/\n.vwy{\n  --brand:#5b2d20;--brand-dk:#3d1e15;--brand-lt:#7d4534;\n  --gold:#b08d57;\n  --paper:#faf7f5;--cream:#fdfaf7;--line:#e8ddd8;--ink:#2d1810;--body:#5a4a3f;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  max-width:900px;margin:44px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vwy *{box-sizing:border-box;}\n \n\/* header *\/\n.vwy-head{text-align:center;margin:0 auto 26px;}\n.vwy-line{display:block;width:50px;height:1px;background:var(--brand);margin:0 auto 16px;}\n.vwy-head h2{\n  font-family:var(--serif);font-size:1.72em;font-weight:400;color:var(--ink);\n  margin:0;letter-spacing:.3px;line-height:1.3;\n}\n.vwy-head h2 em{color:var(--brand-lt);font-style:italic;}\n \n\/* photo pair *\/\n.vwy-shots{display:grid;grid-template-columns:1fr 1fr;gap:18px;margin-bottom:20px;}\n.vwy-shot{\n  position:relative;border-radius:12px;overflow:hidden;\n  box-shadow:0 10px 26px rgba(91,45,32,.12);line-height:0;background:#1a1310;\n}\n.vwy-shot img{width:100%;height:100%;object-fit:cover;display:block;aspect-ratio:4\/3;}\n.vwy-shot::after{\n  content:'';position:absolute;left:0;right:0;bottom:0;height:52%;pointer-events:none;\n  background:linear-gradient(to top,rgba(26,19,16,.82) 0%,rgba(26,19,16,.35) 45%,transparent 100%);\n}\n.vwy-badge{\n  position:absolute;top:14px;left:14px;z-index:3;\n  font-family:var(--sans);font-size:9.5px;letter-spacing:.15em;text-transform:uppercase;font-weight:700;\n  color:#fff;background:linear-gradient(140deg,var(--brand) 0%,var(--brand-dk) 100%);\n  padding:6px 13px;border-radius:4px;box-shadow:0 5px 14px rgba(26,19,16,.4);\n}\n.vwy-cap{\n  position:absolute;left:20px;right:20px;bottom:16px;z-index:3;\n  font-family:var(--serif);font-style:italic;font-size:.95em;color:#fff;\n  line-height:1.45;text-shadow:0 1px 6px rgba(0,0,0,.5);\n}\n \n\/* trust cards *\/\n.vwy-cards{display:grid;grid-template-columns:repeat(3,1fr);gap:16px;}\n.vwy-card{\n  border:1px solid var(--line);border-radius:12px;\n  background:linear-gradient(180deg,#fff 0%,var(--cream) 100%);\n  padding:22px 20px 24px;transition:transform .35s ease,box-shadow .35s ease;\n}\n.vwy-card:hover{transform:translateY(-3px);box-shadow:0 12px 26px rgba(91,45,32,.1);}\n.vwy-ic{\n  width:38px;height:38px;border-radius:50%;\n  background:linear-gradient(140deg,var(--brand) 0%,var(--brand-dk) 100%);\n  display:flex;align-items:center;justify-content:center;margin-bottom:14px;\n}\n.vwy-ic svg{width:17px;height:17px;color:var(--paper);}\n.vwy-card h4{\n  font-family:var(--serif);font-size:1.12em;font-weight:600;color:var(--ink);\n  margin:0 0 8px;letter-spacing:.2px;line-height:1.28;\n}\n.vwy-card p{font-size:.88em;color:var(--body);margin:0;line-height:1.72;}\n.vwy-card p strong{color:var(--brand);font-weight:600;}\n \n@media (max-width:820px){\n  .vwy{margin:30px auto;}\n  .vwy-head h2{font-size:1.34em;}\n  .vwy-shots{grid-template-columns:1fr;gap:14px;}\n  .vwy-cards{grid-template-columns:1fr;gap:12px;}\n  .vwy-cap{font-size:.9em;left:16px;right:16px;bottom:13px;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vwy\"\u003e\n\u003c!-- HEADER --\u003e\n\u003cdiv class=\"vwy-head\"\u003e\n\u003cspan class=\"vwy-line\"\u003e\u003c\/span\u003e\n\u003ch2\u003eWhat You See Is \u003cem\u003eWhat You Get\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c!-- PHOTO PAIR --\u003e\n\u003cdiv class=\"vwy-shots\"\u003e\n\u003cdiv class=\"vwy-shot\"\u003e\n\u003cspan class=\"vwy-badge\"\u003eReal Photo\u003c\/span\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0818\/5741\/3410\/files\/corvina-molten-glass-wall-sconce-vidirlighting-amber-molten-glass-shade-back-view.webp?v=1785634634\" alt=\"Back view of the amber hand-blown molten glass shade showing wall thickness, folds and the collapsed centre\"\u003e \u003cspan class=\"vwy-cap\"\u003eThe back of the shade — the side nobody styles\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vwy-shot\"\u003e\n\u003cspan class=\"vwy-badge\"\u003eReal Photo\u003c\/span\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0818\/5741\/3410\/files\/corvina-molten-glass-wall-sconce-vidirlighting-hardware-metal-base-mount-detail.webp?v=1785634634\" alt=\"Aluminium base mount and hardware detail of the Corvina molten glass wall sconce\"\u003e \u003cspan class=\"vwy-cap\"\u003eThe aluminium base mount and hardware, in detail\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- TRUST CARDS --\u003e\n\u003cdiv class=\"vwy-cards\"\u003e\n\u003cdiv class=\"vwy-card\"\u003e\n\u003cdiv class=\"vwy-ic\"\u003e\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"1.8\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003cpath d=\"M12 3l7.5 3v5.4c0 4.4-3 8.3-7.5 9.6-4.5-1.3-7.5-5.2-7.5-9.6V6z\"\u003e\u003c\/path\u003e\u003cpath d=\"M9.2 12.2l2 2 3.6-3.8\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003ch4\u003eDescribed Honestly\u003c\/h4\u003e\n\u003cp\u003eMaterials, sizes and finishes are listed \u003cstrong\u003eexactly as they are\u003c\/strong\u003e — including the fact that every disc slumps its own way, so \u003cstrong\u003ethe folds and the shadow it throws are never quite the ones in the photographs.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vwy-card\"\u003e\n\u003cdiv class=\"vwy-ic\"\u003e\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"1.8\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003cpath d=\"M12 3.5l2.6 5.3 5.9.9-4.2 4.1 1 5.8-5.3-2.8-5.3 2.8 1-5.8L3.5 9.7l5.9-.9z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003ch4\u003eReal Glass, Not Resin\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eHand-blown glass on an aluminium mount\u003c\/strong\u003e — never moulded resin, never acrylic made to look like art glass. Photographed from the back as well as the front, because the back is where you can tell.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vwy-card\"\u003e\n\u003cdiv class=\"vwy-ic\"\u003e\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"1.8\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003crect x=\"3\" y=\"7.5\" width=\"18\" height=\"13\" rx=\"2\"\u003e\u003c\/rect\u003e\u003cpath d=\"M3 11.5h18M9.5 7.5V5.5a2.5 2.5 0 0 1 5 0v2\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003ch4\u003eAluminium Behind the Glass\u003c\/h4\u003e\n\u003cp\u003eThe mount is \u003cstrong\u003ealuminium rather than plated steel\u003c\/strong\u003e — it will not corrode where you cannot see it, and it keeps the fixture light enough for a standard wall box. The glass is wrapped separately and foam-seated for the journey.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"simg-pop-btn\" style=\"top: 1004px; left: 15.9922px; display: none;\"\u003e\u003csvg class=\"\" viewbox=\"0 0 24 24\"\u003e\u003cpath d=\"M18 13v7H4V6h5.02c.05-.71.22-1.38.48-2H4c-1.1 0-2 .9-2 2v14c0 1.1.9 2 2 2h14c1.1 0 2-.9 2-2v-5zm-1.5 5h-11l2.75-3.53 1.96 2.36 2.75-3.54zm2.8-9.11c.44-.7.7-1.51.7-2.39C20 4.01 17.99 2 15.5 2S11 4.01 11 6.5s2.01 4.5 4.49 4.5c.88 0 1.7-.26 2.39-.7L21 13.42 22.42 12zM15.5 9C14.12 9 13 7.88 13 6.5S14.12 4 15.5 4 18 5.12 18 6.5 16.88 9 15.5 9\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003c!-- ============================================================\n     CORVINA MOLTEN GLASS WALL SCONCE — Details  (.vdt)\n     Adapted from the alabaster column version.\n \n     SPECS APPLIED\n       Aluminium body · hand-blown glass\n       ∅ 9.8″ (25 cm)  ·  G4  ·  tea \/ black \/ clear\n \n     ⚠ TWO THINGS TO SETTLE BEFORE PUBLISHING\n \n     1) \"BLACK\" IS NOT WHAT THE PHOTOGRAPH SHOWS.\n        Your middle image is a translucent smoke grey — light passes\n        through it and it glows. A customer who reads \"black\" expects an\n        opaque black glass and will be surprised, in the direction that\n        causes returns. This module calls it \"Smoke Grey\" with the note\n        \"translucent, not opaque\". If the factory colour code is 黑色,\n        keep that internally and sell it as smoke grey; the photograph\n        is the thing the customer is actually buying.\n \n        Same logic on 茶水 → \"Tea Amber\". \"Tea\" alone means nothing to a\n        US buyer; amber does, and the photograph supports it.\n \n     2) G4 VOLTAGE — SAME QUESTION AS PERRIN.\n        Mains-voltage G4 and 12V G4 look identical, same two pins, same\n        capsule, and are not interchangeable. Customers buy their own\n        replacements and get this wrong constantly. Confirm which this\n        takes and replace [__ CONFIRM VOLTAGE].\n \n     ALSO MISSING FROM THE SHEET — marked [__]\n       projection from wall · bulb count · voltage · IP rating\n       Projection matters most: this is a wall fixture and it is the\n       figure that decides whether it suits a corridor.\n \n     THE SHADOW NOTE IS THE ONE WORTH KEEPING\n       Your photographs show a strong rayed shadow on the wall behind.\n       That is the best thing about this sconce AND its biggest\n       constraint — it needs a plain wall to land on. Said plainly here.\n     ============================================================ --\u003e\n\u003cstyle\u003e\n\/* ===== Corvina Molten Glass Wall Sconce — Details ===== *\/\n.vdt{\n  --ink:#2d1810;--mah:#5C3220;--mah-dk:#3d2014;--mah-lt:#8a4f37;\n  --gold:#c9a36b;--gold-soft:#e6c89a;--cream:#faf6f2;--line:#eee6dd;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  --num:Arial,Helvetica,sans-serif;\n  max-width:900px;margin:40px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vdt *{box-sizing:border-box;}\n \n\/* header *\/\n.vdt-head{text-align:center;margin:0 auto 28px;padding-bottom:20px;border-bottom:1px solid var(--line);}\n.vdt-line{display:block;width:50px;height:1px;background:var(--mah);margin:0 auto 14px;}\n.vdt-eyebrow{font-size:11px;letter-spacing:.24em;text-transform:uppercase;color:var(--mah-lt);font-weight:600;display:block;margin-bottom:11px;}\n.vdt-head h2{font-family:var(--serif);font-size:1.62em;font-weight:400;color:var(--ink);margin:0;letter-spacing:.5px;}\n.vdt-head h2 em{color:var(--mah);font-style:italic;}\n \n\/* ===== spec list ===== *\/\n.vdt-list{\n  border:1px solid var(--line);border-radius:10px;overflow:hidden;\n  background:#fff;margin-bottom:26px;\n}\n.vdt-row{\n  display:flex;align-items:center;gap:22px;\n  padding:16px 26px;border-bottom:1px solid var(--line);\n  transition:background .3s ease;\n}\n.vdt-row:last-child{border-bottom:none;}\n.vdt-row:nth-child(even){background:#fdfaf6;}\n.vdt-row:hover{background:var(--cream);}\n.vdt-row .l{\n  flex:0 0 180px;\n  font-family:var(--serif);font-size:.94em;\n  color:var(--mah-lt);font-weight:600;line-height:1.5;letter-spacing:.2px;\n}\n.vdt-row .v{\n  flex:1;min-width:0;\n  font-size:.95em;color:var(--mah-dk);font-weight:600;line-height:1.6;\n}\n.vdt-row .v.n{font-family:var(--num);letter-spacing:.3px;}\n.vdt-row .v small{\n  display:block;font-size:.82em;color:#8a7060;font-weight:400;font-style:italic;margin-top:3px;\n}\n\/* inline colour dots *\/\n.vdt-sw{display:inline-flex;align-items:center;gap:7px;margin-right:16px;white-space:nowrap;}\n.vdt-sw i{width:13px;height:13px;border-radius:50%;border:1px solid rgba(0,0,0,.14);display:inline-block;}\n \n\/* ===== good to know ===== *\/\n.vdt-notes{\n  border:1px solid var(--line);border-radius:10px;overflow:hidden;background:#fff;\n}\n.vdt-nh{\n  padding:15px 26px;border-bottom:1px solid var(--line);\n  background:linear-gradient(135deg,#fff 0%,var(--cream) 100%);\n}\n.vdt-nh h3{\n  font-family:var(--serif);font-size:1.1em;font-weight:600;color:var(--mah-dk);\n  margin:0;letter-spacing:.3px;\n}\n.vdt-note{\n  display:flex;gap:15px;align-items:flex-start;\n  padding:18px 26px;border-bottom:1px solid var(--line);\n}\n.vdt-note:last-child{border-bottom:none;}\n.vdt-note svg{flex:0 0 16px;width:16px;height:16px;color:var(--gold);margin-top:4px;}\n.vdt-note .nt{flex:1;min-width:0;}\n.vdt-note .nt h4{\n  font-family:var(--serif);font-size:1em;font-weight:600;color:var(--ink);\n  margin:0 0 5px;letter-spacing:.2px;\n}\n.vdt-note .nt p{font-size:.89em;color:#5a4a3f;margin:0 0 9px;line-height:1.75;}\n.vdt-note .nt p:last-child{margin:0;}\n.vdt-note .nt p strong{color:var(--mah);font-weight:600;}\n \n@media (max-width:768px){\n  .vdt{margin:28px auto;}\n  .vdt-head h2{font-size:1.3em;}\n  .vdt-row{flex-direction:column;align-items:flex-start;gap:4px;padding:14px 18px;}\n  .vdt-row .l{flex:0 0 auto;}\n  .vdt-sw{margin-bottom:4px;}\n  .vdt-note{padding:16px 18px;}\n  .vdt-nh{padding:14px 18px;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vdt\"\u003e\n\u003c!-- HEADER --\u003e\n\u003cdiv class=\"vdt-head\"\u003e\n\u003cspan class=\"vdt-line\"\u003e\u003c\/span\u003e \u003cspan class=\"vdt-eyebrow\"\u003eSpecifications\u003c\/span\u003e\n\u003ch2\u003eThe \u003cem\u003eDetails\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c!-- SPEC LIST --\u003e\n\u003cdiv class=\"vdt-list\"\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eMaterial\u003c\/span\u003e \u003cspan class=\"v\"\u003eHand-blown Glass · Aluminium Body \u003csmall\u003eAn aluminium backplate rather than plated steel — light, and it will not corrode behind the glass.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eGlass colourways\u003c\/span\u003e \u003cspan class=\"v\"\u003e \u003cspan class=\"vdt-sw\"\u003e\u003ci style=\"background: #c89a63;\"\u003e\u003c\/i\u003eTea Amber\u003c\/span\u003e \u003cspan class=\"vdt-sw\"\u003e\u003ci style=\"background: #6b6560;\"\u003e\u003c\/i\u003eSmoke Grey\u003c\/span\u003e \u003cspan class=\"vdt-sw\"\u003e\u003ci style=\"background: #eceff0;\"\u003e\u003c\/i\u003eClear\u003c\/span\u003e \u003csmall\u003eAll three are translucent — smoke grey is a deep grey that light passes through, not an opaque black.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eSurface\u003c\/span\u003e \u003cspan class=\"v\"\u003eMesh grain · folded seams · collapsed centre \u003csmall\u003eThe marks of forming, left in rather than polished out. Every disc slumps its own way.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eDimensions\u003c\/span\u003e \u003cspan class=\"v n\"\u003e∅ 9.8″ \/ ∅ 25 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eLight source\u003c\/span\u003e \u003cspan class=\"v\"\u003eG4 LED bulb \u003csmall\u003eWarm white (2700K) recommended — cooler light turns the tea amber grey and flattens the surface.\u003c\/small\u003e\u003c\/span\u003e\u003cspan class=\"l\"\u003e\u003c\/span\u003e\u003cspan class=\"v n\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eVoltage\u003c\/span\u003e \u003cspan\u003eAC 110–240V\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eControl\u003c\/span\u003e \u003cspan class=\"v\"\u003eWall switch \u003csmall\u003eDimmable when fitted with dimmable G4 LEDs on a compatible dimmer circuit.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eMounting\u003c\/span\u003e \u003cspan class=\"v\"\u003eWall — hardwired \u003csmall\u003eMounts flush to a standard wall junction box. No cord or plug; professional installation recommended.\u003c\/small\u003e\u003c\/span\u003e\u003cspan class=\"l\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003eEnvironment\u003c\/span\u003e \u003cspan class=\"v\"\u003eIndoor · dry locations\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-row\"\u003e\n\u003cspan class=\"l\"\u003ePreparation time\u003c\/span\u003e \u003cspan class=\"v n\"\u003e5–10 days \u003csmall\u003eMade and inspected at our own workshop before dispatch.\u003c\/small\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- GOOD TO KNOW --\u003e\n\u003cdiv class=\"vdt-notes\"\u003e\n\u003cdiv class=\"vdt-nh\"\u003e\n\u003ch3\u003eGood to Know\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-note\"\u003e\n\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003ccircle cx=\"12\" cy=\"12\" r=\"9\"\u003e\u003c\/circle\u003e\u003cpath d=\"M12 8v5M12 16h.01\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\n\u003cdiv class=\"nt\"\u003e\n\u003ch4\u003eThe wall behind it is part of the fixture\u003c\/h4\u003e\n\u003cp\u003eLight travelling through the mesh grain and the folded seams throws a \u003cstrong\u003erayed shadow across the wall behind the disc\u003c\/strong\u003e. It is the best thing about this piece — and it means the wall matters as much as the sconce does.\u003c\/p\u003e\n\u003cp\u003eMount it on \u003cstrong\u003eplain plaster or painted plasterboard\u003c\/strong\u003e and the pattern lands whole. On patterned wallpaper, panelling, tile or a textured wall it gets broken up, and you lose most of what you bought. Give it a clear span of wall on the side the light throws.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-note\"\u003e\n\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003ccircle cx=\"12\" cy=\"12\" r=\"9\"\u003e\u003c\/circle\u003e\u003cpath d=\"M12 8v5M12 16h.01\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\n\u003cdiv class=\"nt\"\u003e\n\u003ch4\u003eMounting height, and buying in pairs\u003c\/h4\u003e\n\u003cp\u003eAt \u003cstrong\u003e∅ 9.8″\u003c\/strong\u003e this is a compact disc, so it can sit lower than a tall sconce without looking lost. Set the centre \u003cstrong\u003e60–66″ (152–168 cm) above the finished floor\u003c\/strong\u003e in a hallway or living room; \u003cstrong\u003e52–56″\u003c\/strong\u003e beside a bed, where you are lying down rather than standing.\u003c\/p\u003e\n\u003cp\u003eFor a pair either side of a bed or mirror, space them \u003cstrong\u003e36–40″ (90–100 cm) apart\u003c\/strong\u003e and keep both centres level. \u003cstrong\u003eDecide the height before the junction box is roughed in\u003c\/strong\u003e — it is the one thing that is expensive to change later.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vdt-note\"\u003e\n\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003ccircle cx=\"12\" cy=\"12\" r=\"9\"\u003e\u003c\/circle\u003e\u003cpath d=\"M12 8v5M12 16h.01\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\n\u003cdiv class=\"nt\"\u003e\n\u003ch4\u003eWhere it can and cannot go\u003c\/h4\u003e\n\u003cp\u003eThis is an \u003cstrong\u003eindoor, dry-location fixture\u003c\/strong\u003e: hallways, bedrooms, living rooms, stairwells, beside a mirror in a dressing room.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot for a bathroom, above a bath or shower, in a laundry, or on a covered porch\u003c\/strong\u003e, even one that stays out of direct rain. Those positions need a fixture rated for damp locations.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- ============================================================\n     CORVINA MOLTEN GLASS WALL SCONCE — Placement Guide  (.vsz)\n     Adapted from the alabaster column spiral Size Selector.\n \n     WHY A PLACEMENT GUIDE, NOT A SIZE SELECTOR\n       There is one size: ∅ 9.8″ (25 cm). A selector with a single card\n       reads as an empty module. For a sconce the live questions are how\n       high, how many, and — for this one especially — what wall. The\n       dimension appears once at the top where it belongs.\n \n     WHAT MAKES THIS DIFFERENT FROM THE AVELINE GUIDE\n       Corvina throws a rayed shadow. That means WALL SPACE is a real\n       constraint, not a styling preference: the pattern needs somewhere\n       to land. Card 4 and the tip box are built around that, and it is\n       the thing no competitor page will tell a buyer.\n \n     HEIGHTS ARE WORKED FROM THIS FIXTURE\n       At 9.8″ tall a 62″ centre puts the top at 66.9″ and the bottom at\n       57.1″. A small disc can sit lower than a tall sconce without\n       looking lost, which is why the bedside figure drops to 52–56″.\n \n     ⚠ ONE FIGURE STILL MISSING\n       Projection from the wall — the number that decides whether this\n       suits a corridor at all. Marked [__] in two places.\n     ============================================================ --\u003e\n\u003cstyle\u003e\n\/* ===== Corvina Molten Glass Wall Sconce — Placement Guide ===== *\/\n.vsz{\n  --ink:#2d1810;--mah:#5C3220;--mah-dk:#3d2014;--mah-lt:#8a4f37;\n  --gold:#c9a36b;--gold-soft:#e6c89a;--cream:#faf6f2;--line:#eee6dd;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  max-width:1180px;margin:40px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vsz *{box-sizing:border-box;}\n \n\/* header *\/\n.vsz-head{text-align:center;margin:0 auto 26px;padding-bottom:20px;border-bottom:1px solid var(--line);max-width:760px;}\n.vsz-line{display:block;width:50px;height:1px;background:var(--mah);margin:0 auto 14px;}\n.vsz-eyebrow{font-size:11px;letter-spacing:.24em;text-transform:uppercase;color:var(--mah-lt);font-weight:600;display:block;margin-bottom:11px;}\n.vsz-head h2{font-family:var(--serif);font-size:1.62em;font-weight:400;color:var(--ink);margin:0;letter-spacing:.5px;}\n.vsz-head h2 em{color:var(--mah);font-style:italic;}\n.vsz-head p{font-size:.93em;color:#7a6456;margin:12px auto 0;max-width:640px;}\n \n\/* ===== single-size band ===== *\/\n.vsz-one{\n  border:1px solid var(--line);border-radius:10px;overflow:hidden;\n  background:#fff;margin-bottom:26px;display:flex;flex-wrap:wrap;\n}\n.vsz-onec{flex:1 1 200px;padding:18px 24px;border-right:1px solid var(--line);}\n.vsz-onec:last-child{border-right:none;}\n.vsz-onec dt{\n  font-size:9.5px;letter-spacing:.18em;text-transform:uppercase;\n  color:var(--mah-lt);font-weight:700;margin:0 0 7px;\n}\n.vsz-onec dd{\n  margin:0;font-family:Arial,Helvetica,sans-serif;font-size:1.02em;font-weight:700;\n  color:var(--mah);letter-spacing:.3px;line-height:1.35;\n}\n.vsz-onec dd em{\n  display:block;font-family:var(--sans);font-style:normal;font-size:.78em;\n  font-weight:400;color:#8a7060;margin-top:4px;line-height:1.6;\n}\n \n\/* ===== cards grid ===== *\/\n.vsz-grid{\n  display:grid;\n  grid-template-columns:repeat(auto-fit,minmax(260px,1fr));\n  gap:16px;margin-bottom:26px;\n}\n.vsz-card{\n  border:1px solid var(--line);border-radius:10px;overflow:hidden;\n  background:#fff;display:flex;flex-direction:column;\n  transition:border-color .35s,box-shadow .35s,transform .35s;\n}\n.vsz-card:hover{border-color:#c9a890;box-shadow:0 10px 26px rgba(92,50,32,.1);transform:translateY(-3px);}\n.vsz-card.pop{border-color:var(--gold);box-shadow:0 6px 20px rgba(201,163,107,.16);}\n.vsz-card.pop:hover{border-color:var(--mah);}\n \n\/* card head *\/\n.vsz-ch{\n  padding:16px 20px;border-bottom:1px solid var(--line);\n  background:linear-gradient(135deg,#fff 0%,var(--cream) 100%);\n  display:flex;align-items:center;justify-content:space-between;gap:10px;\n}\n.vsz-card.pop .vsz-ch{background:linear-gradient(135deg,var(--cream) 0%,#f4e9d9 100%);}\n.vsz-cfg{\n  font-family:var(--serif);font-size:1.12em;font-weight:600;color:var(--mah-dk);\n  letter-spacing:.3px;line-height:1.3;\n}\n.vsz-badge{\n  font-size:9px;letter-spacing:.12em;text-transform:uppercase;font-weight:700;\n  color:#fff;background:var(--mah);padding:4px 10px;border-radius:50px;flex-shrink:0;\n}\n \n\/* card body *\/\n.vsz-cb{padding:18px 20px 20px;flex:1;display:flex;flex-direction:column;gap:14px;}\n \n\/* key number *\/\n.vsz-dim{\n  padding:12px 14px;background:var(--cream);border-radius:6px;border:1px solid var(--line);\n  text-align:center;\n}\n.vsz-dim .in{\n  display:block;font-family:Arial,Helvetica,sans-serif;font-size:1.02em;font-weight:700;\n  color:var(--mah);letter-spacing:.3px;line-height:1.3;\n}\n.vsz-dim .cm{\n  display:block;font-family:Arial,Helvetica,sans-serif;font-size:.8em;color:#8a7060;margin-top:3px;\n}\n \n\/* rows *\/\n.vsz-r{display:flex;gap:9px;align-items:flex-start;}\n.vsz-r .l{\n  flex:0 0 auto;font-size:9px;letter-spacing:.1em;text-transform:uppercase;\n  color:#8a7060;font-weight:700;padding-top:3px;min-width:64px;\n}\n.vsz-r .v{flex:1;font-size:.87em;color:#5a4a3f;line-height:1.6;}\n.vsz-r .v b{color:var(--mah);font-weight:600;}\n.vsz-r .v.ht{\n  font-family:Arial,Helvetica,sans-serif;font-weight:700;color:var(--mah);font-size:.9em;\n}\n \n\/* tip note inside card *\/\n.vsz-tip-in{\n  font-size:.8em;color:#8a7060;font-style:italic;line-height:1.55;\n  padding-top:11px;border-top:1px dashed var(--line);margin-top:auto;\n}\n \n\/* ===== tip box ===== *\/\n.vsz-tip{\n  border:1px solid var(--line);border-left:4px solid var(--gold);border-radius:0 8px 8px 0;\n  background:linear-gradient(135deg,#fff 0%,var(--cream) 100%);\n  padding:22px 26px;\n}\n.vsz-tip h4{\n  font-family:var(--serif);font-size:1.1em;font-weight:500;color:var(--ink);\n  margin:0 0 9px;letter-spacing:.3px;\n}\n.vsz-tip p{font-size:.9em;color:#5a4a3f;margin:0 0 12px;line-height:1.78;}\n.vsz-tip p:last-child{margin:0;}\n.vsz-tip p strong{color:var(--mah-dk);font-weight:600;}\n \n@media (max-width:768px){\n  .vsz{margin:28px auto;}\n  .vsz-head h2{font-size:1.3em;}\n  .vsz-onec{border-right:none;border-bottom:1px solid var(--line);}\n  .vsz-onec:last-child{border-bottom:none;}\n  .vsz-grid{grid-template-columns:1fr;gap:14px;}\n  .vsz-tip{padding:18px 20px;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vsz\"\u003e\n\u003c!-- HEADER --\u003e\n\u003cdiv class=\"vsz-head\"\u003e\n\u003cspan class=\"vsz-line\"\u003e\u003c\/span\u003e \u003cspan class=\"vsz-eyebrow\"\u003ePlacement Guide\u003c\/span\u003e\n\u003ch2\u003eHow High, How Many, \u003cem\u003eWhich Wall\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp\u003eOne size, and four ways to use it. With a sconce the decision is never which size to buy — and with this one there is a third question most fixtures do not raise, because it casts a pattern and the pattern needs somewhere to land.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- ONE SIZE BAND --\u003e\n\u003cdiv class=\"vsz-one\"\u003e\n\u003cdiv class=\"vsz-onec\"\u003eThe fixture \u003cstrong\u003e∅ 9.8″ \/ ∅ 25\u003c\/strong\u003e cm\u003cem\u003eOne size, three colourways — tea amber, smoke grey, clear.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- CARDS --\u003e\n\u003cdiv class=\"vsz-grid\"\u003e\n\u003c!-- hallway --\u003e\n\u003cdiv class=\"vsz-card pop\"\u003e\n\u003cdiv class=\"vsz-ch\"\u003e\n\u003cspan class=\"vsz-cfg\"\u003eAlong a Hallway\u003c\/span\u003e\u003cspan class=\"vsz-badge\"\u003eBest\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-cb\"\u003e\n\u003cdiv class=\"vsz-dim\"\u003e\n\u003cspan class=\"in\"\u003eCentre at 60–66″\u003c\/span\u003e \u003cspan class=\"cm\"\u003e152–168 cm from finished floor\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eHow many\u003c\/span\u003e\u003cspan class=\"v\"\u003eOne every \u003cb\u003e8–10 ft\u003c\/b\u003e (2.4–3 m), or one per door if the doors are evenly spaced\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eWall\u003c\/span\u003e\u003cspan class=\"v\"\u003eNeeds a \u003cb\u003eclear run of plain wall\u003c\/b\u003e either side — this is where the cast pattern has the most room\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eClearance\u003c\/span\u003e\u003cspan class=\"v\"\u003eCheck the \u003cb\u003e[__]″ projection\u003c\/b\u003e against your corridor width first\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"vsz-tip-in\"\u003eThe rayed shadow reads best here — a corridor is mostly empty wall, which is exactly what this fixture wants.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- bedside --\u003e\n\u003cdiv class=\"vsz-card\"\u003e\n\u003cdiv class=\"vsz-ch\"\u003e\n\u003cspan class=\"vsz-cfg\"\u003eBeside a Bed\u003c\/span\u003e\u003cspan class=\"vsz-badge\"\u003ePair\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-cb\"\u003e\n\u003cdiv class=\"vsz-dim\"\u003e\n\u003cspan class=\"in\"\u003eCentre at 52–56″\u003c\/span\u003e \u003cspan class=\"cm\"\u003e132–142 cm from finished floor\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eHow many\u003c\/span\u003e\u003cspan class=\"v\"\u003eA pair, one each side — ask us to match them from the same run\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eSpacing\u003c\/span\u003e\u003cspan class=\"v\"\u003eSet each \u003cb\u003e24–30″\u003c\/b\u003e out from the edge of the bed\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eWhy lower\u003c\/span\u003e\u003cspan class=\"v\"\u003eA small disc sits lower than a tall sconce without looking lost — and you are lying down\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"vsz-tip-in\"\u003eNot a reading light. Keep a lamp or a swing-arm alongside if you read in bed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- stairwell --\u003e\n\u003cdiv class=\"vsz-card\"\u003e\n\u003cdiv class=\"vsz-ch\"\u003e\u003cspan class=\"vsz-cfg\"\u003eStairwell \u0026amp; Landing\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"vsz-cb\"\u003e\n\u003cdiv class=\"vsz-dim\"\u003e\n\u003cspan class=\"in\"\u003eCentre at 60–66″\u003c\/span\u003e \u003cspan class=\"cm\"\u003emeasured from each tread nosing\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eHow many\u003c\/span\u003e\u003cspan class=\"v\"\u003eOne at a landing, or a run climbing with the stair\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eSpacing\u003c\/span\u003e\u003cspan class=\"v\"\u003eOn a stair, keep every fixture the \u003cb\u003esame height above its own tread\u003c\/b\u003e so the run climbs evenly\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eWall\u003c\/span\u003e\u003cspan class=\"v\"\u003eStair walls are usually bare, which suits it — avoid mounting one behind a handrail\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"vsz-tip-in\"\u003eMeasure from the tread below each fixture, never from a single floor level.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- feature wall --\u003e\n\u003cdiv class=\"vsz-card\"\u003e\n\u003cdiv class=\"vsz-ch\"\u003e\n\u003cspan class=\"vsz-cfg\"\u003eAs a Single Piece\u003c\/span\u003e\u003cspan class=\"vsz-badge\"\u003eSingle\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-cb\"\u003e\n\u003cdiv class=\"vsz-dim\"\u003e\n\u003cspan class=\"in\"\u003eCentre at 58–64″\u003c\/span\u003e \u003cspan class=\"cm\"\u003e147–162 cm from finished floor\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eWhere\u003c\/span\u003e\u003cspan class=\"v\"\u003eAn alcove, a chimney breast, above a console, at the end of a hall\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eWall\u003c\/span\u003e\u003cspan class=\"v\"\u003eLeave at least \u003cb\u003e24″ (60 cm)\u003c\/b\u003e of clear wall around it in every direction\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vsz-r\"\u003e\n\u003cspan class=\"l\"\u003eColourway\u003c\/span\u003e\u003cspan class=\"v\"\u003e\u003cb\u003eClear\u003c\/b\u003e throws the sharpest rays; \u003cb\u003esmoke grey\u003c\/b\u003e gives the least cast and the most object\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp class=\"vsz-tip-in\"\u003eAlone on a plain wall is the placement that shows what this piece actually does.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- TIP --\u003e\n\u003cdiv class=\"vsz-tip\"\u003e\n\u003ch4\u003eThe Wall Matters as Much as the Sconce\u003c\/h4\u003e\n\u003cp\u003eLight travelling through the mesh grain and the folded seams \u003cstrong\u003ethrows a rayed pattern onto the wall behind the disc\u003c\/strong\u003e. It is the best thing about this fixture — and it means the wall is doing half the work.\u003c\/p\u003e\n\u003cp\u003eMount it on \u003cstrong\u003eplain plaster or painted plasterboard\u003c\/strong\u003e and the pattern lands whole. On \u003cstrong\u003epatterned wallpaper, panelling, tile or a heavily textured wall it gets broken up\u003c\/strong\u003e, and you lose most of what you bought. Leave clear wall around it: \u003cstrong\u003e24″ (60 cm) in every direction\u003c\/strong\u003e is a good minimum, more if you can. A frame, a shelf or a door casing sitting right beside one will crop the cast.\u003c\/p\u003e\n\u003cp\u003eThen settle the height, because that is the one decision that is expensive to undo. Cut a \u003cstrong\u003e9.8 in circle of card\u003c\/strong\u003e, tape it up at the height you are considering, and live with it for a day — standing where you will actually stand. \u003cstrong\u003eDecide before the electrician roughs in the box\u003c\/strong\u003e; everything else about a sconce can be changed later, but moving a box means opening a wall.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- ============================================================\n     CORVINA MOLTEN GLASS WALL SCONCE — Design Story  (.vst)\n     Adapted from the Calla Alabaster version.\n \n     THE ANGLE\n       Everything visible on this piece is evidence of how it was made:\n       the mesh grain pressed in by the mould, the seams where the glass\n       buckled, the centre that sank as the bubble gave. Most glassmaking\n       is a process of removing exactly those marks. This one keeps them.\n \n       So the story is about finishing — specifically, about stopping\n       before the record is erased. That argument belongs to this\n       product alone and does not overlap Calla (subtraction), Perrin\n       (no centre) or Aveline (held, not framed).\n \n     THE LAST PARAGRAPH IS THE PAYOFF\n       The marks are not only on the glass — they get projected onto the\n       wall. Every fold the maker did not smooth away is redrawn in\n       light, several times its own size. That is true, it is visible in\n       your photographs, and no competitor page says it.\n \n     COMPLIANCE\n       No \"melt\" anywhere — that is Tom Dixon's series name. Molten,\n       slumped, collapsed are used instead.\n     ============================================================ --\u003e\n\u003cstyle\u003e\n\/* ===== Vidir Corvina Molten Glass Wall Sconce — Design Story ===== *\/\n.vst{\n  --brand:#5b2d20;\n  --brand-dk:#3d1e15;\n  --brand-lt:#7d4534;\n  --paper:#faf7f5;\n  --line:#e8ddd8;\n  --ink:#2d1810;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  max-width:960px;margin:44px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vst *{box-sizing:border-box;}\n.vst-card{\n  position:relative;overflow:hidden;border-radius:14px;\n  background:linear-gradient(155deg,var(--brand) 0%,var(--brand-dk) 100%);\n  box-shadow:0 14px 40px rgba(91,45,32,.2);\n  padding:56px 60px 52px;\n}\n\/* soft texture *\/\n.vst-card::before{\n  content:'';position:absolute;inset:0;pointer-events:none;\n  background:\n    radial-gradient(ellipse 55% 45% at 20% 18%, rgba(250,247,245,.06) 0%, transparent 60%),\n    radial-gradient(ellipse 50% 45% at 85% 82%, rgba(250,247,245,.05) 0%, transparent 62%);\n}\n\/* corner rules *\/\n.vst-card::after{\n  content:'';position:absolute;top:26px;left:26px;width:46px;height:46px;\n  border-top:1px solid rgba(250,247,245,.4);border-left:1px solid rgba(250,247,245,.4);\n}\n.vst-corner{\n  position:absolute;bottom:26px;right:26px;width:46px;height:46px;\n  border-bottom:1px solid rgba(250,247,245,.4);border-right:1px solid rgba(250,247,245,.4);\n}\n.vst-in{position:relative;z-index:2;max-width:680px;margin:0 auto;text-align:center;}\n.vst-eyebrow{\n  font-size:10px;letter-spacing:.3em;text-transform:uppercase;\n  color:rgba(250,247,245,.7);font-weight:600;display:block;margin-bottom:16px;\n}\n.vst-in h2{\n  font-family:var(--serif);font-size:1.9em;font-weight:400;color:var(--paper);\n  margin:0 0 10px;letter-spacing:.5px;line-height:1.26;\n}\n.vst-in h2 em{font-style:italic;}\n.vst-sub{\n  font-family:var(--serif);font-size:1.05em;font-style:italic;\n  color:rgba(250,247,245,.6);margin:0 auto 30px;padding-bottom:26px;max-width:440px;\n  border-bottom:1px solid rgba(250,247,245,.18);\n}\n.vst-in p{\n  font-size:.97em;color:rgba(250,247,245,.82);margin:0 0 18px;line-height:1.92;\n  letter-spacing:.15px;text-align:left;\n}\n.vst-in p:last-of-type{margin-bottom:0;}\n.vst-in p strong{color:var(--paper);font-weight:600;}\n.vst-close{\n  margin-top:32px;padding-top:26px;border-top:1px solid rgba(250,247,245,.18);\n  font-family:var(--serif);font-style:italic;font-size:1.06em;\n  color:rgba(250,247,245,.9);letter-spacing:.3px;\n}\n@media (max-width:768px){\n  .vst{margin:30px auto;}\n  .vst-card{padding:40px 24px 38px;}\n  .vst-card::after,.vst-corner{width:34px;height:34px;}\n  .vst-card::after{top:18px;left:18px;}\n  .vst-corner{bottom:18px;right:18px;}\n  .vst-in h2{font-size:1.48em;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vst\"\u003e\n\u003cdiv class=\"vst-card\"\u003e\n\u003cspan class=\"vst-corner\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"vst-in\"\u003e\n\u003cspan class=\"vst-eyebrow\"\u003eThe design\u003c\/span\u003e\n\u003ch2\u003eEverything You See Is \u003cem\u003eEvidence\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp class=\"vst-sub\"\u003eThe mesh. The folds. The sunken centre. None of it was polished out.\u003c\/p\u003e\n\u003cp\u003eMost glassmaking is a process of removing proof. The mould leaves a grain — grind it off. The glass buckles where it met resistance — smooth the fold. A seam shows where two things met — polish until it is gone. The finished object is supposed to look as though \u003cstrong\u003eit simply arrived\u003c\/strong\u003e, with no account of how.\u003c\/p\u003e\n\u003cp\u003eLook closely at this one and the whole account is still there. A \u003cstrong\u003efine mesh grain runs across the entire surface\u003c\/strong\u003e — the weave of the mould, pressed into the glass while it was soft enough to take it. The \u003cstrong\u003eedges fold and pleat\u003c\/strong\u003e where the glass met the rim and had nowhere to go. The \u003cstrong\u003ecentre has sunk inward\u003c\/strong\u003e, at the moment the bubble stopped holding and gave. Every one of those was a real event, at a real temperature, on a particular afternoon.\u003c\/p\u003e\n\u003cp\u003eSwitched on, everything the maker did not smooth away is \u003cstrong\u003eredrawn on the wall behind, several times its own size\u003c\/strong\u003e — the mesh becomes a fine rayed shadow, the folds become dark spokes running out from the centre. A record of one afternoon in a workshop, projected onto your wall every evening.\u003c\/p\u003e\n\u003cdiv class=\"vst-close\"\u003e— Not made to look molten. Molten, and then stopped. —\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- ============================================================\n     CORVINA MOLTEN GLASS WALL SCONCE — 4 Advantages  (.vac)\n     Adapted from the alabaster column spiral version.\n \n     THE FOUR SLOTS\n       01 surface  — the marks of forming, left in\n       02 shadow   — it casts as well as glows (the wall does half the work)\n       03 colour   — tea amber \/ smoke grey \/ clear, three registers\n       04 build    — hand-blown glass on aluminium, and why aluminium\n \n     HEADING CHANGED FROM \"chandelier\" TO \"sconce\"\n       The source template says \"Why this chandelier\". This is a wall\n       fixture; the eyebrow now reads \"Why this sconce\".\n \n     CARD 04 EARNS ITS PLACE\n       Aluminium behind a wall fixture is a genuine argument rather than\n       a spec line: the mount sits flush to the wall with no airflow\n       behind it, and plated steel corrodes there — years later, out of\n       sight. Worth saying plainly.\n \n     HOUSE STYLE OBSERVED\n       No dimension figures in the cards (the Placement Guide carries\n       those), no bulb-base card, no customisation card. Colour names\n       are names, not measurements.\n \n     COMPLIANCE\n       No \"melt\" anywhere — that is Tom Dixon's series name.\n     ============================================================ --\u003e\n\u003cstyle\u003e\n\/* ===== Corvina Molten Glass Wall Sconce — 4 Advantages ===== *\/\n.vac{\n  --brand:#5b2d20;\n  --brand-dk:#3d1e15;\n  --brand-lt:#7d4534;\n  --paper:#faf7f5;\n  --cream:#faf7f5;\n  --line:#e8ddd8;\n  --ink:#2d1810;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  max-width:900px;margin:40px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vac *{box-sizing:border-box;}\n \n\/* ===== unified panel ===== *\/\n.vac-panel{\n  border:1px solid var(--line);border-radius:12px;overflow:hidden;\n  background:linear-gradient(180deg,#fff 0%,var(--cream) 100%);\n}\n \n\/* header band *\/\n.vac-head{\n  text-align:center;padding:38px 32px 30px;\n  background:linear-gradient(150deg,var(--brand) 0%,var(--brand-dk) 100%);\n  position:relative;\n}\n.vac-head::after{\n  content:'';position:absolute;bottom:0;left:50%;transform:translateX(-50%);\n  width:60px;height:2px;background:rgba(250,247,245,.65);\n}\n.vac-eyebrow{\n  font-size:10px;letter-spacing:.28em;text-transform:uppercase;\n  color:rgba(250,247,245,.7);font-weight:600;display:block;margin-bottom:13px;\n}\n.vac-head h2{\n  font-family:var(--serif);font-size:1.72em;font-weight:400;color:var(--paper);\n  margin:0 0 12px;letter-spacing:.6px;line-height:1.3;\n}\n.vac-head h2 em{font-style:italic;}\n.vac-head p{\n  font-size:.92em;color:rgba(250,247,245,.66);margin:0 auto;line-height:1.7;max-width:520px;\n}\n \n\/* ===== rows ===== *\/\n.vac-list{padding:8px 0;}\n.vac-row{\n  display:flex;align-items:flex-start;gap:26px;\n  padding:28px 40px;border-bottom:1px solid var(--line);\n  transition:background .35s ease;\n}\n.vac-row:last-child{border-bottom:none;}\n.vac-row:hover{background:#fff;}\n \n\/* number *\/\n.vac-n{\n  flex:0 0 auto;width:44px;height:44px;border-radius:50%;\n  border:1px solid var(--brand-lt);\n  display:flex;align-items:center;justify-content:center;\n  font-family:var(--serif);font-size:1.02em;color:var(--brand);\n  background:#fff;transition:background .35s ease,color .35s ease,border-color .35s ease;\n}\n.vac-row:hover .vac-n{background:var(--brand);color:var(--paper);border-color:var(--brand);}\n \n\/* text *\/\n.vac-tx{flex:1;min-width:0;}\n.vac-tx h3{\n  font-family:var(--serif);font-size:1.24em;font-weight:500;color:var(--ink);\n  margin:0 0 8px;letter-spacing:.3px;line-height:1.32;\n}\n.vac-tx p{font-size:.94em;color:#5a4a44;margin:0;line-height:1.82;}\n.vac-tx p strong{color:var(--brand-dk);font-weight:600;}\n \n\/* closing line *\/\n.vac-foot{\n  text-align:center;padding:24px 32px 28px;\n  border-top:1px solid var(--line);background:#fff;\n}\n.vac-foot p{\n  font-family:var(--serif);font-size:.98em;font-style:italic;color:var(--brand-lt);\n  margin:0;letter-spacing:.2px;\n}\n \n@media (max-width:768px){\n  .vac{margin:28px auto;}\n  .vac-head{padding:30px 20px 26px;}\n  .vac-head h2{font-size:1.32em;}\n  .vac-row{padding:22px 20px;gap:16px;}\n  .vac-n{width:36px;height:36px;font-size:.9em;}\n  .vac-tx h3{font-size:1.1em;}\n  .vac-foot{padding:20px;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vac\"\u003e\n\u003cdiv class=\"vac-panel\"\u003e\n\u003c!-- HEADER --\u003e\n\u003cdiv class=\"vac-head\"\u003e\n\u003cspan class=\"vac-eyebrow\"\u003eWhy this sconce\u003c\/span\u003e\n\u003ch2\u003eIt Casts as Much as \u003cem\u003eIt Glows\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp\u003eA hand-blown disc that keeps the marks of its own making — and throws every one of them onto the wall behind it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- ROWS --\u003e\n\u003cdiv class=\"vac-list\"\u003e\n\u003cdiv class=\"vac-row\"\u003e\n\u003cspan class=\"vac-n\"\u003e01\u003c\/span\u003e\n\u003cdiv class=\"vac-tx\"\u003e\n\u003ch3\u003eThe Marks of Its Own Making\u003c\/h3\u003e\n\u003cp\u003eA \u003cstrong\u003efine mesh grain runs across the whole surface\u003c\/strong\u003e — the weave of the mould, pressed into the glass while it was soft enough to take it. The edges fold where the glass met the rim and had nowhere to go. The centre has sunk inward, at the moment the bubble stopped holding. Most glassmaking grinds those marks away so the object looks as though it simply arrived. \u003cstrong\u003eThis one leaves the account intact.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vac-row\"\u003e\n\u003cspan class=\"vac-n\"\u003e02\u003c\/span\u003e\n\u003cdiv class=\"vac-tx\"\u003e\n\u003ch3\u003eThe Wall Does Half the Work\u003c\/h3\u003e\n\u003cp\u003eLight travelling through the mesh and the folds is \u003cstrong\u003eredrawn on the wall behind, several times its own size\u003c\/strong\u003e — the grain becomes a fine rayed shadow, the folds become dark spokes running out from the centre. It is the reason this needs \u003cstrong\u003eplain plaster or painted wall\u003c\/strong\u003e around it: on patterned paper or panelling the cast breaks up, and you lose the better half of the fixture.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vac-row\"\u003e\n\u003cspan class=\"vac-n\"\u003e03\u003c\/span\u003e\n\u003cdiv class=\"vac-tx\"\u003e\n\u003ch3\u003eThree Colourways, Three Registers\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eClear\u003c\/strong\u003e is the brightest and throws the sharpest rays — choose it if the cast pattern is what you are buying. \u003cstrong\u003eTea amber\u003c\/strong\u003e warms the wall and pushes the whole thing toward honey, with softer rays and the warmest glow of the three. \u003cstrong\u003eSmoke grey\u003c\/strong\u003e is the most sculptural: nearly a dark object unlit, and lit it holds most of the light inside itself. Same disc, three completely different things on a wall.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- FOOT --\u003e\n\u003cdiv class=\"vac-foot\"\u003e\n\u003cp\u003e— Hand-blown glass, mounted on aluminium —\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- ============================================================\n     CORVINA MOLTEN GLASS WALL SCONCE — Comparison + FAQ  (.vmf)\n     Adapted from the alabaster column version.\n \n     COMPARISON AXIS\n       Hand-blown, freely formed  vs  moulded, uniform glass.\n       Distinct from every other comparison table on the site:\n         Perrin   — natural alabaster vs alabaster-look glass\/resin\n         Aveline  — backlit stone vs conventional shaded sconce\n         Stellan  — hand-blown facets vs pressed facets\n       This one is about FORMING — whether the marks of making are kept\n       or erased — which is the argument this product actually has.\n \n     ONE ROW GOES TO THE OTHER SIDE\n       \"Predictability\" says plainly that a moulded fixture is the safer\n       buy if you need to know exactly what will arrive. That is true,\n       and conceding it is what makes the other seven rows credible. Do\n       not delete that row.\n \n     FAQ 01 AND 02 ARE THE PAIR THAT MATTERS\n       01 — the mesh pattern. It is the first thing anyone asks about\n            this surface, it is a real search query, and the honest\n            answer (\"it is the mould's weave, left in\") is more\n            interesting than any invented origin story.\n       02 — the shadow. Most buyers ask about wall shadows as a WORRY.\n            Here the answer is yes, and it is the reason to buy it. That\n            reversal is exactly the kind of answer AI search quotes.\n \n     FILL BEFORE PUBLISHING — search for [__]\n       projection from wall (2 places) · G4 voltage · bulb count\n     ============================================================ --\u003e\n\u003cstyle\u003e\n\/* ===== Corvina Molten Glass Wall Sconce — Comparison + FAQ ===== *\/\n.vmf{\n  --brand:#5b2d20;\n  --brand-dk:#3d1e15;\n  --brand-lt:#7d4534;\n  --paper:#faf7f5;\n  --line:#e8ddd8;\n  --ink:#2d1810;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  max-width:1000px;margin:44px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vmf *{box-sizing:border-box;}\n \n\/* ===== header ===== *\/\n.vmf-head{text-align:center;margin:0 auto 28px;}\n.vmf-line{display:block;width:48px;height:1px;background:var(--brand);margin:0 auto 14px;}\n.vmf-eyebrow{\n  font-size:10px;letter-spacing:.26em;text-transform:uppercase;\n  color:var(--brand-lt);font-weight:600;display:block;margin-bottom:11px;\n}\n.vmf-head h2{\n  font-family:var(--serif);font-size:1.62em;font-weight:400;color:var(--ink);\n  margin:0;letter-spacing:.4px;\n}\n.vmf-head h2 em{color:var(--brand);font-style:italic;}\n.vmf-head p{font-size:.92em;color:#8a7268;margin:11px auto 0;max-width:560px;}\n \n\/* ===== comparison ===== *\/\n.vmf-comp{\n  border:1px solid var(--line);border-radius:12px;overflow:hidden;\n  background:#fff;margin-bottom:52px;box-shadow:0 6px 22px rgba(91,45,32,.06);\n}\n.vmf-ch{display:flex;background:var(--brand);}\n.vmf-ch .c{\n  flex:1;padding:16px 22px;\n  font-family:var(--serif);font-size:1.02em;font-weight:600;color:var(--paper);\n  letter-spacing:.3px;\n}\n.vmf-ch .c.spacer{flex:0 0 130px;background:var(--brand-dk);}\n.vmf-ch .c.them{\n  background:rgba(0,0,0,.14);color:rgba(250,247,245,.62);font-weight:400;\n}\n.vmf-r{display:flex;border-bottom:1px solid var(--line);}\n.vmf-r:last-child{border-bottom:none;}\n.vmf-r:nth-child(even){background:#fdfaf9;}\n.vmf-r .k{\n  flex:0 0 130px;padding:17px 22px;\n  font-family:var(--serif);font-size:.92em;font-weight:600;color:var(--brand);\n  border-right:1px solid var(--line);background:#faf7f5;\n}\n.vmf-r .ours{\n  flex:1;padding:17px 22px;font-size:.9em;color:var(--brand-dk);font-weight:600;\n  border-right:1px solid var(--line);line-height:1.62;\n}\n.vmf-r .them{\n  flex:1;padding:17px 22px;font-size:.9em;color:#9a8880;line-height:1.62;\n}\n\/* the row we concede *\/\n.vmf-r.even-row .ours{font-weight:400;color:#6a5a52;}\n \n\/* ===== FAQ ===== *\/\n.vmf-faq{max-width:820px;margin:0 auto;}\n.vmf-item{border-bottom:1px solid var(--line);}\n.vmf-item:first-child{border-top:1px solid var(--line);}\n.vmf-item summary{\n  list-style:none;cursor:pointer;\n  display:flex;justify-content:space-between;align-items:center;gap:18px;\n  padding:19px 4px;\n  font-family:var(--serif);font-size:1.06em;color:var(--ink);\n  transition:color .25s ease;\n}\n.vmf-item summary::-webkit-details-marker{display:none;}\n.vmf-item summary:hover{color:var(--brand);}\n.vmf-ico{position:relative;flex:0 0 16px;width:16px;height:16px;}\n.vmf-ico::before,.vmf-ico::after{\n  content:\"\";position:absolute;background:var(--brand);\n  transition:transform .3s ease,opacity .3s ease;\n}\n.vmf-ico::before{top:7.5px;left:0;width:16px;height:1.5px;}\n.vmf-ico::after{top:0;left:7.5px;width:1.5px;height:16px;}\n.vmf-item[open] .vmf-ico::after{transform:scaleY(0);opacity:0;}\n.vmf-ans{\n  padding:0 4px 20px;font-size:.91em;color:#5a4a44;line-height:1.8;max-width:760px;\n}\n.vmf-ans strong{color:var(--brand-dk);font-weight:600;}\n.vmf-ans p{margin:0 0 11px;}\n.vmf-ans p:last-child{margin:0;}\n \n@media (max-width:768px){\n  .vmf{margin:30px auto;}\n  .vmf-head h2{font-size:1.3em;}\n  .vmf-ch .c,.vmf-r .k,.vmf-r .ours,.vmf-r .them{padding:13px 12px;font-size:.82em;}\n  .vmf-ch .c.spacer,.vmf-r .k{flex:0 0 84px;}\n  .vmf-comp{margin-bottom:38px;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vmf\"\u003e\n\u003c!-- ===== COMPARISON ===== --\u003e\n\u003cdiv class=\"vmf-head\"\u003e\n\u003cspan class=\"vmf-line\"\u003e\u003c\/span\u003e \u003cspan class=\"vmf-eyebrow\"\u003eThe Making\u003c\/span\u003e\n\u003ch2\u003eWhy \u003cem\u003eFreely Formed\u003c\/em\u003e Glass\u003c\/h2\u003e\n\u003cp\u003eAlmost every glass shade on the market is moulded to be identical. This one was allowed to find its own shape — including the one thing a moulded fixture does better.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-comp\"\u003e\n\u003cdiv class=\"vmf-ch\"\u003e\n\u003cspan class=\"c spacer\"\u003e\u003c\/span\u003e \u003cspan class=\"c\"\u003eHand-Blown, Freely Formed\u003c\/span\u003e \u003cspan class=\"c them\"\u003eMoulded, Uniform Glass\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r\"\u003e\n\u003cspan class=\"k\"\u003eThe surface\u003c\/span\u003e \u003cspan class=\"ours\"\u003eMesh grain from the mould's weave, folds where the glass buckled, a centre that sank as the bubble gave — the record of forming, left in\u003c\/span\u003e \u003cspan class=\"them\"\u003eGround, fire-polished and smoothed until no trace of how it was made survives\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r\"\u003e\n\u003cspan class=\"k\"\u003eUnique\u003cbr\u003eness\u003c\/span\u003e \u003cspan class=\"ours\"\u003eEach disc slumps its own way, so the folds — and the shadow they throw — exist nowhere else\u003c\/span\u003e \u003cspan class=\"them\"\u003ePressed from one tool; the same piece repeated, and the same shadow, if any\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r\"\u003e\n\u003cspan class=\"k\"\u003eSwitched off\u003c\/span\u003e \u003cspan class=\"ours\"\u003eHolds real depth in daylight — the grain and folds catch light and it still reads as an object\u003c\/span\u003e \u003cspan class=\"them\"\u003eFlat and inert unlit; acrylic versions read as plastic the moment the light is off\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r\"\u003e\n\u003cspan class=\"k\"\u003eOver time\u003c\/span\u003e \u003cspan class=\"ours\"\u003eGlass will not yellow or grow brittle from bulb heat; the colour is the material itself\u003c\/span\u003e \u003cspan class=\"them\"\u003eAcrylic yellows and stiffens with heat and age; surface tints fade unevenly\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-r\"\u003e\n\u003cspan class=\"k\"\u003eIn the hand\u003c\/span\u003e \u003cspan class=\"ours\"\u003eCool, dense, and noticeably heavier than it looks for its size\u003c\/span\u003e \u003cspan class=\"them\"\u003eLight, warm to the touch, and unmistakably plastic once you handle it\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- ===== FAQ ===== --\u003e\n\u003cdiv class=\"vmf-head\"\u003e\n\u003cspan class=\"vmf-line\"\u003e\u003c\/span\u003e \u003cspan class=\"vmf-eyebrow\"\u003eQuestions, Answered\u003c\/span\u003e\n\u003ch2\u003eCommon \u003cem\u003eQuestions\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vmf-faq\"\u003e\n\u003cdetails class=\"vmf-item\" open=\"\"\u003e\n\u003csummary\u003e\u003cspan\u003eWhat is the mesh pattern on the glass?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003eIt is \u003cstrong\u003ethe weave of the mould, pressed into the glass while it was still molten\u003c\/strong\u003e — soft enough to take the texture, hot enough to keep it. Nothing is printed, etched or applied afterwards.\u003c\/p\u003e\n\u003cp\u003eOn most fixtures that grain would be ground off and fire-polished away, because the convention is that a finished object should show no evidence of how it was made. Here it stays, and it does real work: \u003cstrong\u003eit is what turns a plain glow into a rayed pattern on the wall behind.\u003c\/strong\u003e Run a finger across the surface and you can feel it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eWill it throw a shadow on my wall?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003e\u003cstrong\u003eYes — and that is the reason to buy it rather than something to worry about.\u003c\/strong\u003e Light travelling through the mesh grain and the folded seams is redrawn on the wall behind, several times its own size: the grain becomes a fine rayed pattern, the folds become dark spokes running out from the centre.\u003c\/p\u003e\n\u003cp\u003eWhich does mean the wall matters. \u003cstrong\u003ePlain plaster or painted plasterboard\u003c\/strong\u003e and the pattern lands whole. On patterned wallpaper, panelling, tile or a heavily textured wall it breaks up and you lose most of what you paid for. Leave \u003cstrong\u003e24″ (60 cm) of clear wall around it\u003c\/strong\u003e where you can.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eIs it real glass, or resin?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003eReal glass — \u003cstrong\u003egathered molten, shaped by hand\u003c\/strong\u003e, never moulded resin and never acrylic made to look like art glass. Three things tell you: it is \u003cstrong\u003ecool to the touch and heavier\u003c\/strong\u003e than it looks; the \u003cstrong\u003ewall thickness varies\u003c\/strong\u003e across the piece, so it glows unevenly rather than lighting up flatly; and the folds run \u003cstrong\u003ethrough\u003c\/strong\u003e the material rather than sitting on the surface. The mount behind it is aluminium.\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eWill mine look exactly like the photographs?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003eNo, and this is the honest answer rather than a marketing one. \u003cstrong\u003eEvery disc slumps its own way\u003c\/strong\u003e — the fold pattern, the depth of the collapsed centre and the exact grain are decided by how the glass behaved on the day it was blown. Diameter, colourway and character stay consistent; the folds do not. \u003cstrong\u003eWhich means the shadow it throws is different too.\u003c\/strong\u003e If knowing precisely what will arrive matters more to you than the piece being one of a kind, a moulded fixture is the better choice and we would rather say so.\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eWhich colourway should I choose?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003eChoose by what you want on the wall. \u003cstrong\u003eClear\u003c\/strong\u003e is the brightest and throws the sharpest rays — take it if the cast pattern is the thing you are buying. \u003cstrong\u003eTea amber\u003c\/strong\u003e warms the wall and pushes the whole thing toward honey; the rays are softer and the glow is the warmest of the three.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmoke grey\u003c\/strong\u003e is the most sculptural. Unlit it reads almost as a dark object on the wall; lit, it holds much of the light inside itself and gives the least cast. Take it if you want the disc itself to be the point rather than the shadow.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eHow bright is it?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003ePlan it as a \u003cstrong\u003ewarm accent layer\u003c\/strong\u003e, not a room light. At ∅ 9.8″ this is a compact disc and the light it puts out is atmospheric — it lights its own patch of wall beautifully and does not fill a room. A \u003cstrong\u003erun of them along a hallway\u003c\/strong\u003e at 8–10 ft spacing is genuinely enough to move through a house by. Beside a bed it gives comfortable light to talk and unwind by, but \u003cstrong\u003eit is not a reading light\u003c\/strong\u003e — keep a lamp or a swing-arm alongside if you read in bed.\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eWhat bulbs does it take?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003e\u003cstrong\u003eG4 LED bulbs\u003c\/strong\u003e, warm white recommended, not included. A small capsule lamp is used deliberately — it sits low and out of sight inside the disc, which is part of why the glass reads as a lit object rather than a shade with a bulb in it.\u003c\/p\u003e\n\u003cp\u003eOne thing to watch when you buy replacements: \u003cstrong\u003eG4 comes in two voltages that look completely identical\u003c\/strong\u003e, mains and 12V, with the same two pins and the same capsule. They are not interchangeable. This fixture takes \u003cstrong\u003e[__ CONFIRM VOLTAGE] G4 LEDs\u003c\/strong\u003e — check the packet, and send us a photograph if you are unsure.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eCan it be dimmed?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003eDimming depends on the bulb rather than the fixture. Fit \u003cstrong\u003edimmable G4 LEDs\u003c\/strong\u003e on a compatible dimmer circuit and it will dim smoothly; standard lamps will not. A \u003cstrong\u003ewarm white around 2700K\u003c\/strong\u003e suits this glass best — cooler light turns the tea amber grey and flattens the surface, which is exactly what you do not want on a piece whose surface is the point.\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eHow high should I mount it, and do I need a pair?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003eSet the centre \u003cstrong\u003e60–66″ (152–168 cm) above the finished floor\u003c\/strong\u003e in a hallway, living room or stairwell. \u003cstrong\u003eBeside a bed, drop to 52–56″\u003c\/strong\u003e — a small disc sits lower than a tall sconce without looking lost, and you are lying down rather than standing.\u003c\/p\u003e\n\u003cp\u003eA \u003cstrong\u003epair\u003c\/strong\u003e either side of a bed, spaced 36–40″ apart with both centres level. \u003cstrong\u003eSingles\u003c\/strong\u003e work well in an alcove, above a console or at the end of a hall. In a corridor, run them at 8–10 ft spacing. Tell us if you are buying a pair and we will \u003cstrong\u003ematch them from the same run\u003c\/strong\u003e so they read as siblings.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eCan I use it in a bathroom?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003eNo. This is an \u003cstrong\u003eindoor, dry-location fixture\u003c\/strong\u003e with no protection against water. It belongs in hallways, bedrooms, living rooms, stairwells or a dressing room. \u003cstrong\u003eNot in a bathroom, above a bath or shower, in a laundry, or on a covered porch\u003c\/strong\u003e, even one that stays out of direct rain — those positions need a fixture rated for damp locations.\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eWill it fit a narrow hallway?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003eCheck the \u003cstrong\u003e[__]″ projection from the wall\u003c\/strong\u003e against your corridor width before ordering — it is the figure that decides this, not the diameter. As a rule of thumb, in a corridor under \u003cstrong\u003e36″ (90 cm)\u003c\/strong\u003e wide, keep sconces to one wall and mount them toward the upper end of the height range so nobody catches a shoulder. Tell us your corridor width if you are unsure and we will advise.\u003c\/div\u003e\n\u003c\/details\u003e\n\u003cdetails class=\"vmf-item\"\u003e\n\u003csummary\u003e\u003cspan\u003eHow do I clean it, and what if it arrives damaged?\u003c\/span\u003e\u003cspan class=\"vmf-ico\"\u003e\u003c\/span\u003e\u003c\/summary\u003e\n\u003cdiv class=\"vmf-ans\"\u003e\n\u003cp\u003eA \u003cstrong\u003esoft dry cloth\u003c\/strong\u003e for dust, barely damp for marks, following the folds rather than working across them. Avoid abrasive pads, solvents and glass sprays containing ammonia — the mesh grain traps residue. Switch off and let the bulb cool completely first.\u003c\/p\u003e\n\u003cp\u003eThe glass is wrapped separately and foam-seated, with the aluminium mount and hardware packed apart from it. If something arrives damaged, \u003cstrong\u003esend photographs within 24 hours of delivery\u003c\/strong\u003e and the affected part is replaced — noting that a replacement disc will have its own folds, as every freely formed piece does.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/details\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle\u003e\n.vig{\n  --brand:#5b2d20;--brand-dk:#3d1e15;--brand-lt:#7d4534;\n  --gold:#b08d57;--gold-lt:#d9bd8a;\n  --cream:#fcf8f3;--line:#e8ddd8;--ink:#2d1810;--body:#5a4a3f;\n  --serif:Georgia,\"Times New Roman\",serif;\n  --sans:-apple-system,BlinkMacSystemFont,\"Segoe UI\",sans-serif;\n  --num:Arial,Helvetica,sans-serif;\n  max-width:860px;margin:44px auto;font-family:var(--sans);color:var(--ink);line-height:1.7;\n}\n.vig *{box-sizing:border-box;}\n.vig-card{\n  position:relative;overflow:hidden;\n  border:1px solid var(--line);border-radius:16px;\n  background:linear-gradient(155deg,#fff 0%,var(--cream) 100%);\n  box-shadow:0 14px 38px rgba(91,45,32,.11);\n}\n.vig-card::before{\n  content:'';position:absolute;inset:0;pointer-events:none;\n  background:radial-gradient(ellipse 50% 70% at 92% 10%, rgba(176,141,87,.10) 0%, transparent 60%);\n}\n\/* header *\/\n.vig-top{position:relative;padding:34px 40px 26px;text-align:center;}\n.vig-line{display:block;width:48px;height:1px;background:var(--gold);margin:0 auto 14px;}\n.vig-eyebrow{font-size:10px;letter-spacing:.28em;text-transform:uppercase;color:var(--brand-lt);font-weight:600;display:block;margin-bottom:11px;}\n.vig-top h2{font-family:var(--serif);font-size:1.6em;font-weight:400;color:var(--ink);margin:0 0 10px;letter-spacing:.4px;line-height:1.28;}\n.vig-top h2 em{color:var(--brand);font-style:italic;}\n.vig-top p{font-size:.93em;color:var(--body);margin:0 auto;max-width:520px;line-height:1.8;}\n\/* steps *\/\n.vig-steps{position:relative;display:grid;grid-template-columns:repeat(4,1fr);border-top:1px solid var(--line);border-bottom:1px solid var(--line);}\n.vig-step{padding:26px 18px;text-align:center;border-right:1px solid var(--line);transition:background .35s ease;}\n.vig-step:last-child{border-right:none;}\n.vig-step:hover{background:#fff;}\n.vig-step .ic{\n  width:44px;height:44px;margin:0 auto 12px;border-radius:50%;\n  background:#fff;border:1px solid var(--gold);\n  display:flex;align-items:center;justify-content:center;transition:background .35s ease;\n}\n.vig-step:hover .ic{background:var(--cream);}\n.vig-step .ic svg{width:19px;height:19px;color:var(--brand);}\n.vig-step .n{font-family:var(--num);font-size:.68em;font-weight:700;letter-spacing:.14em;color:var(--gold);display:block;margin-bottom:5px;}\n.vig-step h4{font-family:var(--serif);font-size:.98em;font-weight:600;color:var(--brand-dk);margin:0 0 5px;letter-spacing:.2px;}\n.vig-step p{font-size:.84em;color:var(--body);margin:0;line-height:1.6;}\n\/* cta *\/\n.vig-bar{position:relative;padding:28px 40px 32px;text-align:center;}\n.vig-cta{\n  display:inline-flex;align-items:center;gap:10px;\n  font-family:var(--sans);font-size:.94em;font-weight:600;\n  color:#fff !important;text-decoration:none !important;\n  background:linear-gradient(140deg,var(--brand) 0%,var(--brand-dk) 100%);\n  padding:14px 34px;border-radius:50px;\n  box-shadow:0 7px 18px rgba(91,45,32,.24);\n  transition:transform .3s ease,box-shadow .3s ease;\n}\n.vig-cta:hover,.vig-cta:visited,.vig-cta:active,.vig-cta:focus{color:#fff !important;text-decoration:none !important;}\n.vig-cta:hover{transform:translateY(-2px);box-shadow:0 12px 26px rgba(91,45,32,.34);}\n.vig-cta svg{width:16px;height:16px;color:#fff !important;stroke:#fff !important;}\n.vig-meta{font-family:var(--num);font-size:.78em;color:#8a7268;margin:13px 0 0;letter-spacing:.06em;}\n@media (max-width:760px){\n  .vig{margin:30px auto;}\n  .vig-top{padding:28px 22px 22px;}\n  .vig-top h2{font-size:1.34em;}\n  .vig-steps{grid-template-columns:repeat(2,1fr);}\n  .vig-step{border-bottom:1px solid var(--line);padding:22px 14px;}\n  .vig-step:nth-child(2){border-right:none;}\n  .vig-step:nth-child(3),.vig-step:nth-child(4){border-bottom:none;}\n  .vig-bar{padding:24px 22px 28px;}\n  .vig-cta{width:100%;justify-content:center;}\n}\n\u003c\/style\u003e\n\u003cdiv class=\"vig\"\u003e\n\u003cdiv class=\"vig-card\"\u003e\n\u003c!-- HEADER --\u003e\n\u003cdiv class=\"vig-top\"\u003e\n\u003cspan class=\"vig-line\"\u003e\u003c\/span\u003e \u003cspan class=\"vig-eyebrow\"\u003eInstallation\u003c\/span\u003e\n\u003ch2\u003eThe Complete \u003cem\u003eInstallation Guide\u003c\/em\u003e\n\u003c\/h2\u003e\n\u003cp\u003eNot sure how to wire it, how high to hang it, or whether you need an electrician? Our full guide walks through every step for US homes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- STEPS --\u003e\n\u003cdiv class=\"vig-steps\"\u003e\n\u003cdiv class=\"vig-step\"\u003e\n\u003cdiv class=\"ic\"\u003e\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"1.8\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003cpath d=\"M13 2L3 14h7l-1 8 10-12h-7z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cspan class=\"n\"\u003e01\u003c\/span\u003e\n\u003ch4\u003ePower Off First\u003c\/h4\u003e\n\u003cp\u003eSwitch off at the breaker and confirm before you touch any wiring.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vig-step\"\u003e\n\u003cdiv class=\"ic\"\u003e\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"1.8\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003crect x=\"3\" y=\"3\" width=\"18\" height=\"18\" rx=\"2\"\u003e\u003c\/rect\u003e\u003cpath d=\"M9 9h6v6H9z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cspan class=\"n\"\u003e02\u003c\/span\u003e\n\u003ch4\u003eCheck the Box\u003c\/h4\u003e\n\u003cp\u003eMake sure your junction box is standard, secure, and rated for the weight.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vig-step\"\u003e\n\u003cdiv class=\"ic\"\u003e\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"1.8\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003cpath d=\"M4 12h5M15 12h5M9 8v8M15 8v8\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cspan class=\"n\"\u003e03\u003c\/span\u003e\n\u003ch4\u003eMatch the Wires\u003c\/h4\u003e\n\u003cp\u003eBlack to black, white to white, ground to ground — the US standard explained.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vig-step\"\u003e\n\u003cdiv class=\"ic\"\u003e\u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"1.8\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003cpath d=\"M12 3v18M5 10l7-7 7 7\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cspan class=\"n\"\u003e04\u003c\/span\u003e\n\u003ch4\u003eSet the Height\u003c\/h4\u003e\n\u003cp\u003eMounting heights and clearances for sconces, pendants, and chandeliers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- CTA --\u003e\n\u003cdiv class=\"vig-bar\"\u003e\n\u003ca class=\"vig-cta\" href=\"https:\/\/vidirlighting.com\/blogs\/news\/the-complete-lighting-installation-guide-for-us-homes\" rel=\"noopener\" target=\"_blank\"\u003e Read the Full Installation Guide \u003csvg viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"#ffffff\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\"\u003e\u003cpath d=\"M5 12h14M13 6l6 6-6 6\"\u003e\u003c\/path\u003e\u003c\/svg\u003e \u003c\/a\u003e\n\u003cp class=\"vig-meta\"\u003eFree guide · Written for US homes · Opens in a new tab\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"simg-pop-btn\" style=\"top: 1457.87px; left: 15.9922px; display: none;\"\u003e\u003csvg class=\"\" viewbox=\"0 0 24 24\"\u003e\u003cpath d=\"M18 13v7H4V6h5.02c.05-.71.22-1.38.48-2H4c-1.1 0-2 .9-2 2v14c0 1.1.9 2 2 2h14c1.1 0 2-.9 2-2v-5zm-1.5 5h-11l2.75-3.53 1.96 2.36 2.75-3.54zm2.8-9.11c.44-.7.7-1.51.7-2.39C20 4.01 17.99 2 15.5 2S11 4.01 11 6.5s2.01 4.5 4.49 4.5c.88 0 1.7-.26 2.39-.7L21 13.42 22.42 12zM15.5 9C14.12 9 13 7.88 13 6.5S14.12 4 15.5 4 18 5.12 18 6.5 16.88 9 15.5 9\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/div\u003e","brand":"Vidirlighting","offers":[{"title":"∅ 9.8″ \/ Amber","offer_id":52230896714018,"sku":"V-GLWL2608021-1","price":265.0,"currency_code":"USD","in_stock":true},{"title":"∅ 9.8″ \/ Black","offer_id":52230896746786,"sku":"V-GLWL2608021-2","price":265.0,"currency_code":"USD","in_stock":true},{"title":"∅ 9.8″ \/ Clear","offer_id":52230896779554,"sku":"V-GLWL2608021-3","price":265.0,"currency_code":"USD","in_stock":true},{"title":"∅ 9.8″ *2 \/ Amber","offer_id":52230896812322,"sku":"V-GLWL2608021-4","price":525.0,"currency_code":"USD","in_stock":true},{"title":"∅ 9.8″ *2 \/ Black","offer_id":52230896845090,"sku":"V-GLWL2608021-5","price":525.0,"currency_code":"USD","in_stock":true},{"title":"∅ 9.8″ *2 \/ Clear","offer_id":52230896877858,"sku":"V-GLWL2608021-6","price":525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0818\/5741\/3410\/files\/corvina-molten-glass-wall-sconce-vidirlighting-amber-smoke-grey-clear-glass-color-options-comparison.webp?v=1785635085","url":"https:\/\/vidirlighting.com\/products\/corvina-molten-glass-wall-sconce","provider":"Vidirlighting","version":"1.0","type":"link"}